Brian Donnelly (born November 4, 1974), known professionally as Kaws (stylized as KAWS), is an American artist and designer. His work includes repeated use of a cast of figurative characters and motifs, some dating back to the beginning of his career in the 1990s,[1] initially painted in 2D and later realized in 3D. Some of his characters are his own creations while others are reworked versions of existing icons.
Kaws's sculptures range in size from a few inches to ten meters tall,[1] and are made from various materials including fiberglass, aluminum, wood, bronze, and a steel pontoon inflatable raft.[2][3]
Kaws's influences come from traditional high art painters like Gerhard Richter, Claes Oldenburg, and Chuck Close,[4] and he has been compared to the likes of Andy Warhol[5][6] for his cross-market appeal and ability to blur lines between commercial and fine art. His work is exhibited in galleries and museums, held in the permanent collections of public institutions, and avidly collected by individuals[7] including music producer Swizz Beatz, internet figure PewDiePie, rappers Pharrell Williams, Kid Cudi,[8] and members of South Korean group BTS. A number of books illustrating his work have been published.
Donnelly was born in 1974 in Jersey City, New Jersey,[6] where he attended St. Anthony High School. As a teenager, Donnelly created a tag for himself, KAWS (based on the way the letters looked—the word, in fact, has no meaning), which he painted on the roof of an area building so that he could see it outside while attending class in high school.[9] He went on to attend the School of Visual Arts in New York City, receiving a Bachelor of Fine Arts in illustration in 1996.[10] Following graduation, he briefly worked for Jumbo Pictures as a freelance animator painting backgrounds for the animated series 101 Dalmatians, Daria and Doug.[11]
Moving to New York City in the 1990s, Kaws pursued illegal graffiti.[7][12] Animator by day, and graffiti artist by night,[13] Kaws started subvertising billboards, bus shelters, and phone booths, using a skeleton key gifted to him by friend and fellow graffiti artist Barry McGee.[7] Using a key he created for himself,[14][12] he also started subvertising bus shelters. Kaws has since subvertised in Paris, London, Berlin, and Tokyo.[15]
Kaws's acrylic paintings and sculpture have many repeating images, all meant to be universally understood, surpassing languages and cultures.[citation needed] Some of his characters date back to the beginning of his career in the 1990s: Companion (created in 1999),[7]Accomplice, Chum, and Bendy.[1] His series The Kimpsons subverted the American cartoon The Simpsons.
Kaws's Companion is a grayscale clown-like figure based on Mickey Mouse with his face obscured by both hands, and two bones sticking out of his head. In 1999, the Japanese toy company Bounty Hunter produced and sold a vinyl Companion toy (Mickey Mouse with X-ed out eyes).[12] The figure was adapted into a balloon for the 2012 Macy's Thanksgiving Day Parade,[7] as part of its "Blue Sky Gallery" of balloons. Having already created oversized sculptures in the past, Kaws started to produce further sculptures of his Companion character for exhibitions in Switzerland,[16] Hong Kong,[17] Taiwan,[18] Málaga,[19] London,[20] and China.[21]
Kaws has periodically shown both paintings and products at Colette in Paris since 1999.[citation needed] His work was included in the traveling exhibition Beautiful Losers, which started at the Cincinnati Contemporary Art Center and traveled throughout the US and Europe, including his then-largest museum show to date at the High Museum of Art in Atlanta, GA in 2012.[22]
Since 2018 Espacio SOLO, Colección SOLO museum in Madrid, shows in its main hall Companion (Resting place) as part of its permanent exhibitions.
Kaws's style can be characterized by an emphasis on color and line, distinctive graphics, such as the repeated use of "x"'s on the hands, nose, eyes, ears, and the appropriation of pop culture icons such as Mickey Mouse, the Michelin Man, and his characters are generally depicted in a shy or powerless pose often with their hands over their nose. In his paintings, Kaws always deconstructs his appropriation of iconic characters into shapes that produces abstract paintings.[23]
On May 2, 2023, Kaws scored a major legal victory against a Singaporean man who he accused of counterfeiting, with others, replicas of the artist's signature "Companion" figure and other toys, skateboards, and artworks.[24]
Products and commercial collaborations
Kaws's MTV Moonman trophy
Since his first vinyl toy with the Japanese clothing brand Bounty Hunter in 1999,[25] he has collaborated on toys with other Japanese companies: Nigo for A Bathing Ape (Bape), Medicom Toy, and Santastic!. Since the beginning of their partnership in 2001, Nigo and Kaws have collaborated on the packaging for Kaws's "The Kimpsons" exhibit and three seasons of A Bathing Ape. He and Medicom Toy ran OriginalFake, a brand and store in Aoyama, from 2006 to May 2013.[26]
Kaws has also collaborated with Jun Takahashi for the brand Undercover, as a voice-over artist for Michael "Mic" Neumann's Kung Faux, and worked on projects with Burton, Vans, Supreme and DC Shoes. There are Kaws-designed small edition bottles for Dos Equis and Hennessy, rugs for Gallery 1950 and packaging for Kiehl's cosmetics. In 2004, he collaborated with Undefeated Brand on a billboard project in Los Angeles.[27][28] In 2008 he collaborated with John Mayer to produce a collection of guitar picks.[29]
In 2008, he created cover art for musicians Towa Tei, Cherie, Clipse (Clipse Till The Casket Drops) and Kanye West (808s & Heartbreak)[30] as well as designed NikeAir Force 1 trainers (the Nike 1World project involved 18 total designers).[31] And in March 2017, the Nike subsidiary Air Jordan released a capsule collection in collaboration with Kaws – four Air Jordan sneakers customized by Kaws, and a number of apparel pieces.[32] He has also recently contributed a lot to the Hip Hop community with merch lines associated with artists such as Travis Scott with his April 2021 single "The Scotts" featuring Kid Cudi who has also has been working closely with Brian in recent merchandise releases. With Merch ranging from KAWS collaborated artwork specially created with hand crafted clothing to vinyl and cassette covers. [33]i-D and Travis Scott collaborated merch. [34]
In November/December 2010 he illustrated magazine covers for The New Yorker, Clark Magazine ,[35]i-D and Sneeze Magazine.[36] In 2011, Kaws appeared on the Bravo reality competition series Work of Art: The Next Great Artist, where he was a guest judge for the Season 2 finale.[37] For the 2013 MTV Video Music Awards, Kaws redesigned the MTV Moonman trophy in the form of his "Companion" character,[38] and his 3D model was used to create a 60-foot tall inflatable version.[39] He also redesigned various event materials.[7] In 2014, Kaws designed the bottle artwork for the scent Girl, by Comme des Garçons and Pharrell Williams.[40]
In 2016, Kaws entered into an ongoing relationship with clothing store Uniqlo to produce a line of affordable T-shirts and accessories; the first line was clothing and soft toys based on the popular children's show Sesame Street.[41] In April 2017, Uniqlo released a line of Peanuts-themed T-shirts, accessories, and plushies designed by Kaws;[42] and in November 2018, Kaws created a second line range of Sesame Street-themed clothing and soft toys.[43] In May 2017, the Museum of Modern Art (MoMA) in New York City released limited supplies of the $200 Kaws Companion action figure, resulting in the MoMA Design Store website crashing due to the unprecedented rush of traffic.[44] In May 2018, Kaws installed two 26-foot tall Companion and BFF sculptures at a shopping complex in Changsha, China.[45]
In October 2019, Kaws unveiled "Waiting", a sculpture in Greenpoint, Brooklyn located in front of 21 India Street.[46] In July 2021, Kaws collaborated with Travis Scott.[citation needed] In October 2021, the Kaws Skeleton outfit was released in Epic Games' Fortnite: Battle Royale in collaboration with Kaws. KawsPeely, a second outfit based on the character Peely, was released in July 2022.[citation needed] In July 2022, Kaws collaborated with J-Hope, one of the members of BTS, for his solo album cover.[citation needed] The 2022 release of General Mills' Monster Cereals features box art by Kaws.[47] In April 2023, KAWS collaborated with the Brooklyn Nets to release their 2023/24 City Edition Jerseys for the upcoming NBA season.[48]
In response to the sale of "The yes he did KAWS Album" at Sotheby's, Anny Shaw wrote that Kaws has not moved on from being a street artist, and that his work is conceptually bankrupt.[52] M. H. Miller views Brian Donnelly's career in light of the current state of the art world, where contemporary works are less about cultural value than providing a place to invest the wealth of billionaires. Kaws is given credit for being modest about his work and admitting that it is not worth the high prices brought upon resale.[53]
Impact on culture
In the 1990s, Donnelly and other artists contributed to a graffiti fanzine called Skills, further promoting his name and image in fields of fine art, fashion, and design. [54] Kaws, along with other artists, emerged to more spotlight and opportunities by publishing issues with independent art magazines in 2007 that would make them "iconic" examples of contemporary art world figures. [55] Donnelly showed that the border between fashion and art didn't exist. [citation needed] His collaborations with big known brands from Dior to Supreme, to even consumer good companies like Henessey are what have only reinforced his work, catching the eye of collectors, for which many are influencers and other creators/artists. [56] Though successful with people wanting to work with him, his work would not be welcomed and displayed in every Art Museum. Director of the Brooklyn Museum Anne Pasternak claims that Kaws "makes the art world uncomfortable" and follows up by saying that Kaws doesn't follow the traditional hierarchies within the art world. Kaws brings all kinds of emotion within his pieces. He is the correlation of being in between what was formerly and what is new and now in the hierarchy of art. [57] Kaws is the result of a democratic culture. From where you can see his pieces, to what the piece conveys, it allows everyone to be a collector on the same level. Donnelly has been able to tap into different principles of art such as fashion, corporate and fine art, and add a greater, simplified, meaningful desired aesthetic created by Kaws and other collaborative artists. Donnelly removes the tension between artist, collectors, and general public and turns it into one connection of the human art experience.[58]
Art market
In May 2017, UK auction house Phillips sold a Kaws Seated Companion (2011) bronze sculpture for approximately US $411,000.[59]
On April 1, 2019, at Sotheby's in Hong Kong, The Kaws Album (2005), a painting by Kaws commissioned by Nigo, sold for 115.9 million Hong Kong dollars, or about $14.7 million U.S. dollars, a new auction record for the artist at the time.[60][61]
Collections
Kaws's work is held in the following permanent public collections:
Kaws Exposed. Seattle: ARO Space, 1999. ISBN9789110509443. Edition of 2000 copies. 31 pages of photographs of his graffiti.
Kaws One. Tokyo: Little More, 2001. Edited by Kawachi, Taka and Akio E-da. ISBN978-4898150450.
Kaws C10: The Paintings of Kaws. Seattle: Neverstop, 2002. ISBN9780971709409. With an introduced by Carlo McCormick. Edition of 3000 copies.
Kaws: 1993-2010.Skira Rizzoli), 2009. Written by Mónica Ramírez-Montagut. ISBN978-0847834341. A retrospective, with illustrations and text. Edited by Ian Luna and Lauren A. Gould and with a contribution by Germano Celant.
Kaws: Downtime. Atlanta, GA: High Museum of Art, 2012. Edited by Michael Rooks and Seth Zucker. ISBN9781932543476. With a foreword by Michael E. Shapiro, an essay by Rooks, and a list of Kaws exhibitions. 112 pages. A catalogue to accompany the exhibition Downtime at High Museum of Art.
Kaws: Final Days Exhibition Catalogue. 82 pages covering an exhibition at the Center of Contemporary Art of Malaga in 2014.
Kaws Exhibition Catalogue. Wakefield, England: Yorkshire Sculpture Park, 2016. Photographs by Jonty Wilde. ISBN978-1-908432-21-6. A catalogue to accompany an exhibition at Yorkshire Sculpture Park. With texts by Flavia Frigeri, Helen Pheby, and Clare Lilley.[66]
KAWS: Where the End Starts. 2017. With text by: Andrea Karnes, Dieter Buchhart, and Michael Auping. ISBN9780929865362.
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↑ Robb, Adam. "Former Jersey City graffiti artist KAWS has first solo museum show", The Jersey Journal, June 25, 2010, updated January 18, 2019. Accessed November 22, 2019. "Stare long enough and you'll start to notice the faded graffiti tagged along the top floors of some surrounding factories, like the crude white letters spelling Kaws on two sides of a rooftop at 13th and Coles. It's the tag of Brian Donnelly, arguably Jersey City's most celebrated artist to date, who painted his pseudonym there in the early 1990s so it would be visible from his classroom window at nearby St. Anthony High School."
↑ "KAWS Biography". Iconoclastusa.com. Archived from the original on December 11, 2008. Retrieved March 22, 2017.{{cite web}}: CS1 maint: unfit URL (link)
↑ Shaw, Anny (April 3, 2019). "Why KAWS is not a great artist". The Art Newspaper. Brian Donnelly's painting sold for a record $14.8m at Sotheby's—but there is little value in his art
↑ Miller, M. H. (February 9, 2021). "The Surprising Ascent of KAWS". The New York Times Magazine. Brian Donnelly went from tagger to blue-chip artist, riding the increasingly blurry line between commercial and fine art.
Thomas, Susan E. (2009). "Value and Validity of Art Zines as an Art Form", The Alternative Music Zine Scene, 28 (31).
Thomas, Susan E. (2007). "Zeroing In on Contemporary, Independent Visual Arts Magazines", Notes, 26 (49).
Smith, William S. (3 September 2019). "What the Rise of KAWS Says About the Art World’s Ailments.", Art in America. Retrieved 14 April 2023.
Smith, William S. (3 September 2019). "What the Rise of KAWS Says About the Art World’s Ailments.", Art in America, "makes the art world uncomfortable." - Anne Pasternak, (par. 2). Retrieved 21 April 2023.
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