Peepshow | ||||
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Studio album by | ||||
Released | 5 September 1988 | |||
Recorded | January–June 1988 Early 1987 (initial recording for "Peek-a-Boo") | |||
Studio | Marcus, London | |||
Genre | ||||
Length | 42:41 | |||
Label | ||||
Producer |
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Siouxsie and the Banshees chronology | ||||
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Siouxsie Sioux chronology | ||||
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Singles from Peepshow | ||||
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Peepshow is the ninth studio album by English rock band Siouxsie and the Banshees,released in the United Kingdom on 5 September 1988 by Polydor Records and in the United States the following day by Geffen Records. It was their first record as a quintet. With the arrival of multi-instrumentalist Martin McCarrick and guitarist Jon Klein,the group recorded a multifaceted album with a variety of influences. Peepshow included the singles "Peek-a-Boo","The Killing Jar" and "The Last Beat of My Heart".
Upon release,the album was critically acclaimed:praise centred around the unpredictability of the orchestrations and new nuances in Siouxsie's voice. The record was a commercial success,peaking at No. 20 in the UK,and No. 68 on the US Billboard 200 chart in the week of 3 December 1988. [1] It spent a total of 20 weeks on that chart. [2] "Peek-a-Boo" reached number one on the Billboard Alternative Songs chart and "the Killing Jar" got the number two spot.
The album was later remastered and reissued on CD with bonus tracks in October 2014. [3] A 180g vinyl reissue,remastered from the original ¼”tapes and cut half-speed at Abbey Road Studios by Miles Showell,was released in December 2018. [4]
It is the subject of the 2018 book Peepshow by Samantha Bennett,part of the 33 1/3 series. [5]
Music journalist Parke Puterbaugh described "Peek-a-Boo" as a "collage of sound that incorporates a backward percussion track" with the voice bouncing from channel to channel. "The Killing Jar" opens with "a faint splash of reggae" and then the music dissolves into a trancelike drone in the style of Brian Eno. "Scarecrow" has a "Middle-Eastern feel" and the first side rushes to a climax in "Burn-Up",with cello and drums "simulating a train's mounting momentum". [6]
Review scores | |
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Source | Rating |
AllMusic | [7] |
Q | [8] |
Record Mirror | [9] |
Q wrote in its 5 out of 5 star review:"Peepshow takes place in some distorted fairground of the mind where weird and wonderful shapes loom." Reviewer Mark Cooper hailed "Martin McCarrick's accordion that pokes its way into Peek A Boo ... a carny piece of musical imagination". He noted that "the rest of the record bursts with similar acts of imagination",saying:"full honours go to the aforementioned McCarrick for all manner of shrewd decorations and drummer Budgie for endlessly inventive rhythm work that manages to pinpoint the tension inherent in each song without ever lapsing into an obvious beat". [8] Melody Maker highly praised its first single,"Peek-a-Boo",and called it "quite the most astounding British record" of 1988,and "a brightly unexpected mixture of black steel and pop disturbance." [10] The paper also praised the band for the ballad "The Last Beat of My Heart". Chris Roberts said:"The infinite pinnacle is their one joint effort,the bravura hymn "The Last Beat of My Heart"". As Martin McCarrick's accordion and Budgie's directly intelligent rhythms underlie its pathos,this elegy is translated by Sioux with capital beatitude. It's the Banshees' most courageous arabesque in some time." [11] Record Mirror also particularly enjoyed that song when reviewing the album:"The highlight is the restrained 'The Last Beat of My Heart',where Siouxsie's voice explores new ground as she caresses a haunting melody." Reviewer Kevin Murphy concluded by saying:"Brimming with confidence ...,Peepshow is the Banshees' finest hour." [9] NME noted a change of approach in the musical direction:"Peepshow is the best Banshees record since A Kiss in the Dreamhouse because it's the Banshees deciding to be a pop band rather than a rock group". [12]
Spin published a glowing review of the album in their November issue. Discussing "Peek-a-Boo",critic Tony Fletcher said that its "mood fell in perfectly with their beloved London's summer fascination with the sparsity and confusion that call Acid House,Psychedelic and how!" He described the music of "Peek-a-Boo" as "a crazed assortment of fairground accordions,abrupt horns,distant to-and-fro vocals-exotic,erotic,a dancefloor winner for sure and all of three minutes short." [13] Fletcher also hailed the other tracks,noting "an almost lilting reggae feel to the beginning of "Killing Jar",a fragile,waif-like Siouxsie backed only by translucent guitar and a keyboard bass on the brief "Rawhead and Bloodybones",and a delightful,majestic ballad the likes of which it had been a safe assumption was beyond their reach on "The Last Beat of My Heart". [...] As Peepshow ends with the drawn-out "Rhapsody",Siouxsie's operatic flings seem to be a celebration of her reawakened capacity to thrill." [13] Fletcher concluded:"She and the band sound as confident,abandoned and excited as when they started". [13] In Stereo Review ,the album was published in the column "Best of the Month". Reviewer Parke Puterbaugh wrote that the record was "a fascinating plunge into the subconscious" and was "Dream-like" and "hypnotic",further emphasizing,"Peepshow brims with nonlinear logic,compulsive rhythms,and icy,crystalline textures." The critic concluded his review,qualifying it as an "utterly unconventional and thoroughly intoxicating album" ... "a transcendent feat:They are not playing music,the music is playing them". [6] The readers of Best music magazine rated it the 6th best album of the year. [14]
Writing in the 2004 edition of The Rolling Stone Album Guide ,Mark Coleman and Mac Randall gave Peepshow a rating of 2.5 stars out of five,saying that the album mixes "synthesizers and a lighter pop touch with the Banshees' trademark howl",but the combination "lacks spark". [15] A 2014 retrospective review in The Daily Telegraph praised the result,saying that "lush,folk-rock orchestration produced perfect pop". [16]
Bloc Party later praised "Peek-a-Boo",which their singer Kele Okereke described:"It sounded like nothing else on this planet. This is just a pop song [...],but to me it sounded like the most current but most futuristic bit of guitar-pop music I've heard." [17] DeVotchKa later covered "The Last Beat of My Heart" at the suggestion of Arcade Fire singer Win Butler. [18] Colin Meloy of The Decemberists also mentioned "The Last Beat of My Heart" as one of his favorite Siouxsie and the Banshees songs. [19] Peepshow was also one of the albums Nic Offer of the band !!! ("Chk Chk Chk"),listened to the most during his formative years. [20] Emel Mathlouthi recorded a rendition of "Rhapsody" as a one-off for French Television,saying that the lyrics were close to her. [21]
All music is composed by Siouxsie and the Banshees
No. | Title | Lyrics | Length |
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1. | "Peek-a-Boo" | Siouxsie Sioux | 3:12 |
2. | "The Killing Jar" | Steven Severin | 4:04 |
3. | "Scarecrow" | Severin | 5:06 |
4. | "Carousel" | Siouxsie | 4:26 |
5. | "Burn-Up" | Siouxsie | 4:32 |
No. | Title | Lyrics | Length |
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6. | "Ornaments of Gold" | Siouxsie | 3:50 |
7. | "Turn to Stone" | Severin | 4:05 |
8. | "Rawhead and Bloodybones" | Siouxsie | 2:29 |
9. | "The Last Beat of My Heart" | Severin/Siouxsie | 4:30 |
10. | "Rhapsody" | Severin | 6:23 |
No. | Title | Lyrics | Length |
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11. | "El Dia De Los Muertos" (Espiritu Mix) | Siouxsie | 5:36 |
12. | "The Killing Jar" (Lepidopteristic Mix) | 8:06 | |
13. | "The Last Beat of My Heart" (Live Seattle Lollapalooza, 1991) | 5:32 |
Chart (1988) | Peak position |
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Canada Top Albums/CDs ( RPM ) [22] | 74 |
Dutch Albums (Album Top 100) [23] | 98 |
European Albums ( Music & Media ) [24] | 64 |
German Albums (Offizielle Top 100) [25] | 64 |
UK Albums (OCC) [26] | 20 |
US Billboard 200 [27] | 68 |
Region | Certification | Certified units/sales |
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United Kingdom (BPI) [28] | Silver | 60,000^ |
^ Shipments figures based on certification alone. |
Siouxsie and the Banshees were a British rock band formed in London in 1976 by vocalist Siouxsie Sioux and bass guitarist Steven Severin. They have been widely influential, both over their contemporaries and with later acts. The Times called the group "one of the most audacious and uncompromising musical adventurers of the post-punk era".
Nocturne is a live double album and video by English rock band Siouxsie and the Banshees, released on 25 November 1983 by Polydor Records. Co-produced by Mike Hedges, Nocturne features performances recorded at two shows at the Royal Albert Hall in London, on 30 September and 1 October 1983, featuring Robert Smith on guitar.
The Creatures were an English band formed in 1981 by vocalist Siouxsie Sioux and drummer Budgie of the group Siouxsie and the Banshees. The Creatures released their first EP Wild Things in 1981. They recorded four studio albums: Feast in 1983, Boomerang in 1989, Anima Animus in 1999 and Hái! in 2003.
Susan Janet Ballion, known professionally as Siouxsie Sioux, is an English singer, songwriter, musician and record producer. She came to prominence as the leader and main lyricist of the rock band Siouxsie and the Banshees, who were active from 1976 to 1996. They released 11 studio albums, and had several UK Top 20 singles including "Hong Kong Garden", "Happy House" and "Peek-a-Boo", plus a US Top 25 single in the Billboard Hot 100, with "Kiss Them for Me".
Superstition is the tenth studio album by English rock band Siouxsie and the Banshees, released on 10 June 1991 by Polydor Records. The lead single, "Kiss Them for Me", gave the band its first top 40 Billboard Hot 100 entry in the United States, peaking at No. 23, with the album peaking at No. 65 on the Billboard 200 chart. The band widened its musical influences with the arrival of musician Talvin Singh, who played tablas on the songs "Kiss Them for Me" and "Silver Waterfalls".
Peter Edward Clarke, known professionally as Budgie, is an English drummer best known for his work in Siouxsie and the Banshees. He is also the co-founder of the Creatures.
Juju is the fourth studio album by British rock band Siouxsie and the Banshees. It was recorded at Surrey Sound studio with Nigel Gray as co-producer, and was released on 19 June 1981 by Polydor Records. Two singles were released from Juju: "Spellbound" and "Arabian Knights".
Hyæna is the sixth studio album by English rock band Siouxsie and the Banshees, released on 8 June 1984 by Polydor Records. The opening track, "Dazzle", featured strings played by musicians of the London Symphonic Orchestra (LSO), a 27-piece orchestra called the "Chandos Players"; it was scored from a tune that Siouxsie Sioux had composed on piano. Hyæna is the only studio album that guitarist Robert Smith of the Cure composed and recorded with Siouxsie and the Banshees.
Tinderbox is the seventh studio album by English rock band Siouxsie and the Banshees. It was released on 21 April 1986 by Wonderland and Polydor Records in the United Kingdom and by Geffen Records in the United States. It was the band's first full-length effort recorded with then-new guitarist John Valentine Carruthers; Carruthers had previously only added a few parts on the 1984 EP The Thorn. The first recording sessions for the album took place at Hansa by the Wall in Berlin in May 1985.
Through the Looking Glass is the eighth studio album by English rock band Siouxsie and the Banshees. The album is a collection of cover versions. It was co-produced with Mike Hedges and released in March 1987 on Polydor. Through the Looking Glass was preceded by the single "This Wheel's on Fire". It was the second and final album recorded with guitarist John Valentine Carruthers. Some of their cover songs were praised by the original artists themselves.
Twice Upon a Time - The Singles is the second singles compilation released by Siouxsie and the Banshees. It follows the same format as Once Upon a Time/The Singles, presenting the songs in chronological order. Twice picks up where Once left off, and it includes several hits not included on regular Banshees studio albums. Instead of the studio version released as a single, "The Last Beat of My Heart" is presented as a live recording, from their performance at Lollapalooza in Seattle. Also appearing on CD for the first time here is "Face to Face", a song from the soundtrack of the film Batman Returns. "Fear of the Unknown" also appears as a "House of Fear" remix which is significantly different from the original version. The collection is missing the 1987 single "Song from the Edge of the World", which was included on a later hits collection.
The Rapture is the eleventh and final studio album by English rock band Siouxsie and the Banshees, released in January 1995. The songs with cello arrangements, including the title track as well as "Fall from Grace" and "Not Forgotten", were produced by the band on their own in 1993. John Cale later produced the remaining songs in mid-1994.
Universal Music Group released The Best of Siouxsie and the Banshees in 2002 as the first reissue of the Siouxsie and the Banshees remastered back-catalogue. The most successful singles of the band were presented in a non-chronological order.
The Seven Year Itch is a live album by Siouxsie and the Banshees, composed of performances recorded at London's Shepherd's Bush Empire on 9 and 10 July 2002 and released by Sanctuary Records in 2003.
Boomerang is the second studio album by British duo the Creatures. It was recorded in Spain with Mike Hedges, in Jerez de la Frontera, in Andalusia. It features brass arrangements including trumpet, trombone and saxophone.
The discography of Siouxsie and the Banshees, an English rock band, consists of eleven studio albums, three live albums, four compilation albums, one extended play (EP), and thirty singles. This list does not include material recorded by band members with the Creatures or the Glove, or solo work by Siouxsie Sioux and Steven Severin.
"Peek-a-Boo" is a song by English rock band Siouxsie and the Banshees. It was released in 1988 as the first single from the band's ninth studio album, Peepshow. Melody Maker described the song as "a brightly unexpected mixture of black steel and pop disturbance" and qualified its genre as "thirties hip hop". "Peek-a-Boo" was rated "Single of the Week" in both Sounds and NME. Sounds wrote that it was a "brave move", "playful and mysterious". NME described it as "Oriental marching band hip hop" with "catchy accordion." They then said : "If this nation was served by anything approaching a decent pop radio station, "Peek A Boo" would be a huge hit."
"The Killing Jar" is a song written, produced and recorded by English rock band Siouxsie and the Banshees. It was released in 1988 as the second single from the band's ninth studio album, Peepshow.
"The Last Beat of My Heart" is a song written, produced and recorded by English rock band Siouxsie and the Banshees. It was released in late 1988 as the third and final single from the band's ninth studio album, Peepshow. In 2021, Spin rated it in their list of "the 50 best alt-rock love songs", for its "slow-climbing swell of accordion and muted tom-tom thump", qualifying it as a "perfect marriage of words and atmosphere".
Dreamshow is a live DVD by Siouxsie, released in 2005. It was filmed at the Royal Festival Hall in London in October 2004. The songs are performed on stage with the Millennia Ensemble orchestra. The setlist incorporates music from her bands Siouxsie and the Banshees and the Creatures.
With the new record, he said he was inspired by a song written years ago by Siouxsie and the Banshees called Peek-a-boo. "I heard it for the first time, and it sounded like nothing else on this planet. This is just a pop song that they put out in the middle of their career that nobody knows about, but to me it sounded like the most current but most futuristic bit of guitar-pop music I've heard. I thought, that'd be cool, to make music that people might not get at the time, but in ten years' time, people would revisit it."