Maxwell Lemuel Roach was an American jazz drummer and composer. A pioneer of bebop, he worked in many other styles of music, and is generally considered one of the most important drummers in history. He worked with many famous jazz musicians, including Clifford Brown, Coleman Hawkins, Dizzy Gillespie, Charlie Parker, Miles Davis, Duke Ellington, Thelonious Monk, Abbey Lincoln, Dinah Washington, Charles Mingus, Billy Eckstine, Stan Getz, Sonny Rollins, Eric Dolphy, and Booker Little. He also played with his daughter Maxine Roach, Grammy nominated Violist. He was inducted into the DownBeat Hall of Fame in 1980 and the Modern Drummer Hall of Fame in 1992.
Roscoe Mitchell is an American composer, jazz instrumentalist, and educator, known for being "a technically superb – if idiosyncratic – saxophonist". The Penguin Guide to Jazz described him as "one of the key figures" in avant-garde jazz; All About Jazz stated in 2004 that he had been "at the forefront of modern music" for more than 35 years. Critic Jon Pareles in The New York Times has mentioned that Mitchell "qualifies as an iconoclast". In addition to his own work as a bandleader, Mitchell is known for cofounding the Art Ensemble of Chicago and the Association for the Advancement of Creative Musicians (AACM).
Leroy Jenkins was an American composer and violinist/violist.
Joseph Jarman was an American jazz musician, composer, poet, and Shinshu Buddhist priest. He was one of the first members of the Association for the Advancement of Creative Musicians and a member of the Art Ensemble of Chicago.
The Revolutionary Ensemble was a free jazz trio consisting of violinist Leroy Jenkins (1932–2007), bassist Sirone and percussionist/pianist Jerome Cooper (1946–2015). The group was active from 1970–1977, and reunited briefly in 2004. Musician George E. Lewis described the trio as "one of the signal groups of the period." Writer John Fordham stated that the group "was remarkable for its concentration on texture, tone colour and the then unclaimed territory between jazz and contemporary classical music." A DownBeat reviewer, writing in 1972, described them as "a unique, utterly contemporary unit of extraordinarily talented players who possess a world understanding of what 'organized sound' is all about."
Steve McCall was an American jazz drummer.
Jerome Douglas Cooper was an American free jazz musician. In addition to trap drums, Cooper played balafon, chirimia and various electronic instruments, and referred to himself as a "multi-dimensional drummer," meaning that his playing involved "layers of sounds and rhythms". AllMusic reviewer Ron Wynn called him "A sparkling drummer and percussionist... An excellent accompanist". Another Allmusic reviewer stated that "in the truest sense this drummer is a magician, adept at transformation and the creation of sacred space".
Collage is an album by American jazz percussion ensemble M'Boom led by Max Roach recorded in 1984 for the Italian Soul Note label.
L-R-G / The Maze / S II Examples is an album by American jazz saxophonist Roscoe Mitchell, recorded in 1978 and released as a double LP on Nessa Records. It was reissued in 1989 as a single CD.
Revolutionary Ensemble is an eponymous live album by the free jazz group consisting of violinist Leroy Jenkins, bassist Sirone and drummer Jerome Cooper, which was recorded in Austria in 1977 and released on the German Enja label and in the U.S. on Inner City Records the following year.
Vietnam, also referred to as Vietnam 1 & 2 is a live album by the Revolutionary Ensemble, violinist Leroy Jenkins, bassist Sirone and drummer Jerome Cooper, which was recorded in 1972 and released on the ESP-Disk label.
The Art of Improvisation is a live album by violinist / composer Leroy Jenkins. It was recorded in October 2004 at an AACM concert in New York City, and was released by Mutable Music in 2005. On the album, Jenkins is joined by the members of his world music improvisation group, Driftwood: Min Xiao-Fen on pipa, Denman Maroney on piano, and Rich O'Donnell on percussion.
The Psyche is a live album by the Revolutionary Ensemble, violinist Leroy Jenkins, bassist Sirone and drummer Jerome Cooper. It was initially released on LP in 1975 by the group's own label RE Records, and was reissued on CD in 2002 by Mutable Music.
Beyond the Boundary of Time is a live album by the Revolutionary Ensemble, violinist Leroy Jenkins, bassist Sirone and drummer Jerome Cooper. It was recorded in May 2005 in Warsaw, Poland, and was released in 2008 by Mutable Music. The album contains one composition by each group member, along with two collective improvisations. It captures one of the group's last performances, and is dedicated to Jenkins, who died in 2007.
Root Assumptions is a solo percussion album by Jerome Cooper. It was recorded in April 1978 in New York City, and was released by Anima Productions in 1982. On the album, Cooper performs on a variety of percussion instruments, including African balaphone, bass drum, and sock cymbal.
For the People is a live album by Jerome Cooper. It was recorded in May 1979 at The Kitchen in New York City, and was released on LP by Hat Hut Records in 1980. On the album, Cooper, who plays a variety of instruments, including drums, chirimia, African balaphone, and whistle, is joined by Oliver Lake, who performs on alto saxophone, flute, bells, and vocals.
The Unpredictability of Predictability is a live solo percussion album by Jerome Cooper. It was recorded in July 1979 at Soundscape in New York City, and was released on LP by About Time Records later that year.
In Concert: From There to Hear is a live solo percussion album by Jerome Cooper. It was recorded during 1995–1998 at concerts presented at Roulette and The Knitting Factory in New York City, and was released by Mutable Music in 2001.
Alone, Together, Apart is a live album by percussionist Jerome Cooper and vocalist Thomas Buckner. It was recorded in April 2002 at Lotus Music and Dance Studio in New York City, and was released by Mutable Music in 2003.
As of Not is a double-LP album by American percussionist Jerome Cooper and Danish percussionist and pianist Kresten Osgood. It was recorded in 2011 while Cooper was visiting Copenhagen for symposia, masterclasses, and concerts, and was released by the Danish artist-run label and collective ILK Music in 2020. The album features a seven-part percussion-oriented suite composed by Cooper.
