Atmospherics | ||||
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Compilation album by | ||||
Released | 1999 | |||
Recorded | Battery Studios, London | |||
Genre | ||||
Length | 76:31 | |||
Label | Bruton Music BRI 53 | |||
Producer | Steven Wilson | |||
Bass Communion chronology | ||||
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Atmospherics is a collection of Bass Communion music released by library music company Bruton Music [1] and distributed to media companies for use in television and radio programs. Some of the pieces are extracts and remixes of tracks from other Bass Communion albums. [2]
It was never commercially available. [3]
Includes descriptions provided to television and radio.
Track 3 is a remixed extract of "16 Second Swarm" from II
Track 4 appears on III as "Grammatic Fog"
Track 5 is a remixed extract of track 2 ("Drugged") from I
Track 7 is an extended remixed version of "Advert" from II
Track 9 appears on III as "Lina Romay"
Track 10 appears on III as "Sonar"
Track 12 is a remixed extract of "Drugged III" from II
Track 17 is a remixed extract of "Sleep Etc" from I
Track 18 is a remixed extract of "Wide Open Killingfeld" from II
Composed by Steven Wilson, except "Aftermath" written by Steven Wilson/Theo Travis
All instruments: Steven Wilson
Executive Producer: Jez Poole.
Recorded & mixed at Battery Studios, London, UK.
Mix Engineer: Steven Wilson.
Mastering: Chris Parmenidis, Battery Studios, London, UK.
Post-production Co-ordinator: Claire Leaver.
Graphic Designer: Jacquie O'Neill, Zomba Design
Samhain was an American rock band formed by singer Glenn Danzig in 1983, immediately following his departure from Misfits. Samhain played in more of a deathrock and heavy metal-infused style of horror punk than Misfits. Glenn Danzig originally planned Samhain as a side project with Eerie Von. After the Misfits' contentious 1983 dissolution, Samhain became Danzig's full-time band. Samhain is the least-celebrated of Danzig's major musical outlets and catalogs a transitional period in his musical career, bridging the gap between the punk rock of the Misfits and the dark, heavy metal and blues-influenced sound of Danzig. Both Samhain and its successor, Danzig, use the same horned skull image originally drawn by artist Michael Golden for the cover of the 1984 comic book The Saga of Crystar No. 8, published by Marvel Comics. The font often used in the name logo of Samhain, and later Danzig, is taken from the film The Giant Gila Monster.
Bass Communion is a solo project of English musician Steven Wilson, best known for his lead role in the rock band Porcupine Tree. Records released under the name "Bass Communion" are in an ambient or electronic vein - lengthy drone-heavy compositions. They come about as experiments in texture made from processing the sound of real instruments and field recordings.
Voyage 34: The Complete Trip is a compilation album by British progressive rock band Porcupine Tree. The individual tracks for the album were recorded in 1992 and 1993, while the album itself was compiled and released in 2000, and then reissued again in 2004.
Theo Travis is a British saxophonist, flautist and composer. He is best known for being a member of Soft Machine which he joined in 2006 while the group was still using the "Legacy" suffix and for being a member of Gong from 1999 to 2010.
Booka Shade is a German house duo. It is made up of Walter Merziger and Arno Kammermeier, described as veterans of the Frankfurt electronic music scene. They have released 7 studio albums including Memento (2004) Movements (2006), The Sun & The Neon Light (2008), More! (2010), Eve (2013), Galvany Street (2017), Cut The Strings (2018), various EPs and a mix album for DJ Kicks.
Together We're Stranger is No-Man's fifth studio album released by the Snapper Music label in 2003.
Tarquin's Seaweed Farm, subtitled "Words from a Hessian Sack", is the first album to be released by Steven Wilson under the pseudonym Porcupine Tree. It was originally a compiled cassette of experimental music made by Steven Wilson for his joke band he formed with his friend Malcom Stocks. The cassette was only sent out to a few people, but was enough to give the band a bit of fame in the UK underground music scene of the time, being picked up by the underground magazine Freakbeat. It was later released under Delerium Records in 1991 in a limited edition of 300 copies.
Continuum is a collaborative ambient and drone music project between Bass Communion and Dirk Serries. The project looks to expand on the artists' "collective ambition and vision, motivated by their immense passion for a wide-range of musical styles, ranging from spacious ambience to pounding doom metal."
Loss is the sixth studio album by British musician, songwriter and producer Steven Wilson released under the pseudonym Bass Communion, and was limited to only 450 copies on vinyl. The original pressing featured a scented inner sleeve.
Ghosts on Magnetic Tape is the name of the fourth studio album released by British musician, songwriter, and producer Steven Wilson under the pseudonym Bass Communion. It was created primarily from processing 78rpm records and piano sources. There was a limited edition of 300 copies available as a double CD including Andrew Liles' reconstruction disc.
III is the name of the third studio album released by British musician, songwriter, and producer Steven Wilson under the pseudonym Bass Communion. It is a compilation of leftover pieces recorded between 1995-1999 that were not included on either of the previous two Bass Communion albums. In 2008, the album was re-issued together with II in a 2-CD edition limited to 1,200 copies.
Bass Communion II is the second studio album released in 1999 by British musician, songwriter, and producer Steven Wilson under the pseudonym Bass Communion. The first edition was a double album with a second disc containing a track of sampled material provided by Robert Fripp and a remix by The Square Root of Sub. The 2002 reissue of the album excludes the remix by The Square Root of Sub and moves the Fripp-based track to the first disc, taking the album to a single CD. The album was later released on vinyl in December 2007 by Tonefloat Records and includes exclusive bonus material on Side D. In November 2008, the album was re-issued together with III in a 2CD edition limited to 1,200 copies.
I is the first studio album released by British musician, songwriter, and producer Steven Wilson under the pseudonym Bass Communion in 1998. It was reissued in December 2001 through Hidden Art record label.
Darkroom is a British electronic music project created by Andrew "Os" Ostler and Michael Bearpark. Other contributors to the project have been Tim Bowness and Peter Chilvers.
Molotov and Haze is the eighth studio album released by British musician, songwriter and producer Steven Wilson under the pseudonym Bass Communion.
Insurgentes is the debut full-length solo album released by British musician and record producer Steven Wilson, known for being the founder and frontman of progressive rock band Porcupine Tree. The album was recorded all over the world in studios from Mexico City to Japan and Israel, between January and August 2008, and released in November 2008 as a special deluxe multi disc mail order version, with retail release to follow in February 2009. According to Wilson himself, the album contained "the most experimental song-based music [he had] made." The album is named after the Avenida de los Insurgentes, the longest avenue in Mexico City near which part of it was recorded.
Reconstructions and Recycling is a collection of remixes of music from Bass Communion's album Bass Communion II by leading figures from the experimental, electronic and ambient music scenes. Limited to 1000 copies released on CD by Headphone Dust.
Jonathan Coleclough / Bass Communion / Colin Potter is a collaboration with drone artists Jonathan Coleclough and Colin Potter that grew out of the Bass Communion remix project. It was originally limited to 500 copies with a second edition of 500 copies being issued in January 2005.
Headphone Dust is an English independent record label founded by the musician Steven Wilson. It's almost entirely focused on releasing Wilson's own music as well as his remixes of other artists. The only exception to this is the Irish band Fovea Hex.
Untitled is a box set compilation of songs released by British musician, songwriter, and producer Steven Wilson under the pseudonym Bass Communion. It contains many rarities from the last 15 years of Steven's ambient and drone work, especially from vinyl-only editions of Bass Communion albums. It also features the previously unreleased track "Temporal", recorded in 2012 as a homage to composer Harrison Birtwistle and his 1971 composition "Chronometer" – both pieces are created entirely from the sounds of clocks and other timekeeping devices.