Mean Streets is a 1973 American crime drama film directed by Martin Scorsese, co-written by Scorsese and Mardik Martin, and starring Robert De Niro and Harvey Keitel. It was produced by Warner Bros. The film premiered at the New York Film Festival on October 2, 1973, and was released on October 14. De Niro won the National Society of Film Critics and the New York Film Critics Circle award for Best Supporting Actor for his role as "Johnny Boy" Civello.
Goodfellas is a 1990 American biographical crime drama film directed by Martin Scorsese, written by Nicholas Pileggi and Scorsese, and produced by Irwin Winkler. It is a film adaptation of Pileggi's 1985 nonfiction book Wiseguy. Starring Robert De Niro, Ray Liotta, Joe Pesci, Lorraine Bracco, and Paul Sorvino, the film narrates the rise and fall of mob associate Henry Hill and his friends and family from 1955 to 1980.
Eldred Gregory Peck was an American actor and one of the most popular film stars from the 1940s to the 1970s. In 1999, the American Film Institute named Peck the 12th-greatest male star of Classic Hollywood Cinema.
Beauty and the Beast is a 1991 American animated musical romantic fantasy film produced by Walt Disney Feature Animation and released by Walt Disney Pictures. It is based on the 1756 fairy tale by Jeanne-Marie Leprince de Beaumont, in turn an abridged version of the 1740 story by Gabrielle-Suzanne Barbot de Villeneuve. The film also incorporates ideas from the 1946 French film directed by Jean Cocteau. The film was directed by Gary Trousdale and Kirk Wise, and produced by Don Hahn, from a screenplay by Linda Woolverton.
Chantal Anne Akerman was a Belgian film director, screenwriter, artist, and film professor at the City College of New York.
Jonas Mekas was a Lithuanian-American filmmaker, poet, and artist who has been called "the godfather of American avant-garde cinema". Mekas's work has been exhibited in museums and at festivals worldwide. Mekas was active in New York City, where he co-founded Anthology Film Archives, The Film-Makers' Cooperative, and the journal Film Culture. He was also the first film critic for The Village Voice.
Empire is a 1965 American black-and-white silent art film by Andy Warhol. When projected according to Warhol's specifications, it consists of eight hours and five minutes of slow motion footage of an unchanging view of New York City's Empire State Building. The film does not have conventional narrative or characters, and largely reduces the experience of cinema to the passing of time. Warhol stated that the purpose of the film was "to see time go by."
Jonathan Rosenbaum is an American film critic and author. Rosenbaum was the head film critic for The Chicago Reader from 1987 to 2008, when he retired. He has published and edited numerous books about cinema and has contributed to such notable film publications as Cahiers du cinéma and Film Comment.
Roman François Coppola is an American filmmaker and music video director. He is the son of Francis Ford and Eleanor Coppola, and is known for his film collaborations with Wes Anderson.
Richard Nelson Corliss was an American film critic and magazine editor for Time. He focused on movies, with occasional articles on other subjects.
James Lewis Hoberman is an American film critic, journalist, author and academic. He began working at The Village Voice in the 1970s, became a full-time staff writer in 1983, and was the newspaper's senior film critic from 1988 to 2012. In 1981, he coined the term "vulgar modernism" to describe the "looney" fringes of American popular culture.
Flaming Creatures is a 1963 American experimental film directed by Jack Smith. The film follows an ensemble of drag performers through several disconnected vignettes, including a lipstick commercial, an orgy, and an earthquake. It was shot on a rooftop on the Lower East Side on a very low budget of only $300, with a soundtrack from Smith's roommate Tony Conrad. It premiered April 29, 1963 at the Bleecker Street Cinema in Greenwich Village.
Sans Soleil is a 1983 French documentary film directed by Chris Marker. It is a meditation on the nature of human memory, showing the inability to recall the context and nuances of memory, and how, as a result, the perception of personal and global histories is affected. The title Sans Soleil is from the song cycle Sunless by Modest Mussorgsky, a brief fragment of which features in the film. Sans Soleil is composed of stock footage, clips from Japanese movies and shows, excerpts from other films as well as documentary footage shot by Marker.
Films have been made in Lithuania since the early twentieth century.
24 City is a 2008 Chinese film directed and co-written by Jia Zhangke. The film follows three generations of characters in Chengdu as a state-owned factory gives way to a modern apartment complex. The film was also known as The Story of 24 City during production.
Reminiscences of a Journey to Lithuania is a 1972 documentary film by Jonas Mekas. It revolves around Mekas' trip back to Semeniškiai, the village of his birth. It was Mekas' second diary film, which narrates through highly personal footage and voiceover the Mekas brothers’ visit to their native Lithuanian village of Semeniškiai, Panevėžys in 1971 after a 27-year absence.
Piero Heliczer was an Italian-American poet, publisher, actor and filmmaker associated with the New American Cinema.
Hard Choices is a 1985 American crime film starring Margaret Klenck, John Sayles, John Seitz, J. T. Walsh, John Snyder, Martin Donovan, and Spalding Gray. It was directed and written by Rick King from a story written by Robert Mickelson.
I Called Him Morgan is a 2016 Swedish produced documentary film written and directed by Kasper Collin which offers an account of the life of jazz trumpeter Lee Morgan, and his relationship with his common-law wife Helen Morgan, who killed him in February 1972.
Walden, originally titled Diaries, Notes and Sketches , is a 1968 American film by experimental filmmaker Jonas Mekas. After several years of filming everyday scenes from his life, Mekas was commissioned by the Albright–Knox Art Gallery to make Walden. It was his first major diary film, and he named it after Henry David Thoreau's 1854 memoir Walden. Mekas's film has received acclaim as a work of avant-garde cinema.
