"Hong Kong Garden" | ||||
---|---|---|---|---|
Single by Siouxsie and the Banshees | ||||
B-side | "Voices" | |||
Released | 18 August 1978 | |||
Recorded | 1978 | |||
Studio | Fallout Shelter (London) | |||
Genre | ||||
Length | 2:52 | |||
Label | Polydor | |||
Songwriter(s) | ||||
Producer(s) |
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Siouxsie and the Banshees singles chronology | ||||
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Music video | ||||
"Hong Kong Garden" on YouTube |
"Hong Kong Garden" is the debut single of English rock band Siouxsie and the Banshees. It was released as a single on 18 August 1978 by Polydor Records, reaching number 7 on the UK Singles Chart. [1]
The Independent stated that the song was "arguably the most important of the early post-punk hits" [2] and considered the track as one of the "10 best new wave singles" of 1978. [3] In 2005, Q placed it in its list of the "100 Greatest Guitar Tracks Ever". [4]
The instrumental first version, called "People Phobia", was composed by guitarist John McKay in 1977. The first time the band heard it, they were on a tour bus. [2]
The song was named after the Hong Kong Garden Chinese take-away which stood at 101 High Street in Chislehurst throughout the 1970s and 80s. In a 2009 interview, Siouxsie Sioux was quoted as explaining the lyrics with reference to the racist activities of skinheads visiting the take-away: [2]
I'll never forget, there was a Chinese restaurant in Chislehurst called the Hong Kong Garden. Me and my friend were really upset that we used to go there and like, occasionally when the skinheads would turn up it would really turn really ugly. These gits would just go in en masse and just terrorise these Chinese people who were working there. We'd try and say 'Leave them alone', you know. It was a kind of tribute. [5]
She also stated:
I remember wishing that I could be like Emma Peel from The Avengers and kick all the skinheads' heads in, because they used to mercilessly torment these people for being foreigners. It made me feel so helpless, hopeless and ill. [6]
The band's label, Polydor Records, booked a big studio recording Olympic Studios in London in July 1978 to record the song with the help of American producer Bruce Albertine, who was more into soul music. The result was not convincing; the band hated it. [7] Their manager, Nils Stevenson, quickly decided to call another sound engineer, Steve Lillywhite, who had a musical approach closer to theirs. [2] Lillywhite was in London at that time recording with Johnny Thunders. The group and Lillywhite chose to work in a more intimate place and opted for a smaller studio, the Fallout Shelter located in the basement of Island Records. [8]
Lillywhite re-recorded the song in two days: [2] "Hong Kong Garden" would be his first hit record as a producer. [7] He was hired because of his ability to get a certain sound on drums. Lillywhite told Banshees drummer Kenny Morris to not record all the drums at the same time. Morris did the bass drum and the snare drum first. Then he did the cymbals and the tom-toms later. [7] Lillywhite also added echo on the drums, adding significant space to the entire recording. NME retrospectively said that Lillywhite's work "revolutionis[ed] the post-punk band's sound with an innovative approach to laying down the drums". [9]
"Hong Kong Garden" was released on 18 August 1978 by Polydor Records. It reached number 7 on the UK Singles Chart, [1] and became one of the first post-punk hits. [2]
The record was featured as "Single of the Week" in NME, [2] Melody Maker , [10] Sounds [11] and Record Mirror . [12] The song was described by Paul Rambali of NME as "a bright, vivid narrative, something like snapshots from the window of a speeding Japanese train, power charged by the most original, intoxicating guitar playing heard in a long, long time". [13] Melody Maker underlined: "The elements come together with remarkable effects. The song is strident and powerful with tantalising oriental guitar riffs". [10] Sounds hailed the song as "constructed in the time-honoured tradition of all good singles – catchy, original arrangement coupled with an irresistible sing-along chorus". [11] Record Mirror described the effect the record had as "accessibility incarnated [...] I'm playing it every third record. I love every second". [12] One year after its first broadcast on a John Peel session, critic Ian Birch reviewed the Cure's song "Killing an Arab" in early 1979, saying: "As 'Hong Kong Garden' used a simple Oriental-styled riff to striking effect, so ['Killing An] Arab' conjures up edginess through a Moorish-flavour guitar pattern". [14]
In April 2014, "Hong Kong Garden" was reissued on double 7-inch vinyl with new artwork and an eight-page booklet, overseen by Siouxsie and Steven Severin. The first disc featured the original B-side "Voices". The second disc included the 2006 version of "Hong Kong Garden" with the orchestral introduction (reworked for the soundtrack to the film Marie Antoinette ), backed with the 1984 version of "Voices" from The Thorn EP.
Sonic Youth vocalist and guitarist Thurston Moore named "Hong Kong Garden" as one of his all-time favourite songs. [15] Uffie covered "Hong Kong Garden" on her debut album, mentioning it was one of her favorite songs. [16]
On the first studio version recorded by the BBC in February 1978, the "Oriental" hook was played on a pixiphone, a toy glockenspiel with metallic bars; this version was later issued on both Voices on the Air: The Peel Sessions and At the BBC .
On the second version recorded for Polydor in June 1978, the instrument used was a xylophone, an instrument with wooden bars. This Polydor version was released as a stand-alone single. When Siouxsie and the Banshees' debut album The Scream came out later in the year, "Hong Kong Garden" was not included. It later surfaced on the singles compilation album Once Upon a Time/The Singles . In 2002, the song was remastered for release on The Best of Siouxsie and the Banshees .
In 2006, a reworked version of "Hong Kong Garden" was included on the soundtrack to Sofia Coppola's film Marie Antoinette, augmented by a new orchestral string introduction arranged by Brian Reitzell.
All tracks are written by John McKay, Kenny Morris, Siouxsie Sioux and Steven Severin
No. | Title | Producer(s) | Length |
---|---|---|---|
1. | "Hong Kong Garden" |
| 2:52 |
2. | "Voices" |
| 5:33 |
No. | Title | Producer(s) | Length |
---|---|---|---|
1. | "Hong Kong Garden" |
| 2:52 |
2. | "Voices" |
| 5:33 |
3. | "Hong Kong Garden" ( Marie Antoinette strings version) | 3:12 | |
4. | "Voices (On the Air)" ( The Thorn version) |
| 5:25 |
Chart (1978) | Peak position |
---|---|
Australia (Kent Music Report) [19] | 38 |
Ireland (IRMA) [20] | 10 |
UK Singles (OCC) [1] | 7 |
Joy Division were an English post-punk band formed in Salford in 1976. The group consisted of vocalist, guitarist and lyricist Ian Curtis, guitarist and keyboardist Bernard Sumner, bassist Peter Hook and drummer Stephen Morris.
Siouxsie and the Banshees were a British rock band formed in London in 1976 by vocalist Siouxsie Sioux and bass guitarist Steven Severin. They were widely influential, both over their contemporaries and later acts. The Times called the group "one of the most audacious and uncompromising musical adventurers of the post-punk era".
Susan Janet Ballion, known professionally as Siouxsie Sioux, is an English singer, songwriter, musician and record producer. She came to prominence as the leader and main lyricist of the rock band Siouxsie and the Banshees, who were active from 1976 to 1996. They released 11 studio albums, and had several UK Top 20 singles including "Hong Kong Garden", "Happy House" and "Peek-a-Boo", plus a US Top 25 single in the Billboard Hot 100, with "Kiss Them for Me".
The Scream is the debut studio album by British rock band Siouxsie and the Banshees, released on 13 November 1978 by Polydor Records. Its innovative combination of angular and serrated guitar with a bass-led rhythm and machine-like drums played mostly on toms, made it a pioneering work of the post-punk genre.
Join Hands is the second studio album by the English rock band Siouxsie and the Banshees, released on 7 September 1979 by Polydor Records. Upon its release, it was praised by the British press, including Melody Maker, Sounds, NME and Record Mirror.
Kaleidoscope is the third studio album by British rock band Siouxsie and the Banshees, released on 1 August 1980 by Polydor Records. With the departure of John McKay and Kenny Morris and their replacement by two new musicians, Budgie on drums and John McGeoch on guitars, the band changed their musical direction and offered an album containing a wide variety of colors. "It was almost a different band", said Siouxsie.
Juju is the fourth studio album by British rock band Siouxsie and the Banshees. It was recorded at Surrey Sound studio with Nigel Gray as co-producer, and was released on 19 June 1981 by Polydor Records. Two singles were released from Juju: "Spellbound" and "Arabian Knights".
A Kiss in the Dreamhouse is the fifth studio album by British rock band Siouxsie and the Banshees, released on 5 November 1982 by Polydor Records. The record marked a change of musical direction, as the group used strings for the first time and experimented in the studio. Guitarist John McGeoch played more instruments, including recorder and piano. For Julian Marszalek of The Quietus, the release proved the Banshees to be "one of the great British psychedelic bands."
Hyæna is the sixth studio album by English rock band Siouxsie and the Banshees, released on 8 June 1984 by Polydor Records. The opening track, "Dazzle", featured strings played by musicians of the London Symphonic Orchestra (LSO), a 27-piece orchestra called the "Chandos Players"; it was scored from a tune that Siouxsie Sioux had composed on piano. Hyæna is the only studio album that guitarist Robert Smith of the Cure composed and recorded with Siouxsie and the Banshees.
Tinderbox is the seventh studio album by English rock band Siouxsie and the Banshees. It was released on 21 April 1986 by Wonderland and Polydor Records in the United Kingdom and by Geffen Records in the United States. It was the band's first full-length effort recorded with then-new guitarist John Valentine Carruthers; Carruthers had previously only added a few parts on the 1984 EP The Thorn. The first recording sessions for the album took place at Hansa by the Wall in Berlin in May 1985.
"The Staircase (Mystery)" is a song by English rock band Siouxsie and the Banshees, released as a stand-alone single on 23 March 1979 by Polydor Records. The track was written by Siouxsie Sioux, John McKay, Steven Severin and Kenny Morris, and was produced by Nils Stevenson.
"Spellbound" is a song by English gothic post-punk band Siouxsie and the Banshees. The group wrote it and co-produced it with Nigel Gray. It was released in 1981 by record label Polydor as the first single from the band's fourth studio album, Juju.
"Slowdive" is a song by English post-punk band Siouxsie and the Banshees. It was released in 1982 by record label Polydor as the first single from the band's fifth studio album, A Kiss in the Dreamhouse.
"Dazzle" is a song by the English post-punk band Siouxsie and the Banshees. It was released on 25 May 1984 by Polydor Records as the second single from their sixth studio album, Hyæna.
The Thorn is an EP recorded by English rock band Siouxsie and the Banshees. It was released in late 1984 by Polydor and remastered in 2004 to be included on the Downside Up box set.
"Overground" is a song by English rock band Siouxsie and the Banshees. It was originally featured on their debut studio album, The Scream (1978). The band re-recorded the track with elaborate, lush orchestral instrumentation with a flamenco acoustic guitar for its inclusion on the four-track extended play The Thorn (1984). This version was released as a single the same year by record label Polydor.
"Peek-a-Boo" is a song by English rock band Siouxsie and the Banshees. It was released in 1988 as the first single from the band's ninth studio album, Peepshow. Melody Maker described the song as "a brightly unexpected mixture of black steel and pop disturbance" and qualified its genre as "thirties hip hop". "Peek-a-Boo" was rated "Single of the Week" in both Sounds and NME. Sounds wrote that it was a "brave move", "playful and mysterious". NME described it as "Oriental marching band hip hop" with "catchy accordion." They then said : "If this nation was served by anything approaching a decent pop radio station, "Peek A Boo" would be a huge hit."
Feast is the debut studio album by British duo the Creatures, composed of Siouxsie Sioux and musician Budgie, then-members of the band Siouxsie and the Banshees. It reached No. 17 in the UK Albums Chart and the single "Miss the Girl" peaked at No. 21. With their first album, the band embraced exotica, including "waves crashing on beaches", "found-sound effects from nature" and local Hawaiian chanters. Critic Ned Raggett described it as "a lush, tropical experience".
John McKay is an English songwriter and guitarist. He was the first studio guitarist of Siouxsie and the Banshees. He was a member of the group from July 1977 until September 1979. He played a "jagged unorthodox chording", and created a "metal-shard roar" with his guitar. Q magazine included McKay's work on "Hong Kong Garden" in its list of the "100 Greatest Guitar Tracks Ever". He recorded two studio albums with the band, their debut album The Scream in 1978 and Join Hands in 1979.
Kenneth Ian Morris, known professionally as Kenny Morris, is an English drummer, songwriter and visual artist. He was the first studio drummer of Siouxsie and the Banshees. He joined the band in January 1977; he had attended their first live appearance at the 100 Club a few months earlier and had been impressed by their performance. Morris's first studio recording with the group was in November 1977 when they recorded their first John Peel session for BBC radio. Music journalist Kris Needs said : "Like as a rhythm machine for feet and guts Kenny Morris' drumming is unorthodox, primitive and far removed from the clicking hi-hats of the fly-strength paradiddle merchants".
Q: There is a cover of 'Hong Kong Garden' by Siouxsie & The Banshees on your forthcoming album. Have you always been a fan of Siouxsie? A:Yes, it's one of my favourite songs
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