Gauri is an India musical raga that appears in the Sikh tradition from northern India and is part of the Sikh holy scripture called Sri Guru Granth Sahib. Every raga has a strict set of rules which govern the number of notes that can be used; which notes can be used; and their interplay that has to be adhered to for the composition of a tune. there are Gouris of the Bhairav, Poorvi and Marwa thats with additional qualifiers such as the Shree-anga Gouri, Bhairav-anga Gouri, Poorvi-anga Gouri and so on. These are not considered ‘big’ ragas.
The Guru Granth Sahib is the central holy religious scripture of Sikhism, regarded by Sikhs as the final, sovereign and eternal Guru following the lineage of the ten human gurus of the religion. The Adi Granth, its first rendition, was compiled by the fifth guru, Guru Arjan (1564–1606). Its compilation was completed on 29 August 1604 and first installed inside the Golden Temple in Amritsar on 1 September 1604. Baba Buddha was appointed the first Granthi of the Golden Temple. Shortly afterwards Guru Hargobind added Ramkali Ki Vaar. Later, Guru Gobind Singh, the tenth Sikh guru, added hymns of Guru Tegh Bahadur to the Adi Granth and affirmed the text as his successor. This second rendition became known as the Guru Granth Sahib and is also sometimes referred to as the Adi Granth.
Sorath is an India musical raga that appears in the Sikh tradition from northern India and is part of the Sikh holy scripture called Sri Guru Granth Sahib. Every raga has a strict set of rules which govern the number of notes that can be used; which notes can be used; and their interplay that has to be adhered to for the composition of a tune. In the Guru Granth Sahib, the Sikh holy Granth (book) there are a total of 60 raga compositions and this raga is the twenty fifth raga to appear in the series. The composition in this raga appear on a total of 65 pages from page numbers 595 to 660.
The Mūl Mantar is the opening verse of the Sikh scripture, the Guru Granth Sahib. It consists of twelve words in the Punjabi language, written in Gurmukhi script, and are the most widely known among the Sikhs. They summarize the essential teaching of Guru Nanak, thus constituting a succinct doctrinal statement of Sikhism.
Sikh music, also known as Gurbani Sangeet , and as Gurmat Sangeet, or even as Shabad Kirtan, is the classical music style that is practised within Sikhism. It exists in institutional, popular, and folk traditions, forms, and varieties. Three types of Sikh musicians are rababis, ragis, and dhadhis. Sikh music exists in various melodic modes, musical forms, styles, musicians, and performance contexts.
A Granthi is a person, female or male, of the Sikh religion who is a ceremonial reader of the Guru Granth Sahib, which is the holy book in Sikhism, often read to worshipers at Sikh temples called a Gurdwara.
The principal Sikh scripture is the Adi Granth, more commonly called the Guru Granth Sahib. The second most important scripture of the Sikhs is the Dasam Granth. Both of these consist of text which was written or authorised by the Sikh Gurus.
This is an India musical raga (composition) that appears in the Sikh tradition from northern India and is part of the Sikh holy scripture called Sri Guru Granth Sahib or Guru Granth Sahib for short. Every raga has a strict set of rules which govern the number of notes that can be used; which notes can be used; and their interplay that has to be adhered to for the composition of a tune. In the Guru Granth Sahib, the Sikh holy Granth (book) there are a total of 31 raga compositions and this raga is the ninth raga to appear in the series. The composition in this raga appear on a total of only 2 pages from page numbers 719 to 721.
Bihagara is an Indian musical raga (composition) that appears in the Sikh tradition from northern India and is part of the Guru Granth Sahib. Every raga has a strict set of rules which govern the number of notes and their interplay that has to be adhered to for the composition of a tune. The Guru Granth Sahib consists of 60 ragas and this is the twenty-second raga to appear in the series. The composition in this raga appears from page 537 to 557.
Shree is a very old North Indian raga of the Purvi thaat, and has traditionally been associated with Laxmi. It also appears in the Sikh tradition from northern India, and is a part of the Guru Granth Sahib, the holy text of the Sikhs. The Guru Granth Sahib composition comprises 31 ragas where Shree is the first raga to appear. The raga appears first on 14th page of the composition.
Basant or Vasant is a Hindustani classical raga.
Bilaval or Bilawal is a raga and the basis for the eponymous thaat in Hindustani classical music. Raga Bilaval is named after Veraval, Gujarat.
Devagandhari is a raga in Indian classical music. In carnatic classical music, Devagandhari is a janya raga, whose melakarta raga is Shankarabharanam, 29th in the 72 Melakarta raga system. This is not to be confused with Karnataka Devagandhari, which is a janya of Kharaharapriya similar to Abheri.
Dhanashree is a raga. It prominently appears in the Sikh tradition from northern India and is part of the Guru Granth Sahib.
This is an India musical raga (composition) that appears in the Sikh tradition from northern India and is part of the Guru Granth Sahib. Every raga has a strict set of rules which govern the number of notes that can be used; which notes can be used; and their interplay that has to be adhered to for the composition of a tune.
A Ragi is a Sikh musician who plays hymns (shabads) in different ragas as prescribed in the Sri Guru Granth Sahib.
The Guru Granth Sahib, is the central religious text of Sikhism, considered by Sikhs to be the final sovereign Guru of the religion. It contains 1430 Angs, containing 5,894 hymns of 36 saint mystics which includes Sikh gurus, Bhagats, Bhatts and Gursikhs. It is notable among foundational religious scriptures for including hymns from writers of other religions, namely Hindus and Muslims. It also contains teachings of the Sikh gurus themselves.
Sidh Gosti is a famous spiritual interfaith dialogue between Guru Nanak and Nath Siddhas. The composition is present from page 938 to 946 in Adi Granth. Composition have 73 Stanzas, written in Ramkali Raga. Prominent Sidh and Naths present during discussion were Charpatnath, Bhangarnath and Loharipa . The popular belief is that this discourse happened at Achal Batala. Other than that Guru Nanak had discourses with Sidhas at various places mainly at Gorakhmatta, Achal Batala and Mount Meru. The discussion explains differences of Gurmat with Yog.
Suhi, a very old North Indian raga.: it also appears in the Sikh tradition from northern India and forms part of the Guru Granth Sahib. In the Guru Granth Sahib, the composition appear in 62 ragas and this is the thirty first raga to appear in the series. The composition in this raga first appear on Ang number 728.
Jaitsri is an Indian classical raga that appears in the Sikh tradition from northern India and is part of the Guru Granth Sahib. It provided the setting for hymns by Guru Ram Das, Guru Arjan and Guru Tegh Bahadar for a total of 30 hymns.
