Discipline | Art, archeology |
---|---|
Language | English |
Edited by | Amy McNair |
Publication details | |
History | 1925–present |
Publisher | Museum Rietberg (Switzerland) |
Frequency | Biannual |
Delayed (after 5 years) | |
Standard abbreviations | |
ISO 4 | Artibus Asiae |
Indexing | |
ISSN | 0004-3648 |
JSTOR | 00043648 |
OCLC no. | 61966661 |
Links | |
Artibus Asiae is a biannual academic journal specialising in the arts and archaeology of Asia. Along with the Ostasiatische Zeitschrift (founded in 1912) it was one of the most successful journals in its field in the German-speaking part of Europe. [1] The first number of Artibus Asiae appeared in 1925. While earlier issues contained articles in German, French and English, today's contributions are mainly in English. Artibus Asiae is owned and published by the Museum Rietberg in Zurich. Artibus Asiae also published occasional monographs since 1937.
The first volume of the journal was published by the Avalun-Verlag Hellerau-Dresden in 1925 and was edited by Carl Hentze (1883–1975) and Alfred Salmony (1890–1958). [2] The early volumes appeared in four issues each, up to vol. 59. All subsequent volumes were published in two parts.
The typographer, publisher and later editor-in-chief Richard Hadl (1876–1944) had worked for the Leipzig-based publisher Drugulin as a director since 1922. [3] Drugulin was one of the leading publishing houses and known for their wide array of unusual typesets. Hadl established his own publishing house, "Offizin Richard Hadl", in 1926. [4] and published five volumes of the journal Artibus Asiae. [5]
During the Second World War all publishing activities were moved to Switzerland and the journal would only appear irregularly. [6] Vol. 8 no. 1 was the first issue to be published in Switzerland, printed by the Kommissionsverlag Braus Riggenbach in Basel. All further volumes were published by Artibus Asiae in Ascona, where Hadl and his co-worker and publisher, Luise C. Tarabori-Flesch from Trier had settled in 1938/39. After Hadl had died in 1944, [7] Miss Flesch kept the journal afloat on her own until 1946, when Alfred Salmony became editor-in-chief. [8] Salmony edited the journal until his death in 1958. [9]
Artibus Asiae's link to the current owner, the Museum Rietberg, was established through the museums's former director Elsy Leuzinger, who edited an issue (vol. 20 no. 1, 1957) to commemorate the founding donor of the Museum Rietberg, Eduard von der Heydt. [10] In 1985 (from vol. 46 on), the Arthur M. Sackler Foundation started to sponsor the journal. The Museum Rietberg was granted a special publication endowment in 1991 (vol. 51) and it henceforth became the owner of both the journal and the monograph series.
The following persons have served as editors-in-chief of Artibus Asiae:
Name | Place | Volumes | Years |
---|---|---|---|
Carl Hentze & Alfred Salmony | Antwerp and Cologne | vol. 1–vol. 4 no. 3 | 1925–1932 |
Richard Hadl | Leipzig and Ascona | vol. 4 no. 4–vol. 8 | 1925–1945 |
Alfred Salmony | Institute of Fine Arts, New York University | vols. 9–20 | 1945–1957 |
Alexander Soper | Institute of Fine Arts, New York University | vols. 21–52 | 1958–1992 |
Thomas Lawton | Arthur M. Sackler Gallery, Washington D.C. | vols. 53–61 | 1993–2001 |
François Louis | Bard Graduate Center, New York | vol. 62–vol. 68 no. 1 | 2002–2008 |
Amy McNair | University of Kansas | vol. 68 no. 2–present | 2008–present |
Longer articles submitted to Artibus Asiae were often split into parts and published in several numbers of the journal. Artibus Asiae started to publish monographs on selected topics in 1937 to allow more lengthy contributions to the field. [11] They are conceived as a supplemental series to the journal and present a broad range of lavishly illustrated studies. Early monographs were on topics only remotely related to the arts, such as publications on the Tibetan grammar books Sum cu pa and Rtags kyi ‘ajug [12] or on Chinese literature. [13]
Karl Alfred Ritter von Zittel was a German palaeontologist best known for his Handbuch der Palaeontologie (1876–1880).
Heinrich Julius Klaproth was a German linguist, historian, ethnographer, author, orientalist and explorer. As a scholar, he is credited along with Jean-Pierre Abel-Rémusat, with being instrumental in turning East Asian Studies into scientific disciplines with critical methods.
George Cœdès was a French scholar of southeast Asian archaeology and history.
Hans Conon von der Gabelentz was a German politician who served as prime minister of the Duchy of Saxe-Altenburg from 1848 to 1849. He was also a gifted linguist and an authority on the Manchu language. He devised a standard romanized transliteration system for Manchu whose creation is often incorrectly credited to his compatriot Paul Georg von Möllendorff.
The Survey of London is a research project to produce a comprehensive architectural survey of central London and its suburbs, or the area formerly administered by the London County Council. It was founded in 1894 by Charles Robert Ashbee, an Arts-and-Crafts designer, architect and social reformer and was motivated by a desire to record and preserve London's ancient monuments. The first volume was published in 1900, but the completion of the series remains far in the future.
Berthold Laufer was a German anthropologist and historical geographer with an expertise in East Asian languages. The American Museum of Natural History calls him "one of the most distinguished sinologists of his generation".
Paul Oskar Kristeller was a scholar of Renaissance humanism. He was awarded the Haskins Medal in 1992. He was last active as Professor Emeritus of Philosophy at Columbia University in New York, where he mentored both Irving Louis Horowitz and A. James Gregor.
Leonid Pavlovich Potapov was a Soviet and Russian ethnographer specializing in the study of peoples of southern Siberia.
Alice Boner was a Swiss painter and sculptor, art historian, and an Indologist.
The Rietberg Museum is a museum in Zürich, Switzerland, displaying Asian, African, American and Oceanian art. It is the largest art museum focusing on non-European art and design in Switzerland, the third-largest museum in Zürich, and the largest to be run by the city itself. In 2007, it received approximately 157,000 visitors.
Hans Sydow was a German mycologist and the son of mycologist and lichenologist, Paul Sydow (1851–1925).
Der Ostasiatische Lloyd (OAL) was a German language newspaper published in Shanghai, China. It served as the oldest German language newspaper in China. German communities in China and Southeast Asia read the newspaper. It was considered to be the highest quality German language newspaper in China. Most of the content focused on economics and politics, while it also had some cultural pages.
The Tsingtauer Neueste Nachrichten was a German-language newspaper published in Qingdao from 1904 to 1914. Fritz Seeker was the editor.
Eduard Freiherr von der Heydt was a German and Swiss banker, art collector and patron.
Stella Kramrisch was an American pioneering art historian and curator who was the leading specialist on Indian art for most of the 20th century. Her scholarship remains a benchmark to this day. She researched and taught Indian art history for more than six decades on three continents. After writing her dissertation on the essence of early-buddhist sculpture in India, she was invited to teach at Kala Bhavana in Shantiniketan (1922–24) and went on to teach at Calcutta University from 1924 to 1950. In Europe, Kramrisch worked at the Courtauld Institute, London (1937–1940). From 1950, she was professor at the University of Pennsylvania in the Department of South Asia Regional Studies, where she had been recruited by W. Norman Brown, in addition to being a prominent curator at the Philadelphia Museum of Art.
Vincenz Maria Hermann Hundhausen was a German who was a German-language professor at Peking University and a translator of Chinese works into German. He used the Chinese name Hong Taosheng.
Walther Killy was a German literary scholar who specialised in poetry, especially that of Friedrich Hölderlin and Georg Trakl. He taught at the Free University of Berlin, the Georg-August-Universität Göttingen, as founding rector of the University of Bremen, as visiting scholar at the University of California and Harvard University, and at the University of Bern. He became known as editor of literary encyclopedias, the Killy Literaturlexikon and the Deutsche Biographische Enzyklopädie.
Otto Kümmel was a German art historian, academic teacher, founder and director of the Museum of Asian Art in Berlin and general director of the Berlin State Museums.
Jeong-hee Lee-Kalisch is a South Korean art historian specialising in Chinese painting and archaeology, Korean art, Buddhist art and East Asian ceramics. From 2003 to 2021 she was the Professor of East Asian Art History in the Art History Institute at the Free University Berlin.
August Eduard Erkes was a German sinologist and ethnologist.