Artemis and the Stag | |
---|---|
Artist | Not known |
Year | 1st century BC – 1st century AD |
Type | Bronze |
Dimensions | 123.8 cm(48 3/4 in) |
Owner | Anonymous bidder |
Artemis and the Stag is an early Roman Imperial or Hellenistic bronze sculpture of the ancient Greek goddess Artemis. In June 2007 the Albright-Knox Art Gallery placed the statue into auction; it fetched $28.6 million, the highest sale price of any sculpture at the time.
The statue depicts Artemis, the Greek goddess of hunting and wild animals amongst other things. She stands on a simple plinth in a pose that suggests she has just released an arrow from her bow. At some point in its history, the bow was separated from the sculpture and was lost. The goddess's hair is wavy and parted, gathered at the back in a chignon. She wears a short chiton that folds at the waist and billows outwards and is partly covered by a himation. On her feet are laced sandals, and a stag stands alongside her. It is thought that the original sculpture may have included a jumping dog to the right of the goddess. [1]
Artemis stands at 36 1/4 inches atop a base of 12 1/2 inches. The stag is 16 3/4 inches. [1] The sculpture is made of bronze and is believed to have been made some time between the 1st century BC and the 1st century AD. [1] It was originally excavated in the 1920s from a construction site in Rome and has since changed hands several times before finding a home at the Albright-Knox Art Gallery in Buffalo, New York. [2] [3]
The sculpture has been described as "one of the most beautiful works of art surviving from the classical era". [2] [4] It is highly regarded for its excellent state of preservation, despite the missing bow, and its fine detail, particularly in the face of Artemis. [5]
In November 2006, the Albright-Knox Gallery announced its intention to deaccession Artemis and the Stag from its collection. The statue was much-beloved by the public and had been part of the permanent collection since 1953. Director Louis Grachos defined Artemis and the Stag along with about 200 other works of art from the museum's permanent collection as falling outside the institution's historical "core mission" of "acquiring and exhibiting art of the present." [6] The decision to deaccession was made by a vote of the museum's Board of Directors, was voted on and ratified by the entire membership (at a meeting forced by opponents of the sale), and followed the guidelines of the American Alliance of Museums, [7] according to Albright-Knox officials. Nevertheless, announcement of the sale set off a firestorm of dissent. [8]
The sale raised questions about how museums can remain vital when they are situated in economically declining regions and have limited means for raising funds for operations and acquisitions. [9]
The sculpture was auctioned at Sotheby's New York by Hugh Hildesley on 7 June 2007. [4] Estimated to reach between $5 and $7 million, Artemis and the Stag broke records when it was sold for $28.6 million. It became the most valuable sculpture ever sold at auction, breaking the 2005 record of $27.4 million for Constantin Brâncuși's Bird in Space . [2] The sale price has since been surpassed by several modern works, but the only other sculpture from antiquity to fetch a higher price is the Guennol Lioness. [10] The winning bidder remained anonymous, employing art dealer Giuseppe Eskenazi to complete the auction. [2]
In January 2008 the sculpture was initially lent to the Metropolitan Museum of Art for six months, [11] and it remains on display there as of July 2024. [12]
Alberto Giacometti was a Swiss sculptor, painter, draftsman and printmaker. Beginning in 1922, he lived and worked mainly in Paris but regularly visited his hometown Borgonovo to see his family and work on his art.
Christie's is a British auction house founded in 1766 by James Christie. Its main premises are on King Street, St James's in London, and it has additional salerooms in New York, Paris, Hong Kong, Milan, Amsterdam, Geneva, Shanghai, and Dubai. It is owned by Groupe Artémis, the holding company of François Pinault. In 2022 Christie's sold US$8.4 billion in art and luxury goods, an all-time high for any auction house. On 15 November 2017, the Salvator Mundi was sold at Christie's in New York for $450 million to Saudi Prince Badr bin Abdullah Al Saud, the highest price ever paid for a painting.
The year 2002 in art involves various significant events.
Sotheby's is a British-founded multinational corporation with headquarters in New York City. It is one of the world's largest brokers of fine and decorative art, jewellery, and collectibles. It has 80 locations in 40 countries, and maintains a significant presence in the UK.
The Buffalo AKG Art Museum, formerly known as the Albright–Knox Art Gallery, is an art museum in Buffalo, New York, United States, in Delaware Park. The museum was expanded beginning in 2021, and re-opened in June 2023.
The Age of Bronze is a bronze statue by the French sculptor Auguste Rodin (1840–1917). The figure is of a life-size nude male, 72 in. (182.9 cm) high. Rodin continued to produce casts of the statue for several decades after it was modelled in 1876.
The Diana of Versailles or Artemis, Goddess of the Hunt is a slightly over-lifesize marble statue of the Roman goddess Diana with a deer. It is currently located in the Musée du Louvre, Paris. The statue is also known as Diana with a Doe, Diana Huntress, and Diana of Ephesus. It is a partially restored Roman copy of a lost Greek bronze original attributed to Leochares, c. 325 BC.
The year 2007 in art involved some significant events and new works.
Shaun Greenhalgh is a British artist and former art forger. Over a seventeen-year period, between 1989 and 2006, he produced a large number of forgeries. With the assistance of his brother and elderly parents, who fronted the sales side of the operation, he successfully sold his fakes internationally to museums, auction houses, and private buyers, accruing nearly £1 million.
The Guennol Lioness is a 5,000-year-old Mesopotamian statue allegedly found near Baghdad, Iraq. Depicting a muscular anthropomorphic leonine-human, it sold for $57.2 million at Sotheby's auction house on December 5, 2007. The sculpture had been acquired by a private collector, Alastair Bradley Martin, in 1948 from the collection of Joseph Brummer, and had been on display at Brooklyn Museum of Art in New York City from that time to its sale in 2007. It is called "Guennol" after the Welsh name for "Martin", the name of the collector. In 1950 Edith Porada described it as a lioness "because of the feminine curves of her lower body and the absence of male organs" while conceding the possibility "that the figure represented a sexless creature".
L’Homme qui marche I is the name of any one of the cast bronze sculptures that comprise six numbered editions plus four artist proofs created by Swiss sculptor Alberto Giacometti in 1961. On 3 February 2010, the second edition of the cast of the sculpture became one of the most expensive works of art ever sold at auction, for $104.3 million. Its price meant it was considered the most expensive sculpture, until May 2015, when another Giacometti work, L'Homme au doigt, surpassed it.
Grande tête mince is a bronze sculpture by Alberto Giacometti. The work was conceived in 1954 and cast the following year. Auctioned in 2010, Grande tête mince became one of the most valuable sculptures ever sold when it fetched $53.3 million.
Tête de femme is a plaster-modelled, bronze-cast sculpture by Pablo Picasso. Dora Maar, Picasso's lover at the time, was the subject of the work which was originally conceived in 1941. Four copies of the bust were cast in the 1950s, several years after the relationship ended.
Piraeus Artemis refers to two bronze statues of Artemis excavated in Piraeus, Athens in 1959, along with a large theatrical mask and three pieces of marble sculptures. Two other statues were found in the buried cache as well: a larger-than-lifesize bronze Late Archaic Apollo and a similarly sized bronze fourth century-style Athena. Both statues are now exhibited in the Archaeological Museum of Piraeus in Athens.
L'Homme au doigt is a 1947 bronze sculpture by Alberto Giacometti, that became the most expensive sculpture ever when it sold for US$141.3 million on May 11, 2015.
Deaccessioning is the process by which a work of art or other object is permanently removed from a museum's collection to sell it or otherwise dispose of it.
Tanagra is a polychromic marble sculpture created by French artist Jean-Léon Gérôme (1824–1904) as a personification of the "spirit of Tanagra," his own mythic invention tied to the Tanagra figurines from the village of that name in ancient Greece. The sculpture was first shown at the Paris Salon of 1890. Gérôme subsequently created smaller, gilded bronze versions of Tanagra; several versions of the "Hoop Dancer" figurine held by Tanagra; two paintings of an imaginary ancient Tanagra workshop; and two self-portraits of himself sculpting Tanagra from a living model in his Paris atelier. These sculptures and paintings comprise a complex, self-referential artistic program in which one of the most celebrated artists of his generation explored reception of Classical antiquity, creative inspiration, doppelgängers, and female beauty.
Iris, Messenger of the Gods is a bronze sculpture by Auguste Rodin. A plaster model, created between 1891 and 1894, was cast in bronze by Fonderie Rudier at various times from about 1895. Iris is depicted with her right hand clasping her right foot and her naked body posed provocatively with her legs spread wide, displaying her genitalia.