Asko Concerto

Last updated

The Asko Concerto is a concerto for chamber orchestra by the American composer Elliott Carter. The work was commissioned by the Dutch chamber group Asko Ensemble, for which the piece is titled. It was composed in January 2000 and was first performed in Concertgebouw, Amsterdam on April 26, 2000, by the Asko ensemble under the conductor Oliver Knussen. The piece is dedicated to Asko/Schönberg. [1]

Contents

Composition

The Asko Concerto has a duration of roughly 12 minutes and is composed in a single movement. Carter briefly described the piece in the score program notes, writing:

My Asko Concerto for sixteen players features each one of them participating in one of the following groups—two trios, two duos, a quintet or a solo. These six sections are framed by the entire group playing together. Although the music is in lighthearted mood, each soloistic section approaches ensemble playing in a different spirit. [1]

Instrumentation

The work is scored for a chamber orchestra comprising flute (doubling piccolo), oboe, clarinet, bass clarinet, bassoon, French horn, trumpet, trombone, one percussionist, harp, piano (doubling celesta), two violins, viola, cello, and double bass. [1]

Reception

The Asko Concerto has been praised by music critics. Anthony Tommasini of The New York Times wrote:

The concerto, ingeniously scored for 16 instruments, is Mr. Carter's homage to the Baroque concerto grosso. Ritornello sections for the entire ensemble, initiated with slicing chords and driving rhythms, are alternated with flightier episodes for diverse groups of soloists, where, say, the bass clarinet, trombone and cello engage in some every-which-way busyness. It's brilliant but also fun. [2]

Andrew Clements of The Guardian similarly opined, "In the Asko Concerto [... Carter's] instrumental webs move into the spotlight in a series of interlinked short movements in which every proportion is perfect." [3] Arnold Whittall of Gramophone also lauded the piece, writing, "... Carter provides a typically resourceful 12-minute structure in which the 16-strong ensemble is variously subdivided to engage in a succession of trenchant dialogues and mercurial exchanges." [4]

Related Research Articles

<span class="mw-page-title-main">Mark-Anthony Turnage</span> British composer

Mark-Anthony Turnage CBE is a British composer of classical music.

The Violin Concerto is a concerto for violin and orchestra in three movements by the American composer Elliott Carter. The work was jointly commissioned by the San Francisco Symphony and the violinist Ole Bøhn. It was completed February 26, 1990 in Waccabuc, New York, and was premiered May 2, 1990 in San Francisco, with conductor Herbert Blomstedt leading Bøhn and the San Francisco Symphony. The piece won the 1994 Grammy Award for Best Classical Contemporary Composition.

The Cello Concerto is a composition for solo cello and orchestra by the Scottish composer James MacMillan. It is the second of three interrelated compositions in MacMillan's Easter triptych Triduum commissioned by the London Symphony Orchestra. The piece was first performed at the Barbican Centre on October 3, 1996 by the cellist Mstislav Rostropovich and the London Symphony Orchestra under the conductor Colin Davis. The work is dedicated to Mstislav Rostropovich.

Dialogues is a composition for solo piano and chamber orchestra by the American composer Elliott Carter. The work was commissioned by the BBC for the pianist Nicolas Hodges and completed in 2003. It was first performed on January 23, 2004 at the Queen Elizabeth Hall in Southbank Centre, London, by Nicolas Hodges and the London Sinfonietta under the conductor Oliver Knussen. The piece was a finalist for the 2005 Pulitzer Prize for Music. In 2012, Carter composed a followup to the piece Dialogues II for the conductor Daniel Barenboim's 70th birthday.

The Concerto for Horn and Orchestra is a horn concerto by the American composer Elliott Carter. The work was commissioned by the Boston Symphony Orchestra for the horn player James Sommerville. It was first performed on November 15, 2007 in Boston by Sommerville and the Boston Symphony Orchestra under the conductor James Levine.

The Boston Concerto is a concerto for orchestra by the American composer Elliott Carter. The work was commissioned by the Boston Symphony Orchestra, for which the piece is titled. It was first performed in Symphony Hall, Boston, on April 3, 2003 by the Boston Symphony Orchestra under the conductor Ingo Metzmacher. Carter dedicated the concerto to his wife Helen Jones Carter, who died on May 17, 2003.

The Flute Concerto is a composition for solo flute and orchestra by the American composer Elliott Carter. The work was commissioned by Elena Bashkirova for the Jerusalem International Chamber Music. Carter began the composition in September 2007 and completed it in March 2008 at the age of 99. The piece was first performed at the Jerusalem International YMCA on September 9, 2008 by the flutist Emmanuel Pahud and the Jerusalem International Chamber Music Ensemble under the conductor Daniel Barenboim.

The Cello Concerto is a composition for solo cello and orchestra by the American composer Elliott Carter. The work was commissioned by the Chicago Symphony Orchestra for the cellist Yo-Yo Ma. It was first performed in Chicago, Illinois, on September 27, 2001 by Yo-Yo Ma and the Chicago Symphony Orchestra under the conductor Daniel Barenboim.

The Symphony No. 1 is a symphony for orchestra by the American composer Elliott Carter. The work was originally completed in Santa Fe, New Mexico on December 18, 1942, though Carter later revised the work in 1954. It was first performed on April 27, 1944, by the Eastman-Rochester Symphony under the direction of Howard Hanson at the fourteenth annual Festival of American Music. The piece is dedicated to Carter's wife.

The Double Concerto for Harpsichord and Piano with Two Chamber Orchestras is a composition by the American composer Elliott Carter. The work was commissioned by the Fromm Music Foundation and is dedicated to the philanthropist Paul Fromm. It was completed in August 1961 and was first performed at the Metropolitan Museum of Art's Grace Rainey Rogers Auditorium on September 6, 1961. The premiere was performed by the harpsichordist Ralph Kirkpatrick and the pianist Charles Rosen under the conductor Gustav Meier.

Interventions is a composition for solo piano and orchestra by the American composer Elliott Carter. The work was composed at the behest of the pianist Daniel Barenboim and the conductor James Levine to celebrate Carter's 100th birthday. The piece was completed on April 16, 2007 and was first performed in Symphony Hall, Boston on December 4, 2008 by Daniel Barenboim and the Boston Symphony Orchestra under James Levine.

Souvenir is a composition for chamber orchestra by the Finnish composer Magnus Lindberg. The work was commissioned by the New York Philharmonic, for which Lindberg was then composer-in-residence. It was given its world premiere on November 19, 2010 at Symphony Space, New York City, by the New York Philharmonic under the direction of Alan Gilbert. The piece was written in memoriam for Lindberg's friend and fellow composer Gérard Grisey.

The Cello Concerto No. 1 is a composition for solo cello and orchestra by the Finnish composer Magnus Lindberg. It was first performed in the Cité de la Musique, Paris on May 6, 1999 by the cellist Anssi Karttunen and the Orchestre de Paris under the direction of Esa-Pekka Salonen.

Kraft is a composition for solo ensemble, electronics, and orchestra by the Finnish composer Magnus Lindberg. The work was commissioned by the Helsinki Festival and was first performed on September 4, 1985 by the Toimii ensemble and the Finnish Radio Symphony Orchestra under the direction of Esa-Pekka Salonen. The piece was awarded the International Rostrum of Composers in 1986 and won the Nordic Council Music Prize in 1988.

The Concerto for Piano and Orchestra is the first piano concerto by the Finnish composer Magnus Lindberg. The work was commissioned by the Helsinki Festival on September 4, 1991 and completed in 1994. It is dedicated to the pianist Paul Crossley.

The Piano Concerto No. 1 is a composition for solo piano and orchestra by the American composer Peter Lieberson. The work was commissioned by the Boston Symphony Orchestra for its centennial. Lieberson started composing the piece in 1980 and completed it on March 2, 1983. It was written for the pianist Peter Serkin, who first performed the concerto with the Boston Symphony Orchestra under the direction of Seiji Ozawa on April 21, 1983. The piece is dedicated to Peter Serkin and Seiji Ozawa. It was a finalist for the 1984 Pulitzer Prize for Music.

The World's Ransoming is a concerto for cor anglais and orchestra by the Scottish composer James MacMillan. It was the first of three interrelated compositions in MacMillan's Easter triptych Triduum commissioned by the London Symphony Orchestra. Its world premiere was given by the soloist Christine Pendrill and the London Symphony Orchestra under the direction of Kent Nagano at the Barbican Centre on 11 July 1996.

The Concerto for Piano and Orchestra is a composition for solo piano and orchestra by the Polish composer Witold Lutosławski. The music was commissioned by the Salzburg Festival. It was first performed at the festival on August 19, 1988 by the pianist Krystian Zimerman and the Austrian Radio Orchestra under the direction of the composer. Lutosławski dedicated the piece to Zimerman.

Unsuk Chin's Piano Concerto was composed between 1996 and 1997 on a commission from the BBC for the BBC National Orchestra of Wales. The piece was first performed by the pianist Rolf Hind and the BBC National Orchestra of Wales conducted by Mark Wigglesworth at St David's Hall, Cardiff, on 6 June 1997.

References

  1. 1 2 3 Carter, Elliott (2000). "Asko Concerto". Boosey & Hawkes . Retrieved February 3, 2016.
  2. Tommasini, Anthony (April 27, 2002). "MUSIC REVIEW; Catching Up With Elliott Carter". The New York Times . Retrieved February 3, 2016.
  3. Clements, Andrew (27 November 2003). "Carter: What Next?; Asko Concerto, Anderson/ Leonard/ Summers/ Joyner/ Eizinga/ Hoogeveen/ Netherlands Radio Chamber Orchestra/ Eotvos". The Guardian . Retrieved February 3, 2016.
  4. Whittall, Arnold (January 2004). "Carter What Next?; Asko Concerto: A chamber opera inspired by a road accident in an atmospheric live recording". Gramophone . Retrieved February 3, 2016.