As of Not | ||||
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Studio album by Jerome Cooper and Kresten Osgood | ||||
Released | 2020 | |||
Recorded | 2011 | |||
Studio | Copenhagen | |||
Genre | Jazz, percussion music | |||
Label | ILK Music ILK296LP | |||
Jerome Cooper chronology | ||||
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As of Not is a double-LP album by American percussionist Jerome Cooper and Danish percussionist and pianist Kresten Osgood. It was recorded in 2011 while Cooper was visiting Copenhagen for symposia, masterclasses, and concerts, and was released by the Danish artist-run label and collective ILK Music in 2020. The album features a seven-part percussion-oriented suite composed by Cooper. [1] [2]
Review scores | |
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Source | Rating |
The Free Jazz Collective | [3] |
In a review for The Free Jazz Collective, Nick Ostrum declared "something about this album grabbed me right from the beginning," and wrote: "The percussion is there and sometimes layered but hardly consumes the pieces... it is simultaneously rooted in spiritual jazz (think Sanders, Coltrane, and the more Egyptesque Sun Ra) rhythms and ritualism, the Revolutionary Ensemble's dedication to genre-blending (though in a decidedly different form), and contemporary tendencies toward deconstruction. I am not sure I can put my finger on what exactly is new in all of this. But I can attest that, regardless of novelty, As of Not is some genuinely powerful music." [3]
Robert Iannapollo, writing for The New York City Jazz Record , commented: "The piece begins with a passage of sustained stasis over an electronic drone and carefully placed piano. Midway through Osgood starts playing a motif matched by Cooper on balafon for a minimalist interlude. 'Part 2' extensively features chirimira over wandering piano lines and an electronic rhythm... Cooper clearly was going for something universal and succeeds for the most part. And Osgood is there along with him. The two were a good team to realize this music." [4]
All compositions by Jerome Cooper.
Trilok Gurtu is an Indian percussionist and composer whose work has blended the music of India with jazz fusion and world music.
A rhythm section is a group of musicians within a music ensemble or band that provides the underlying rhythm, harmony and pulse of the accompaniment, providing a rhythmic and harmonic reference and "beat" for the rest of the band. The rhythm section is often contrasted with the roles of other musicians in the band, such as the lead guitarist or lead vocals whose primary job is to carry the melody.
John Psathas, is a New Zealand Greek composer. He has works in the repertoire of such high-profile musicians as Evelyn Glennie, Michael Houstoun, Michael Brecker, Joshua Redman and the New Juilliard Ensemble, and is one of New Zealand's most frequently performed composers. He has established an international profile and receives regular commissions from organisations in New Zealand and overseas.
Jerome Douglas Cooper was an American free jazz musician. In addition to trap drums, Cooper played balafon, chirimia and various electronic instruments, and referred to himself as a "multi-dimensional drummer," meaning that his playing involved "layers of sounds and rhythms". AllMusic reviewer Ron Wynn called him "A sparkling drummer and percussionist... An excellent accompanist". Another Allmusic reviewer stated that "in the truest sense this drummer is a magician, adept at transformation and the creation of sacred space".
Danish jazz dates back to 1923 when Valdemar Eiberg formed a jazz orchestra and recorded what are thought to be the first Danish jazz records in August 1924. However, jazz in Denmark is typically first dated to 1925, when bandleader Sam Wooding toured in Copenhagen with an orchestra. This was the first time most Danes had heard jazz music. Some prominent early Danish jazz musicians include Erik Tuxen who formed a jazz band and was later named conductor of the Danish Radio Symphony Orchestra; Bernhard Christensen, an art music composer who incorporated jazz elements into his pieces, and Sven Møller Kristensen, who was the lyricist for many of Bernhard Christensen's pieces and who wrote a book on jazz theory in Danish.
Floating Islands is the third album by Danish jazz saxophonist Lotte Anker with her trio with pianist Craig Taborn and drummer Gerald Cleaver, which was recorded live at the 2008 Copenhagen Jazz Festival and released on the Danish ILK label.
Revolutionary Ensemble is an eponymous live album by the free jazz group consisting of violinist Leroy Jenkins, bassist Sirone and drummer Jerome Cooper, which was recorded in Austria in 1977 and released on the German Enja label and in the U.S. on Inner City Records the following year.
The People's Republic is an album by the Revolutionary Ensemble, violinist Leroy Jenkins, bassist Sirone and drummer Jerome Cooper, which was recorded in late 1975 and released on the A&M/Horizon label the following year.
Nicolai Munch-Hansen was a Danisch Jazz and Rock musician.
Dialogue of the Drums is a live album by American percussionists Andrew Cyrille and Milford Graves, recorded in January 1974 and released later that year by Cyrille's and Graves's Institute of Percussive Studies.
Root Assumptions is a solo percussion album by Jerome Cooper. It was recorded in April 1978 in New York City, and was released by Anima Productions in 1982. On the album, Cooper performs on a variety of percussion instruments, including African balaphone, bass drum, and sock cymbal.
The Unpredictability of Predictability is a live solo percussion album by Jerome Cooper. It was recorded in July 1979 at Soundscape in New York City, and was released on LP by About Time Records later that year.
Outer and Interactions is an album by Jerome Cooper. It was recorded in February 1987 at Acoustilog in New York City, and was released on LP by About Time Records in 1988. On the album, Cooper is joined by saxophonist Joseph Jarman, violinist Jason Hwang, bassist William Parker, and drummer Thurman Barker.
In Concert: From There to Hear is a live solo percussion album by Jerome Cooper. It was recorded during 1995–1998 at concerts presented at Roulette and The Knitting Factory in New York City, and was released by Mutable Music in 2001.
Alone, Together, Apart is a live album by percussionist Jerome Cooper and vocalist Thomas Buckner. It was recorded in April 2002 at Lotus Music and Dance Studio in New York City, and was released by Mutable Music in 2003.
A Magical Approach is a live solo percussion album by Jerome Cooper. The first track was recorded in April 1978 at Environ in New York City, while the remaining tracks were recorded in September 2007 at an AACM concert in New York City. The album was released by Mutable Music in 2010.
In the Groove is an album by Planet Drum, a percussion-based world music ensemble led by Mickey Hart, Zakir Hussain, Sikiru Adepoju, and Giovanni Hidalgo. It was released on August 5, 2022.
Children of the Forest is an album by percussionist Milford Graves on which he is joined by saxophonists Arthur Doyle and Hugh Glover. It was recorded at Graves' basement laboratory and workshop in Queens, New York, in early 1976, in the months preceding the session that yielded the album Bäbi, which featured the same personnel. The album, which includes photographs by Val Wilmer, was released in 2023 on vinyl as a double LP set by Black Editions Archive as part of the Milford Graves Archival series.
Purple Violets is an album by saxophonist and flutist Sam Rivers, double bassist Ben Street, drummer Kresten Osgood, and vibraphonist Bryan Carrott. It was recorded on October 14 and 15, 2004, at Kampo Studios in New York, and was released in 2005 by Stunt Records, a Danish label.
Violet Violets is an album by saxophonist and flutist Sam Rivers, double bassist Ben Street, and drummer Kresten Osgood. It was recorded on October 14 and 15, 2004, at Kampo Studios in New York, and was released in 2005 by Stunt Records, a Danish label.