Arnold Mikelson

Last updated

Arnold Mikelson (1922-1984) was a Latvian artist who specialized in wood carvings. Starting in 1947, he was chief designer for Royal Crown Derby Porcelain of England, before working as an architectural draftsman for a number of years. In the late 1960s, he took up carving full-time. Mikelson's work includes the design of the Mind and Matter Gallery in White Rock, British Columbia. He had commissions from the forestry giant MacMillan Bloedel (now Weyerhaeuser Canada), the Province of British Columbia and the City of Surrey.

Contents

Early life

Mikelson was born in 1922 [1] in the small river town of Rauna, Latvia. He was the son of a cabinetmaker. [2] At the age of four, a visiting aunt noticed him carving a piece of wood on his father’s workbench. From then until the age of 16, he studied various artistic crafts. Trained as a mechanical engineer, he retained his passion for art. At the age of 17, Mikelson was awarded a Gold Medal in the Latvian seaport capital of Riga for his contribution to the arts there. [3]

Career

Mikelson gave up painting at the age of 28 and settled on sculpture almost exclusively. In 1940, during World War II, the Russians invaded Latvia. Mikelson fled to Germany. Over seven years in war-torn Germany, Mikelson managed around 40 employees. These were artisans who made wooden hope chests, jewelry boxes, wooden plates and chandeliers. Mikelson created intricate carvings. Many churches throughout Germany contain carved chandeliers crafted by him.[ citation needed ]

England

In 1947, after the war, Mikelson emigrated to England. Mikelson began working at the 200-year-old Royal Crown Derby Porcelain of England, hired to create three-dimensional sculptures. Mikelson was the company’s Chief Designer. His design leadership, including the "Chelsea Birds" now well known, helped revitalize and rebuild Royal Crown to some of its former grandeur. His work, consisting largely of bird sculptures, remains on display in the Royal Crown Derby Museum in England.[ citation needed ] In 1948 Arnold married Livija Mikkelson in Repton, United Kingdom. In 1953 Arnold, Livija, and their two young children sailed for Canada.[ citation needed ]

Canada

On a 1954 visit overseas, Canadian Senator Donald Cameron, appointed to the government after a significant career in public education with the University of Alberta, encountered Mikelson’s work at an art exhibition in England. Cameron, among his many significant achievements, was head of the Banff School of Fine Arts in the 1930s, and maintained a leadership connection with that facility over the years. He acted as its head during his time as a Senator, and he kept that position until 1969. The Banff School was world-famous even in 1954, and Cameron didn’t hesitate when he approached Mikelson and offered him a management and teaching position in the facility that sits in the Tunnel Mountain in Banff National Park.

Mikelson accepted Senator Cameron’s offer and immigrated to Canada. However, when he travelled to Banff and saw the school, the finest in Canada with an international reputation, Mikelson turned down the opportunity, as the Banff facility was considered by European standards to be tiny and insignificant. Mikelson had no way of knowing at that time that this was the best that the comparatively new country of Canada had to offer, and he came, over time, to regret the decision he had made when he walked away from Senator Cameron’s offer.[ citation needed ]

Mikelson went to work as an architectural draftsman. He designed many schools, hospitals, and residential buildings throughout that province and British Columbia.[ citation needed ] In 1956, he carved moulds of the Canadian coat of arms for use in Alberta courtrooms. [4]

After 11 years on the Prairies, Mikelson decided to leave Alberta for British Columbia, with his new wife Mary. In 1965 they settled in the Lower Mainland of British Columbia, where Arnold designed and built The Mind and Matter Gallery. [5]

Late career

In 1971 the Amy Ryan Fine Arts Center in Abilene, Texas, commissioned Mikelson to create three sculptures for its Fine Arts Center. "Roadrunner", a roadrunner attacking a rattlesnake was one of the pieces, depicting the state bird of New Mexico. The "Mockingbirds", the state bird of Texas, along with "Inspiration", [6] a seven-foot angel completed the set. Today these works are on permanent display at the Amy Graves Ryan Center of Fine Arts in Abilene.

Exhibitions featuring his work were held at the British Columbia Provincial Museum, and at locations all across Canada. In 1976 on the grounds of the Canadian National Exhibition in Toronto, he was invited to participate by the International Carvers Association with 1,500 entrants from all over the world. Mikelson’s work won in 11 out of 15 categories, he was given the Gold and Silver Medals for his accomplishment, and he was invited back the next year as a judge for the International Carvers Exhibition.

Mikelson died February 9, 1984, while recovering from open-heart surgery. [7]

Materials and technique

Mikelson favourite wood was satin walnut (eucalyptus), but he employed many other types, such as oak, teak, birch, and yellow cedar. After designing the sculpture, he roughly formed it with a bandsaw, laminated the parts, and then finished with a grinder, sandpaper, and varnish. For larger sculptures he worked on the components prior to gluing them together without clamps. He produced about 250 pieces each year. [8]

Family

Mikelson and his wife Mary had four children together; daughters Margit, Sapphire and Myra, and son Arnold Jr. [9]

Related Research Articles

Brian Jungen is an artist of Dane-zaa and Swiss ancestry living and working in the North Okanagan of British Columbia. Working in a diverse range of two and three-dimensional materials Jungen is widely regarded as a leading member of a new generation of Vancouver artists. While Indigeneity and identity politics have been central to much of his work, Jungen has "a lot of other interests" and themes that run through his oeuvre. His work addresses many audiences' misconception that "native artists are not allowed to do work that is not about First Nations identity", by making poetic artworks that defy categorization.

<span class="mw-page-title-main">Walter Phillips Gallery</span> Art museum in Alberta, Canada

The Walter Phillips Gallery (WPG) is a contemporary art gallery in Banff, Alberta. It was established in 1976 as a part of The Banff Centre in Banff National Park.

Donald Cameron Jr. was a Canadian academic, author, teacher and politician. He served as a member of the Canadian Senate sitting as an Independent Liberal from 1955 to 1987.

Hanna Jubran is a Palestinian Arab Israeli sculptor, born in Jish, the upper Galilee. His work addresses the concepts of time, movement, balance and space. Each sculpture occupies and creates its own reality influenced by its immediate surroundings. The work does not rely on one media to evoke the intended response, but takes advantage of compatible materials such as, wood, granite, steel, iron and bronze.

Sarindar Dhaliwal is a multi-media artist, born in India, raised in England, and based in Toronto.

Walter Gibson Dexter was a Canadian ceramist, potter and teacher.

<span class="mw-page-title-main">Jim Hart (artist)</span> Canadian sculptor

James Hart is a Canadian and Haida artist and a chief of the Haida Nation.

Phil Gray is a Canadian artist who specializes in wood carvings from the Tsimshian and Mikisew Cree communities. His work uses traditional technique and features imagery from legends. In 2014, Gray was awarded a British Columbia Creative Achievement Award in Aboriginal Art from the Government of British Columbia.

<span class="mw-page-title-main">Gu Xiong (artist)</span> Artist

Gu Xiong is a Canadian contemporary artist.

<span class="mw-page-title-main">Myfanwy Macleod</span> Canadian artist (born 1961)

Myfanwy MacLeod is a Canadian artist who lives, and works, in Vancouver, British Columbia. She has exhibited work in Canada, the United States of America, and Europe. MacLeod received an award from La Fondation André Piolat (1995), and a VIVA award from the Doris and Jack Shadbolt Foundation (1999). She has work in public, and private collections, including at the National Art Gallery of Canada, and the Vancouver Art Gallery.

Sylvia Grace Borda is a Canadian artist-urban geographer working in photography, video and emergent technologies. Borda has worked as a curator, a lecturer, a multimedia framework architect with a specialization in content arrangement (GUI) and production. Born and raised in Vancouver, Borda is currently based in Vancouver, Helsinki, and Scotland. Her work has been exhibited locally, nationally, and internationally.

<span class="mw-page-title-main">Carle Hessay</span> German-Canadian painter

Hans Karl Hesse, known in later life as Carle Hessay, was a German-born Canadian painter. Although much remains uncertain of his early years, he immigrated to Canada in 1927, and later studied at art academies in Dresden and Paris. Hessay served as a Canadian soldier in World War II. After the establishment of peace, he moved to British Columbia, eventually settling in the town of Langley, where he took up art again in the 1950s. Some of his early paintings were done in the manner of Romantic realism. The influence of Expressionism soon became significant, with Hessay drawing on both the European and American movements, together with aspects of Emily Carr and the Group of Seven. He painted landscapes throughout his artistic life, as well as cityscapes, the Spanish Civil War, Biblical prophecy, and conceptions of the far future. A sizable fraction of his output consisted of abstract pieces. Over time, Hessay's depictions grew more symbolic, one commentator describing his late work as "brazenly metaphysical and apocalyptic". He often made his own pigments, and his style is distinguished by his use of colour, especially black. In 2014, a group of Canadian writers published poems based on his small abstracts. Hessay was the subject of a 2017 documentary film and art exhibition at the University of Victoria.

Judith Lodge is an American Canadian painter and photographer who often explores how the two mediums play off of and inform one another. Her abstract portraits of memories, situations, events, and people are inspired by the unconscious, dreams, journals, and nature. She has worked in Vancouver, Victoria, Toronto, Banff, Minnesota, and New York, where she has lived for more than thirty years.

Lilias Marianne Ar de Soif Farley was a Canadian painter, sculptor, designer, and muralist in realism and abstraction. In 1967, she was awarded the Centennial Medal for Service to the Nation in the Arts. She was an alumna of the Vancouver School of Decorative and Applied Arts and was a member of the school's first graduating class.

<span class="mw-page-title-main">Karoo Ashevak</span>

Karoo Ashevak was an Inuk sculptor who lived a nomadic hunting life in the Kitikmeot Region of the central Arctic before moving into Spence Bay, Northwest Territories in 1960. His career as an artist started in 1968 by participating in a government-funded carving program. Working with the primary medium of fossilized whale bone, Ashevak created approximately 250 sculptures in his lifetime, and explored themes of shamanism and Inuit spirituality through playful depictions of human figures, angakuit (shamans), spirits, and Arctic wildlife.

Siku Allooloo is an Inuk/Haitian Taíno writer, artist, facilitator and land-based educator from Denendeh, Northwest Territories and Pond Inlet, Nunavut in Canada. Allooloo's works incorporates the legacies of resistance to settler colonialism, and revitalization of Indigenous communities. Through her writing, visual art, and activism, Allooloo fights against colonial violence on indigenous women. She won Briarpatch magazine's 2016 creative nonfiction contest with the piece titled "Living Death".

Torrie Groening, born in 1961 in Port Alberni, British Columbia, is a photographer and artist based out of Vancouver, British Columbia, Canada. Her art practices include drawing, painting, printmaking, and installation art. Groening is an alumna of the Visual Arts department of The Banff Centre and attended Emily Carr College of Art & Design where she studied printmaking.

Anne Riley is an interdisciplinary artist of Slavey Dene and German ancestry. Born in Dallas, Texas, Riley currently lives and works in Vancouver, Canada. Several of Riley's works derive from her identity as Indigiqueer, a term coined by Cree artist TJ Cuthand, and commonly used by Indigenous artists including Oji-Cree storyteller, Joshua Whitehead. The term is interconnected with Two-spirit, an identity and role that continues to be vital within and across many Indigenous nations. Through artistic projects, Riley engages Indigenous methodologies that prioritize learning through embodiment, nurturing communities as well as the non-human world. Riley received her BFA from the University of Texas at Austin in 2012. Riley is a recipient of the City of Vancouver Studio Award (2018–2021).

Ruben Komangapik is an Inuit artist primarily known for his mixed media sculptures. He is also a musician, performing both traditional Inuit drumming and singing as well as playing bass guitar in the heavy metal band Slayvz. He was born in Iqaluit, and his home community is Pond Inlet (Mittimatalik) on the high north-east coast of Baffin Island (Qikiqtaaluk).

References

  1. "Arnold Mikelson: Sculptor". Artists in Canada. Archived from the original on 14 September 2018. Retrieved 18 December 2018.
  2. Lyall, Jean C. (10 Jun 1976). "Wh. Rock Artists". Surrey Leader. Archived from the original on 9 December 2018. Retrieved 7 December 2018 via Newspapers.com Lock-green.svg .
  3. "Sculpting Artists in British Columbia". Artists in Canada. Artists in Canada. Archived from the original on 14 September 2018. Retrieved 14 September 2018.
  4. Rowe, Al (31 May 1956). "Alberta Courts To Display Plaques". Edmonton Journal. p. 19. Archived from the original on 9 December 2018. Retrieved 7 December 2018 via Newspapers.com Lock-green.svg .
  5. "South Surrey arts advocate awarded honorary degree from KPU". Kwantlen Polytechnic University. 17 May 2018. Archived from the original on 9 December 2018. Retrieved 7 December 2018.
  6. Bodington, Deryk (14 April 1972). "Wood sculptor at White Rock". The Vancouver Sun. Archived from the original on 9 December 2018. Retrieved 7 December 2018 via Newspapers.com Lock-green.svg .
  7. Browne, Alex (30 April 2015). "Mind, matter and memories". Peace Arch News. Archived from the original on 6 December 2018. Retrieved 7 December 2018.
  8. Scott, Andrew (15 February 1980). "The mind and matter of an admirable wood sculptor". The Vancouver Sun. Archived from the original on 9 December 2018. Retrieved 7 December 2018 via Newspapers.com Lock-green.svg .
  9. Browne, Alex (4 June 2018). "South Surrey gallery owner's lifetime commitment to arts honoured". Surrey Now-Leader. Archived from the original on 30 November 2018. Retrieved 7 December 2018.