The Holiday Overture is a composition for orchestra by Elliott Carter. Carter wrote the work during the summer of 1944, on commission from the Boston Symphony Orchestra, to celebrate the liberation of Paris during World War II. In addition, Carter composed the overture for the Independent Concert Music Publisher's Contest 1945, and won this competition. [1] The overture was to have been premiered in Boston. However, Carter made a copy of some parts of the work. Eventually, the work received its premiere in Frankfurt in 1946, conducted by Hans Blümer. [2] In 1961, Carter revised the overture.
The music is optimistic in spirit, reflecting Carter's own affection for his years in Paris and reaction to news of the Allied victory in France. Whilst reminiscent of the populist manner of Aaron Copland, according to the composer himself, the work was also one of his first to use "different contrasting layers of musical activity at the same time". [3] In addition, Carter has said of the work:
... it was to be a demonstration of brilliant orchestration, and a lively, good-spirited sort of piece. [1]
The music has a duration of about 10 minutes. The instrumentation is as follows:
Woodwind:
| Brass: | Percussion: | Keyboard: | Strings:
|
Elliott Cook Carter Jr. was an American modernist composer. One of the most respected composers of the second half of the 20th century, he combined elements of European modernism and American "ultra-modernism" into a distinctive style with a personal harmonic and rhythmic language, after an early neoclassical phase. His compositions are known and performed throughout the world, and include orchestral, chamber music, solo instrumental, and vocal works. Carter was twice awarded the Pulitzer Prize.
Harold Samuel Shapero was an American composer.
Serge Alexandrovich Koussevitzky was a Russian-born conductor, composer and double-bassist, known for his long tenure as music director of the Boston Symphony Orchestra from 1924 to 1949.
Stuart Oliver Knussen was a British composer and conductor.
Walter Hamor Piston Jr,, was an American composer of classical music, music theorist, and professor of music at Harvard University.
Symphony No. 3 was Aaron Copland's final symphony. It was written between 1944 and 1946, and its first performance took place on October 18, 1946 with the Boston Symphony Orchestra performing under Serge Koussevitzky. If the early Dance Symphony is included in the count, it is actually Copland's fourth symphony.
Lincoln Portrait is a classical orchestral work written by the American composer Aaron Copland. The work involves a full orchestra, with particular emphasis on the brass section at climactic moments. The work is narrated with the reading of excerpts of Abraham Lincoln's great documents, including the Gettysburg Address. An orchestra usually invites a prominent person to be the narrator.
Connotations is a classical music composition for symphony orchestra written by American composer Aaron Copland. Commissioned by Leonard Bernstein in 1962 to commemorate the opening of Philharmonic Hall in New York City, United States, this piece marks a departure from Copland's populist period, which began with El Salón México in 1936 and includes the works he is most famous for such as Appalachian Spring, Lincoln Portrait and Rodeo. It represents a return to a more dissonant style of composition in which Copland wrote from the end of his studies with French pedagogue Nadia Boulanger and return from Europe in 1924 until the Great Depression. It was also Copland's first dodecaphonic work for orchestra, a style he had disparaged until he heard the music of French composer Pierre Boulez and adapted the method for himself in his Piano Quartet of 1950. While the composer had produced other orchestral works contemporary to Connotations, it was his first purely symphonic work since his Third Symphony, written in 1947.
Henry Kimball Hadley was an American composer and conductor.
The Group for Contemporary Music is an American chamber ensemble dedicated to the performance of contemporary classical music. It was founded in New York City in 1962 by Joel Krosnick, Harvey Sollberger and Charles Wuorinen and gave its first concert on October 22, 1962 in Columbia University's MacMillin Theatre. Krosnik left the ensemble in 1963. It was the first contemporary music ensemble based at a university and run by composers.
Samuel Jones is an American composer and conductor.
Angel Gil-Ordóñez is a Spanish-born American conductor who co-founded the PostClassical Ensemble with music historian Joseph Horowitz and serves as its Music Director. He is also the Principal Guest Conductor of New York’s Perspectives Ensemble and the Music Director of the Georgetown University Orchestra in Washington, D.C. Additionally, he serves as advisor for education and programming for Trinitate Philharmonia, a program in Mexico modeled on Venezuela’s El Sistema, and is also a regular guest conductor at the Bowdoin International Music Festival in Maine.
José Serebrier is a Uruguayan conductor and composer. He is one of the most recorded conductors of his generation.
Edward Toner Cone was an American composer, music theorist, pianist, and philanthropist.
Paul Hostetter is the Ethel Foley Distinguished Chair in Orchestral Activities for the Schwob School of Music at Columbus State University, the Conductor and Artistic Advisor for the Sequitur Ensemble, and the Founder and Artistic Adviser to the Music Mondays chamber series in New York City. He has held appointments as the Director of the John J. Cali School of Music at Montclair State University where he also was the Director of Orchestral Studies/Associate Professor, the Music Director of the Colonial Symphony, the Music Director of the High Mountain Symphony, Artistic Director of the Winter Sun Music Festival, Music Director of the New Jersey Youth Symphony, and the Associate Conductor for the Broadway productions of Candide and George and Ira Gershwin's Fascinating Rhythm.
Maurice Peress was an American orchestra conductor, educator and author.
Robert Hart Baker is a symphonic and operatic conductor and music director based in York, Pennsylvania, United States. He has toured extensively in the U.S., Canada, and abroad. Among the many concerts he has led have been the full works of the Beethoven, Brahms, Rachmaninoff and Tchaikovsky symphonies and the Strauss tone poems, in addition to most of the orchestral works of Mahler, Dvorak, Schubert, Debussy, Ravel, Poulenc, and Ernest Bloch.
Javelin is a composition for orchestra by American composer Michael Torke. It was finished in 1994.
The Symphony No. 1 is a symphony for orchestra by the American composer Elliott Carter. The work was originally completed in Santa Fe, New Mexico on December 18, 1942, though Carter later revised the work in 1954. It was first performed on April 27, 1944 by the Eastman-Rochester Symphony under the direction of Howard Hanson at the fourteenth annual Festival of American Music. The piece is dedicated to Carter's wife.
The Short Symphony or Symphony No. 2 by American composer Aaron Copland is a symphony completed in 1933. The work is dedicated to Copland's friend, the Mexican composer and conductor Carlos Chávez. The symphony is significant as it demonstrates a movement in Copland's style towards polytonality and serialism. It also incorporates influences from the composer's past travels.