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Arne Quinze | |
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Born | |
Nationality | Belgian |
Known for | Public art installations, Paintings, installation art, Sculptures |
Notable work | Amazonia (Luxembourg), The Beautiful Dreamer (Paris), The Passenger (Mons), My Secret Garden (Valencia), Whispers (San Antonio, Enschede), Rock Strangers (Ostend), Reclaiming Cities (Los Angeles, Marta Herford), Rock Strangers at the Statue of Liberty (virtual) (New York), Uchronia (Nevada), Cityscape (Brussels), The Sequence (Brussels), Traveller (Munich), Rebirth (Paris), The Visitor (Beirut), Sculptures (Phillips de Pury and Saatchi Gallery, London), Red Beacon (Shanghai), Camille (Rouen, Musée des Beaux Arts), My Home My House My Stilthouse (Louisiana Museum of Art, Knokke, Munich, Paris) |
Style | Contemporary art, Conceptual art |
Spouses | |
Website | arnequinze.com |
Arne Quinze (born December 15, 1971) is a Belgian conceptual artist best known for his unconventional and controversial public art installations. Quinze also creates both large and small sculptures, drawings, and paintings. In his late teens, he began his artistic journey as a graffiti artist in Brussels but never completed formal art education.
Quinze is known for his sculptures [1] made from wooden planks. His installations are designed to provoke a reaction and to intervene in the daily lives of passersby who encounter his work. Quinze views his installations as spaces where people can meet and engage in conversation.
In 2006, he gained much attention by building Uchronia: A message from the future, a large wide wooden sculpture at the Burning Man festival in the Nevada desert. Cityscape (2007) and The Sequence (2008) are two of his giant wooden public art installations in the centre of Brussels, Belgium. It was the first time a sculpture gave the impression of touching two buildings in the city centre while traffic still passes by underneath it. The installation for the Flemish Parliament became an unequivocal actor in the city. In Munich, Germany, he built Traveller (2008) for the French luxury fashion and leather goods brand Louis Vuitton. [2] Other public art installations by Arne Quinze have been revealed in the centre of Paris, France (Rebirth, 2008), [3] Beirut, Lebanon (The Visitor, 2009) [4] and Louisville, Kentucky (Big Four Bridge, ongoing) [5]
During the festival Rouen Impressionnée which took place, in Rouen in the summer of 2010, he paid tribute to the impressionist Claude Monet [6] by painting Les Jardins/The Waterlilies series for an exhibition in the Abbatiale de Saint-Ouen. The festival was organized as the contemporary component of the Normandie Impressionniste festival, a festival under the presidency of Laurent Fabius, Former French Prime Minister, celebrating the impressionist past of the region. Next to the exhibition an installation (Camille) [7] was built on the Boieldieu Bridge, a bridge that was painted by the impressionist painter Camille Pissarro several times.
Like a futuristic substitute for the market squares of old, Quinze sees his installations as places where people meet and converse as they used to in bygone eras. Red Beacon (2010) is placed in the Jing'an Sculpture Park, the pioneer of presenting public art in the heart of Shanghai located downtown in the Jing'an District.[ citation needed ] His sculptures redefine social space and provide alternative models of interaction.
His other work focuses on the axiom that people tend to seek a safe environment, a cocoon eliminating the unexpected. The installation My Home My House My Stilthouse (2011) in Humlebaek, Denmark at the Louisiana Museum of Modern Art shows the visitor a new form of how housing and living can be perceived. [8]
He revealed a virtual installation Rock Strangers (2011) [9] on the Statue of Liberty in New York City on the 4th of July in collaboration with Beck's [10] for their Green Box Project. The project is co-curated, commissioned and mentored by Nick Knight of SHOWstudio.com and producer Sam Spiegel. Commissioned work will only ever appear in the digital realm.
In the context of Mons 2015 European Capital of Culture , a wooden installation called The Passenger was built and remained visible from December 6, 2014 until December 19, 2019. Unfortunately, a partial collapse occurred on December 24, 2014. The installation was fully rebuilt on October 15, 2015, and was inaugurated on October 16, 2015.
Quinze's artwork mainly refers to social interaction, evolution, communication, rhythm, the interplay of lines, contrasts and contradictions. Recurring techniques in his work are multiple types of wood, including salvaged wood; cardboard, polyurethane and electrical colors in fluorescent paint. The intense color of some of his sculptures create a contrast with their natural surroundings, intended to generate a sentiment of estrangement.
He creates works in themes such as Bidonville, Stilthouse, My Home My House My Stilthouse, [11] [12] View and Chaos; broadening further on his studies of livability in today's context. Bidonvilles are considered to be houses for the future as an apperception on the way how people are living now, slowing down or accelerating the living process intentionally, provoking open communication in a society of human interaction. [13] Stilthouses can be perceived as humans on fragile legs symbolizing the strong nature of man.
In 2009, Quinze installed a public Stilthouse installation called The Visitor in Beirut, Lebanon near its newly developed Souk complex. Auction house Phillips de Pury & Company invited the artist to present his work at their London gallery. Due to its success early 2010, the exhibition was prolonged at London's Saatchi Gallery in the Duke of York's Headquarters on King's Road.
During Hamburg Artweek (2011) [14] Quinze revealed new work showing a shift in his use of materials including smashed old porcelain, meant to symbolize the destruction of our family traditions.
In June 2014, Quinze created a unique artwork in collaboration with Veridor: 45 kg of precious metal crafted into a "Natural Chaos". This art piece was primarily made of 18-carat rose gold and 18-carat palladium white gold in rod and pipe form, as well as gold wire and leaves. The piece named Natural Chaos - Golden Edition No. 1 is for sale for EUR 1.8 million on the online luxury marketplace JamesEdition. [15]
Quinze lives and works in Sint Martens Latem near Ghent, Belgium.
Arne Quinze married Barbara Becker at their Miami waterfront home on 9 September 2009. They celebrated the marriage on 12 September 2009 in Berlin, Germany. In October 2011, Barbara Becker and Quinze divorced.
He married An Lemmens on 6 October 2012. In September 2015, An Lemmens and Quinze divorced.
Jacob Abraham Camille Pissarro was a Danish-French Impressionist and Neo-Impressionist painter born on the island of St Thomas. His importance resides in his contributions to both Impressionism and Post-Impressionism. Pissarro studied from great forerunners, including Gustave Courbet and Jean-Baptiste-Camille Corot. He later studied and worked alongside Georges Seurat and Paul Signac when he took on the Neo-Impressionist style at the age of 54.
Impressionism was a 19th-century art movement characterized by relatively small, thin, yet visible brush strokes, open composition, emphasis on accurate depiction of light in its changing qualities, ordinary subject matter, unusual visual angles, and inclusion of movement as a crucial element of human perception and experience. Impressionism originated with a group of Paris-based artists whose independent exhibitions brought them to prominence during the 1870s and 1880s.
Rouen is a city on the River Seine, in northwestern France. It is the prefecture of the region of Normandy and the department of Seine-Maritime. Formerly one of the largest and most prosperous cities of medieval Europe, the population of the metropolitan area is 702,945 (2018). People from Rouen are known as Rouennais.
Pontoise is a commune north of Paris, France. It is located 28.4 km (17.6 mi) from the centre of Paris, in the "new town" of Cergy-Pontoise.
Charles Angrand was a French artist who gained renown for his Neo-Impressionist paintings and drawings. He was an important member of the Parisian avant-garde art scene in the late 1880s and early 1890s.
Emile Claus was a Belgian painter.
Alice Raingo Hoschedé Monet was the wife of department store magnate and art collector Ernest Hoschedé and later of the Impressionist painter Claude Monet.
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The Musée des Beaux-Arts de Rouen is an art museum in Rouen, in Normandy in north-western France. It was established by Napoléon Bonaparte in 1801, and is housed in a building designed by Louis Sauvageot and built between 1877, and 1888. Its collections include paintings, sculptures, drawings and objets d'art.
Blanche Hoschedé Monet was a French painter who was both the stepdaughter and the daughter-in-law of Claude Monet.
Fauvism is a style of painting and an art movement that emerged in France at the beginning of the 20th century. It was the style of les Fauves, a group of modern artists whose works emphasized painterly qualities and strong colour over the representational or realistic values retained by Impressionism. While Fauvism as a style began around 1904 and continued beyond 1910, the movement as such lasted only a few years, 1905–1908, and had three exhibitions. The leaders of the movement were André Derain and Henri Matisse.
Boris Hoppek is a German contemporary artist based in Barcelona. His artistic roots lie in graffiti, but today his work spans painting, photography, video, sculpture and installation art. His work has been used in advertising campaigns as well.
FriendsWithYou (FWY) is an art collaboration founded in 2002 and based in Los Angeles, California.
Dadara or Daniel Rozenberg is a Dutch artist of Polish ancestry known for his flyers, paintings, album covers, statues and performance artwork. Son of renowned computer scientist Grzegorz Rozenberg.
A1one is the pseudonym of Karan Reshad, an Iranian visual artist who pioneered graffiti and street art in Iran. His career as a street artist began in his hometown Tehran.
Robert Antoine Pinchon was a French Post-Impressionist landscape painter of the Rouen School who was born and spent most of his life in France. He was consistent throughout his career in his dedication to painting landscapes en plein air. From the age of nineteen he worked in a Fauve style but never deviated into Cubism, and, unlike others, never found that Post-Impressionism did not fulfill his artistic needs. Claude Monet referred to him as "a surprising touch in the service of a surprising eye".
Albert Lebourg, birth name Albert-Marie Lebourg, also called Albert-Charles Lebourg and Charles Albert Lebourg, was a French Impressionist and Post-Impressionist landscape painter of the Rouen School. Member of the Société des Artistes Français, he actively worked in a luminous Impressionist style, creating more than 2,000 landscapes during his lifetime. The artist was represented by Galerie Mancini in Paris in 1896, in 1899 and 1910 by : Galerie Bernheim-Jeune, 1903 and 1906 at the Galerie Paul Rosenberg, and 1918 and 1923 at Galerie Georges Petit.
Joachim Pissarro is an art historian, theoretician, curator, educator, and director of the Hunter College Galleries and Bershad Professor of Art History at Hunter College of the City University of New York. His latest book, authored with art critic David Carrier, is called Wild Art. Pissarro was curator at the Museum of Modern Art's Department of Painting and Sculpture from 2003 to 2007.