At the BBC | ||||
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Box set by | ||||
Released | 1 June 2009 | |||
Recorded | November 1977 – May 1991 | |||
Genre | ||||
Label | Universal International | |||
Siouxsie and the Banshees chronology | ||||
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At the BBC is a live box set containing three CDs and a DVD by alternative rock band Siouxsie and the Banshees, released in June 2009 by record label Universal International.
The physical version is sold out; the boxset is hence only available on audio streaming and media services such as Amazon Prime Music, iTunes, Spotify and Deezer.
At the BBC consists of four discs containing 84 digitally remastered tracks of BBC sessions, live concert tracks and TV performances recorded between 1977 and 1991 split across three CDs and a DVD, as well has a hard-back book.
The DVD featured several live sessions filmed for The Old Grey Whistle Test and Oxford Road Show , and for the first time, a previously-unreleased concert filmed in Warwick in March 1981, prior to their Juju album, with John McGeoch on guitar. Robert Smith was also featured on guitar on nine songs, including a TV session in 1979 and all the TV appearances from November 1982 through March 1984.
Review scores | |
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Source | Rating |
The List | [1] |
Mojo | [2] |
Record Collector | [3] |
Mojo wrote:
In a four-disc box 3 CDs cover their BBC sessions but it's the one vital DVD that reveals the Banshees’ true nature. Make no mistake: post-punk started here. And that’s not the half of it. Between late 1977 and autumn ’79, no British band could touch the Banshees. Their infamous, improvised August ’76 debut at the 100 Club Punk Rock Festival had taken DIY to its literal extreme. A year later, they re-emerged with a John Peel session that was light years from numbskull punk. That debut, still shockingly artful and assured, heads off 55 songs recorded for BBC Radio which make up the first three discs here. A fourth parcels up 29 performances shot for BBC TV. From an ice cool arrival on Old Grey Whistle Test, to a saffron-flavoured farewell on Top Of The Pops 13 years later, it chronicles the transformation of punk’s most militant iconoclasts into an alternative music colossus. [2]
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