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ARTZUID | |
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![]() Logo of ARTZUID | |
Status | Active |
Genre | Sculpture biennale |
Frequency | Biennial |
Location(s) | Amsterdam-Zuid, Netherlands |
Years active | 2009–present |
Inaugurated | 2008 |
Founder | Cintha van Heeswijck |
Previous event | 2023 |
Next event | 2025 |
Website | www |
ARTZUID is an international sculpture biennale held in Amsterdam-Zuid, Netherlands, primarily along Apollolaan, Minervalaan, Churchillaan, and nearby areas of Amsterdam-Zuid. [1] Established in 2008, the exhibition features large-scale contemporary sculptures and installations in public spaces, integrating them with the urban design of Hendrik Petrus Berlage’s 1917 Plan Zuid.
The ARTZUID Foundation was established as a cultural non-profit organization in 2008 by Cintha van Heeswijck and local residents of Amsterdam-Zuid. [2] The first biennial ARTZUID exhibition took place in 2009 and it has since grown into a widely recognized outdoor exhibition of contemporary sculptures, attracting thousands of visitors and featuring works by various contemporary artists.
The Foundation won the Europa Nostra Award in 2011 for making a hidden cultural heritage site known to a broad public. [3]
For each edition, a curator is commissioned to select sculptures based on the exhibition theme. The exhibition takes place every other year in the Art-Deco district in Amsterdam. The ARTZUID sculpture trail starts at Minervalaan 1, at the Information Pavilion.
Well-known former curators include Rudi Fuchs, Henk van Os, Jan Cremer, Michiel Romeyn & Roberto Meyer, Jhim Lamoree, Maarten Bertheux, Ralph Keuning, and Jasper Krabbé.
In the words of Rudi Fuchs, ARTZUID is "a unique event on a global scale." Fuchs says he is "not aware of any other biennale that focuses solely on outdoor sculpture." [9]
Source |
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Dreamideamachine (2025) | Contemporary overview of ArtZuid structure and legacy |
Pace Gallery (2025) | Thematic exploration and curatorial insights |
MASTERS EXPO (2025) | Exhibition presentation and environmental context |
Piercings Works blog (2025) | Visitor‑oriented details and accessibility |
Stephen Friedman Gallery (2025) | Artist‑specific coverage, enriching the narrative |
TravelswithCharie (2021 & 2023) | Visitor gaze, public reception, visual impressions |