Soundings (Carter)

Last updated

Soundings is an orchestral composition by the American composer Elliott Carter. The work was commissioned by the Chicago Symphony Orchestra for their final season with the conductor Daniel Barenboim as music director. It was first performed on October 6, 2005 at the Symphony Center, Chicago, by Barenboim and the Chicago Symphony Orchestra. [1]

Orchestra large instrumental ensemble

An orchestra is a large instrumental ensemble typical of classical music, which mixes instruments from different families, including bowed string instruments such as violin, viola, cello, and double bass, as well as brass, woodwinds, and percussion instruments, each grouped in sections. Other instruments such as the piano and celesta may sometimes appear in a fifth keyboard section or may stand alone, as may the concert harp and, for performances of some modern compositions, electronic instruments.

Elliott Carter American composer

Elliott Cook Carter Jr. was an American composer. He studied with Nadia Boulanger in Paris in the 1930s, then returned to the United States. After an early neoclassical phase, he developed a personal harmonic and rhythmic language. His compositions are known and performed throughout the world, and include orchestral, chamber music, solo instrumental, and vocal works. Carter was twice awarded the Pulitzer Prize.

Chicago Symphony Orchestra American orchestra based in Chicago, Illinois

The Chicago Symphony Orchestra (CSO) was founded by Theodore Thomas in 1891. The ensemble makes its home at Orchestra Hall in Chicago and plays a summer season at the Ravinia Festival. The music director is Riccardo Muti, who began his tenure in 2010. The CSO is one of five American orchestras commonly referred to as the "Big Five".

Contents

Composition

Soundings has a duration of roughly ten minutes and is composed in one continuous movement. Carter wrote in the score program note, "Soundings celebrates the conductor/pianist Daniel Barenboim, whose Chicago Symphony Orchestra commissioned this score which was written in New York City in 2005. It presents a 'soundings' of the conductor/pianist and of many instrumental groups or soloists within the orchestra and presents them with good humor." [1]

A movement is a self-contained part of a musical composition or musical form. While individual or selected movements from a composition are sometimes performed separately, a performance of the complete work requires all the movements to be performed in succession. A movement is a section, "a major structural unit perceived as the result of the coincidence of relatively large numbers of structural phenomena".

A unit of a larger work that may stand by itself as a complete composition. Such divisions are usually self-contained. Most often the sequence of movements is arranged fast-slow-fast or in some other order that provides contrast.

Instrumentation

The work is scored for an orchestra comprising piccolo, two flutes (doubling piccolo), two oboes, cor anglais, two clarinets (first doubling E-flat clarinet, second doubling bass clarinet), contrabass clarinet, two bassoons, contrabassoon, four horns, three trumpets, three trombones, tuba, timpani, two percussionists, piano, and strings. [1]

Piccolo small flute musical instrument

The piccolo is a half-size flute, and a member of the woodwind family of musical instruments. The modern piccolo has most of the same fingerings as its larger sibling, the standard transverse flute, but the sound it produces is an octave higher than written. This gave rise to the name ottavino, which the instrument is called in the scores of Italian composers. It is also called flauto piccolo or flautino.

Western concert flute transverse woodwind instrument made of metal or wood

The Western concert flute is a transverse (side-blown) woodwind instrument made of metal or wood. It is the most common variant of the flute. A musician who plays the flute is called a flautist, flutist, flute player, or (rarely) fluter.

Oboe musical instrument of the woodwind family

Oboes are a family of double reed woodwind instruments. The most common oboe plays in the treble or soprano range. Oboes are usually made of wood, but there are also oboes made of synthetic materials. A soprano oboe measures roughly 65 cm long, with metal keys, a conical bore and a flared bell. Sound is produced by blowing into the reed at a sufficient air pressure, causing it to vibrate with the air column. The distinctive tone is versatile and has been described as "bright". When oboe is used alone, it is generally taken to mean the treble instrument rather than other instruments of the family, such as the bass oboe, the cor anglais, or oboe d'amore

Reception

Reviewing the world premiere, John von Rhein of the Chicago Tribune lauded the composition, writing:

<i>Chicago Tribune</i> major daily newspaper based in Chicago, Illinois, United States

The Chicago Tribune is a daily newspaper based in Chicago, Illinois, United States, owned by Tribune Publishing. Founded in 1847, and formerly self-styled as the "World's Greatest Newspaper", it remains the most-read daily newspaper of the Chicago metropolitan area and the Great Lakes region. It is the eighth-largest newspaper in the United States by circulation.

Soundings packs a lot of invention into its dozen minutes. Carter celebrates the two Barenboims, giving him music to play at the piano and a lot more music to conduct, but never at the same time. The odd thing is why Barenboim the pianist is given so very little to do. The piano starts things off with a cadenza-like flourish containing Barenboim's musical monogram, reappearing at the end in a sly game of starts and stops between the keyboard and orchestra.

In between, Carter gives us a parade of rapidly shifting orchestral ideas: horn and woodwinds chopping up a darting phrase; the subterranean rumbles of contrabass clarinet; a twittering trio of piccolos; a pensive tuba solo that's actually longer than the entire piano part. Through it all, there's Carter the high-modernist artisan, delighting in the virtuosic sinew of a great orchestra he knows well. [2]

Andrew Clements of The Guardian gave the work a more mixed response, however, observing, "Composed three years ago as a leaving present for Daniel Barenboim when he stepped down as music director of the Chicago Symphony, Soundings was expressly designed for Barenboim to conduct from the piano like a Mozart concerto. For that reason, it is an odd piece, with little dialogue between the piano and the large orchestra." He added, "The main body of the piece is a miniature concerto for the orchestra alone, with some typically nimble late Carter ideas - for a choir of clarinets and a trio of piccolos, especially - but the whole thing never really hangs together." [3]

<i>The Guardian</i> British national daily newspaper

The Guardian is a British daily newspaper. It was founded in 1821 as The Manchester Guardian, and took its current name in 1959. Along with its sister papers The Observer and The Guardian Weekly, the Guardian is part of the Guardian Media Group, owned by the Scott Trust. The Scott Trust was created in 1936 "to secure the financial and editorial independence of the Guardian in perpetuity and to safeguard the journalistic freedom and liberal values of the Guardian free from commercial or political interference". The Scott Trust was converted into a limited company in 2008, with a constitution written so as to project the same protections for The Guardian as were originally built into the very structure of the Scott Trust by its creators. Profits are reinvested in journalism rather than to benefit an owner or shareholders.

Wolfgang Amadeus Mozart Austrian composer of the Classical period

Wolfgang Amadeus Mozart, baptised as Johannes Chrysostomus Wolfgangus Theophilus Mozart, was a prolific and influential composer of the classical era.

Related Research Articles

Ellen Taaffe Zwilich is an American composer, the first female composer to win the Pulitzer Prize for Music. Her early works are marked by atonal exploration, but by the late 1980s she had shifted to a post-modernist, neo-romantic style. She has been called "one of America’s most frequently played and genuinely popular living composers." She was a 1994 inductee into the Florida Artists Hall of Fame. Zwilich currently serves as the Francis Eppes Distinguished Professor at Florida State University.

The Concerto in F Minor for Bass Tuba and Orchestra by British composer Ralph Vaughan Williams was written in 1954 for Philip Catelinet, principal tubist of the London Symphony Orchestra (LSO), who together gave the premiere on 13 June 1954 with Sir John Barbirolli conducting. The same musicians made the work’s first recording that same year.

The Concerto for Orchestra is a four-movement concerto for orchestra written in 1969 by the American composer Elliott Carter. The work was commissioned by the New York Philharmonic to commemorate their 125th anniversary and was premiered by the orchestra under the conductor Leonard Bernstein in New York City, February 5, 1970.

The Concerto for Orchestra is an orchestral composition in five movements by the American composer Jennifer Higdon. The work was commissioned by the Philadelphia Orchestra with contributions from the National Endowment for the Arts, the Philadelphia Music Project, and Peter Benoliel. It was premiered at the Kimmel Center for the Performing Arts in Philadelphia June 12, 2002, with conductor Wolfgang Sawallisch leading the Philadelphia Orchestra.

The Violin Concerto is a concerto for violin and orchestra in three movements by the American composer Elliott Carter. The work was jointly commissioned by the San Francisco Symphony and the violinist Ole Bøhn. It was completed February 26, 1990 in Waccabuc, New York, and was premiered May 2, 1990 in San Francisco, with conductor Herbert Blomstedt leading Bøhn and the San Francisco Symphony. The piece won the 1994 Grammy Award for Best Classical Contemporary Composition.

Anthology of Fantastic Zoology is an orchestral symphony by the American composer Mason Bates. The work was commissioned by the Chicago Symphony Orchestra, for whom Bates was then composer-in-residence. It was premiered June 18, 2015 at Symphony Center in Chicago, with the Chicago Symphony Orchestra performing under conductor Riccardo Muti, to whom the work is dedicated. The piece is based on the eponymous book by Jorge Luis Borges.

The Piano Concerto is a concerto for solo piano and orchestra in three movements by the Finnish composer Esa-Pekka Salonen. The work was jointly commissioned by the New York Philharmonic, the BBC, the NDR Symphony Orchestra, and Radio France. It was premiered February 1, 2007 in Avery Fisher Hall, New York City, with Salonen conducting the pianist Yefim Bronfman and the New York Philharmonic. Salonen dedicated the piece to Yefim Bronfman.

Astral Canticle is a double concerto for violin, flute, and orchestra by the American composer Augusta Read Thomas. The work was Thomas's sixth and final commission by the Chicago Symphony Orchestra before she concluded her nine-year tenure there as composer-in-residence. It was first performed in Chicago on June 1, 2006, by the flutist Mathieu Dufour, the violinist Robert Chen, and the Chicago Symphony Orchestra under the conductor Daniel Barenboim. The piece is dedicated to Barenboim and the Chicago Symphony Orchestra. The composition was a finalist for the 2007 Pulitzer Prize for Music.

Dialogues is a composition for solo piano and chamber orchestra by the American composer Elliott Carter. The work was commissioned by the BBC for the pianist Nicolas Hodges and completed in 2003. It was first performed on January 23, 2004 at the Queen Elizabeth Hall in Southbank Centre, London, by Nicolas Hodges and the London Sinfonietta under the conductor Oliver Knussen. The piece was a finalist for the 2005 Pulitzer Prize for Music. In 2012, Carter composed a followup to the piece Dialogues II for the conductor Daniel Barenboim's 70th birthday.

The Concerto for Horn and Orchestra is a horn concerto by the American composer Elliott Carter. The work was commissioned by the Boston Symphony Orchestra for the horn player James Sommerville. It was first performed on November 15, 2007 in Boston by Sommerville and the Boston Symphony Orchestra under the conductor James Levine.

The Boston Concerto is a concerto for orchestra by the American composer Elliott Carter. The work was commissioned by the Boston Symphony Orchestra, for which the piece is titled. It was first performed in Symphony Hall, Boston, on April 3, 2003 by the Boston Symphony Orchestra under the conductor Ingo Metzmacher. Carter dedicated the concerto to his wife Helen Jones Carter, who died on May 17, 2003.

The Flute Concerto is a composition for solo flute and orchestra by the American composer Elliott Carter. The work was commissioned by Elena Bashkirova for the Jerusalem International Chamber Music. Carter began the composition in September 2007 and completed it in March 2008 at the age of 99. The piece was first performed at the Jerusalem International YMCA on September 9, 2008 by the flutist Emmanuel Pahud and the Jerusalem International Chamber Music Ensemble under the conductor Daniel Barenboim.

The Cello Concerto is a composition for solo cello and orchestra by the American composer Elliott Carter. The work was commissioned by the Chicago Symphony Orchestra for the cellist Yo-Yo Ma. It was first performed in Chicago, Illinois, on September 27, 2001 by Yo-Yo Ma and the Chicago Symphony Orchestra under the conductor Daniel Barenboim.

The Concerto for Piano is a composition for solo piano and orchestra by the American composer Elliott Carter. The work was commissioned by the pianist Jacob Lateiner with support from the Ford Foundation. It was composed between 1964 and 1965 and was first performed at Symphony Hall, Boston on January 6, 1967, by Lateiner and the Boston Symphony Orchestra under the conductor Erich Leinsdorf. The piece was dedicated to the composer Igor Stravinsky for his 85th birthday.

The Symphonia: sum fluxae pretium spei is an orchestral triptych by the American composer Elliott Carter. Its three movements were composed between 1993 and 1995. The complete work was first performed on April 25, 1998 at Bridgewater Hall, Manchester by the BBC Symphony Orchestra under the conductor Oliver Knussen. The second movement "Adagio tenebroso" was a finalist for the 1996 Pulitzer Prize for Music.

The Double Concerto for Harpsichord and Piano with Two Chamber Orchestras is a composition by the American composer Elliott Carter. The work was commissioned by the Fromm Music Foundation and is dedicated to the philanthropist Paul Fromm. It was completed in August 1961 and was first performed at the Metropolitan Museum of Art's Grace Rainey Rogers Auditorium on September 6, 1961. The premiere was performed by the harpsichordist Ralph Kirkpatrick and the pianist Charles Rosen under the conductor Gustav Meier.

Three Illusions for Orchestra is an orchestral triptych by the American composer Elliott Carter. The complete work was given its world premiere in Symphony Hall, Boston, on October 6, 2005 by the Boston Symphony Orchestra under the conductor James Levine.

Interventions is a composition for solo piano and orchestra by the American composer Elliott Carter. The work was composed at the behest of the pianist Daniel Barenboim and the conductor James Levine to celebrate Carter's 100th birthday. The piece was completed on April 16, 2007 and was first performed in Symphony Hall, Boston on December 4, 2008 by Daniel Barenboim and the Boston Symphony Orchestra under James Levine.

Sculpture is an orchestral composition by the Finnish composer Magnus Lindberg. The music was commissioned by the Los Angeles Philharmonic with support from the Koussevitzky Music Foundation to celebrate the orchestra's inaugural season at the Walt Disney Concert Hall. Its world premiere was given by the Los Angeles Philharmonic under the direction of Esa-Pekka Salonen on October 6, 2005.

References

  1. 1 2 3 Carter, Elliott (2005). "Soundings". Boosey & Hawkes . Retrieved January 30, 2016.
  2. Rhein, John von (October 8, 2005). "Carter premiere, solo performances highlight CSO fest". Chicago Tribune . Retrieved January 30, 2016.
  3. Clements, Andrew (19 August 2008). "Classical Music Review: BBCSSO/Volkov". The Guardian . Retrieved January 30, 2016.