Aryo Danusiri (born 26 September 1973) is an Indonesian film director.
He started his first documentary, Village Goat Takes The Beating, about Aceh human rights violations, in 1999. This documentary was an official selection at the 2001 Amnesty Film Festival in Amsterdam. Since then, his ethnographic films, documentaries and short films about human rights and multicultural problems in Indonesia have been screened at various festivals including the Royal Anthropological Institute (RAI) Film Festival in the United Kingdom, the Margaret Mead Film Festival in the United States, as well as festivals in Singapore, Brisbane, Taiwan and Rotterdam. His three documentaries on Aceh have been released on DVD for international distribution by Monash University (Between Three World Project, 2005).
In 2005, he finished his master's degree in visual cultural studies from Tromso University, Norway, with an ethno-documentary about West Papua called Lukas' Moment. This film received the "Best Student Film" award at the RAI Ethnographic Film Festival, UK. He began his Ph.D. studies in visual anthropology at Harvard University with a grant from the Fulbright Program. Playing Between Elephants is his first feature-length documentary and won the Human Rights Award at the 2007 Jakarta International Film Festival.
Danusiri is the executive director of Ragam Media Network, an NGO that develops visual media as a catalyst for cross-cultural learning and community knowledge management. His current project is "Connexxcreen for Countering Fundamentalism in Indonesia" (sponsored by HIVOS).
Dead Birds is a 1963 American documentary film by Robert Gardner (1925-2014) about the ritual warfare cycle of the Dugum Dani people who live in the Baliem Valley in present-day Irian Jaya province on the western half of the island of New Guinea that is part of present-day Indonesia. The film presents footage of battles between the Willihiman-Wallalua clan and the Wittaia clan with scenes of the funeral of a small boy killed by a raiding party, the women's work that goes on while battles continue, and the wait for enemy to appear. In 1964 the film received the Grand Prize "Marzocco d'Oro" at the 5th Festival dei Populi rassegna internazionale del film etnografico e sociologico in Florence, Italy, the Robert J. Flaherty Award given by the City College of New York, and was a featured film at the Melbourne Film Festival. In 1998, Dead Birds was included in the annual selection of 25 motion pictures added to the National Film Registry of the Library of Congress. being deemed "culturally, historically, or aesthetically significant" and recommended for preservation. Dead Birds has come to hold canonical status among ethnographic films.
Aceh, formerly Nanggroe Aceh Darussalam, is the northernmost and westernmost province-level division of Indonesia. It is located at the tip of Sumatra, with Banda Aceh being its capital and largest city. Granted a special autonomous status, Aceh is a religiously conservative territory and the only Indonesian province practicing Sharia officially. There are ten indigenous ethnic groups in this region, the largest being the Acehnese people, accounting for approximately 80% to 90% of the region's population. Due to strict religious practices including flogging, despite among Indonesia's highest birthrates, population outflow is common, particularly out of Banda Aceh itself.
Visual anthropology is a subfield of social anthropology that is concerned, in part, with the study and production of ethnographic photography, film and, since the mid-1990s, new media. More recently it has been used by historians of science and visual culture. Although sometimes wrongly conflated with ethnographic film, visual anthropology encompasses much more, including the anthropological study of all visual representations such as dance and other kinds of performance, museums and archiving, all visual arts, and the production and reception of mass media. Histories and analyses of representations from many cultures are part of visual anthropology: research topics include sandpaintings, tattoos, sculptures and reliefs, cave paintings, scrimshaw, jewelry, hieroglyphics, paintings and photographs. Also within the province of the subfield are studies of human vision, properties of media, the relationship of visual form and function, and applied, collaborative uses of visual representations.
Timothy Asch was an American anthropologist, photographer, and ethnographic filmmaker. Along with John Marshall and Robert Gardner, Asch played an important role in the development of visual anthropology. He is particularly known for his film The Ax Fight and his role with the USC Center for Visual Anthropology.
The USC Center for Visual Anthropology (CVA) is a center located at the University of Southern California. It is dedicated to the field of visual anthropology, incorporating visual modes of expression in the academic discipline of anthropology. It does so in conjunction with faculty in the anthropology department through five types of activities: training, research and analysis of visual culture, production of visual projects, archiving and collecting, and the sponsorship of conferences and film festivals. It offers a B.A. and an MVA in Visual Anthropology.
The Black Road is a 2005 Australian documentary by William Nessen. The film was shot on location in Aceh, and reports on the Province’s battle for independence from Indonesia. Although the film was originally a television documentary, produced for SBS in Australia, it has since been shown around the world at film festivals and presentations on the subject. The film is critically acclaimed and has received several awards, both Australian and international. The Black Road was among four films on the subject of separatism that the Indonesian Film Censorship Institute banned in the country.
Puisi Tak Terkuburkan is a 2000 award-winning Indonesian documentary/drama directed by Garin Nugroho in black and white. At the 2001 Singapore International Film Festival the film won the FIPRESCI Prize and the Silver Screen Award for Best Asian Actor which went to the poet Ibrahim Kadir, who played himself. The film was also nominated at for the Silver Screen Award for Best Asian Feature Film, while Nugroho won the Silver Leopard Video Award at the Locarno International Film Festival.
Ethnofiction refers to a subfield of ethnography which produces works that introduces art, in the form of storytelling, "thick descriptions and conversational narratives", and even first-person autobiographical accounts, into peer-reviewed academic works.
John Kennedy Marshall was an American anthropologist and acclaimed documentary filmmaker best known for his work in Namibia recording the lives of the Juǀʼhoansi.
Nicholas Saputra Schubring, known as Nicholas Saputra, is an Indonesian actor and film producer. He first rose to prominence as Rangga in the 2002 hit film Ada Apa dengan Cinta?, a role he reprised in Ada Apa Dengan Cinta? 2 in 2016. He has since established himself as one of Indonesia's most acclaimed actors with two Citra Award wins for Best Actor as the titular character in Riri Riza's Gie in 2005 and Best Supporting Actor in Edwin's Aruna & Her Palate in 2018.
CAFFE stands for Coordinating Anthropological Film Festivals in Europe. It is an initiative geared towards better cooperation and communication between the existing anthropological film festivals in Europe.
The Sensory Ethnography Lab (SEL) at Harvard University is an interdisciplinary center for the making of anthropologically informed works of media that combine aesthetics and ethnography. Production courses associated with the SEL are offered through Anthropology, Visual and Environmental Studies, and the Graduate School of Design.
Ethnocinema, from Jean Rouch’s cine-ethnography and ethno-fictions, is an emerging practice of intercultural filmmaking being defined and extended by Melbourne, Australia-based writer and arts educator, Anne Harris, and others. Originally derived from the discipline of anthropology, ethnocinema is one form of ethnographic filmmaking that prioritises mutuality, collaboration and social change. The practice's ethos claims that the role of anthropologists, and other cultural, media and educational researchers, must adapt to changing communities, transnational identities and new notions of representation for the 21st century.
Leviathan is a 2012 American documentary film directed by Lucien Castaing-Taylor and Véréna Paravel of the Sensory Ethnography Lab at Harvard University. It is an experimental work about the North American fishing industry. The film has been acquired for U.S. distribution by The Cinema Guild.
Balkan Rhapsodies: 78 Measures of War is a 2007 documentary by Jeff Daniel Silva about the Kosovo War.
John Melville Bishop is a contemporary, U.S., documentary filmmaker known for the breadth of his collaborations, primarily in the fields of anthropology and folklore. He has worked with Alan Lomax, John Marshall, and extensively with the Smithsonian Institution and the American Folklife Center at the Library of Congress. In 2005, he received a Lifetime Achievement Award from the Society for Visual Anthropology.
Disappearing World was a British documentary television series produced by Granada Television, which produced 49 episodes between 1970 and 1993. The episodes, each an hour long, focus on a specific human community around the world, usually but not always a traditional tribal group.
David MacDougall is an American-Australian visual anthropologist, academic, and documentary filmmaker, who is known for his ethnographic film work in Africa, Australia, Europe and India. For much of his career he co-produced and co-directed films with his wife, fellow filmmaker Judith MacDougall. In 1972, his first film, To Live with Herds was awarded the Grand Prix "Venezia Genti" at the Venice Film Festival. He has lived in Australia since 1975, and is currently a professor in the Research School of Humanities & the Arts at Australian National University.
The Doon School Quintet is a five-part ethnographic film series made by the American visual anthropologist and documentary filmmaker David MacDougall, between 1997 and 2000, at The Doon School, an all-boys boarding school in India. For thirteen months over three years, MacDougall lived with the students and was given unprecedented access for filming inside the residential campus. By the end, MacDougall had more than 85 hours of material, which he edited into 5 parts, with a total duration of about 8 hours. The project ranks among MacDougall's most ambitious and longest works and is the only film series in his oeuvre.
Jón Bjarki Magnússon is an Icelandic journalist and independent documentary filmmaker. He studied creative writing at the University of Iceland (2012) and received his MA in Visual and Media Anthropology from Freie Universität, Berlin (2018).
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