Muslimgauze was the main musical project of Bryn Jones, a British ethnic electronica and experimental musician who was influenced by conflicts and history in the Muslim world, often with an emphasis on the Israeli–Palestinian conflict. With dozens of albums released under the Muslimgauze name, Jones was prolific, but he never achieved mainstream success. His music has been described by one critic as "among the most startling and unique in the noise underground."
Bass Communion is a solo project of English musician Steven Wilson, best known for his lead role in the rock band Porcupine Tree. Records released under the name "Bass Communion" are in an ambient or electronic vein - lengthy drone-heavy compositions. They come about as experiments in texture made from processing the sound of real instruments and field recordings.
Soleilmoon Recordings is an American record label that began in 1987 as a cassette label, operating from the back of a record shop called the Ooze in Portland, Oregon, US.
Theo Travis is a British saxophonist, flautist and composer. He is best known for being a member of Soft Machine which he joined in 2006 while the group was still using the "Legacy" suffix and for being a member of Gong from 1999 to 2010.
Continuum is a collaborative ambient and drone music project between Bass Communion and Dirk Serries. The project looks to expand on the artists' "collective ambition and vision, motivated by their immense passion for a wide-range of musical styles, ranging from spacious ambience to pounding doom metal."
Mullah Said is a studio album by British experimental musician Bryn Jones, best known under the name of his primary musical project Muslimgauze. It was released in July 1998.
Lo-Fi India Abuse is an album by Muslimgauze.
Ra is the second studio album and third release by Utopia on Bearsville Records, released in 1977. Rundgren planned on releasing the LP in 1976 on his own label "Ethereal Records" as the new 4 piece line up was not signed to Bearsville. Replete with an elaborate $250,000 stage show featuring a 22-foot-tall (6.7 m) pyramid and golden sphinx which took 18 months of prep, Ra was Rundgren's most ambitious live undertaking.
Pacific Codex is the name of the seventh studio album released by British musician, songwriter and producer Steven Wilson under the pseudonym Bass Communion.
Loss is the sixth studio album by British musician, songwriter and producer Steven Wilson released under the pseudonym Bass Communion, and was limited to only 450 copies on vinyl. The original pressing featured a scented inner sleeve.
Ghosts on Magnetic Tape is the name of the fourth studio album released by British musician, songwriter, and producer Steven Wilson under the pseudonym Bass Communion. It was created primarily from processing 78rpm records and piano sources. There was a limited edition of 300 copies available as a double CD including Andrew Liles' reconstruction disc.
III is the name of the third studio album released by British musician, songwriter, and producer Steven Wilson under the pseudonym Bass Communion. It is a compilation of leftover pieces recorded between 1995-1999 that were not included on either of the previous two Bass Communion albums. In 2008, the album was re-issued together with II in a 2-CD edition limited to 1,200 copies.
Bass Communion II is the second studio album released in 1999 by British musician, songwriter, and producer Steven Wilson under the pseudonym Bass Communion. The first edition was a double album with a second disc containing a track of sampled material provided by Robert Fripp and a remix by The Square Root of Sub. The 2002 reissue of the album excludes the remix by The Square Root of Sub and moves the Fripp-based track to the first disc, taking the album to a single CD. The album was later released on vinyl in December 2007 by Tonefloat Records and includes exclusive bonus material on Side D. In November 2008, the album was re-issued together with III in a 2CD edition limited to 1,200 copies.
Darkroom is a British electronic music project created by Andrew "Os" Ostler and Michael Bearpark. Other contributors to the project have been Tim Bowness and Peter Chilvers.
Jonathan Coleclough / Bass Communion / Colin Potter is a collaboration with drone artists Jonathan Coleclough and Colin Potter that grew out of the Bass Communion remix project. It was originally limited to 500 copies with a second edition of 500 copies being issued in January 2005 and a third edition being issued in Fall 2022.
Headwind/Tailwind is an EP by Freiband. The EP features a track by Freiband and a remix by Bass Communion and was released on Frans De Waard's My Own Little Label.
Jaggernaut is the seventh studio album by the band Suns of Arqa, released in 1989 by Antler/Subway Records. The album was produced by Suns of Arqa founder Michael Wadada.
Martin Lee Stephenson is a British experimental sound artist, musician, producer and songwriter from London. He is one half of the experimental act Spooncurve and the composer/producer for the occult/hermetic inspired dark ambient project Apollon (apollon93). He also records under the names of Doppler 20:20 and Vulse. At the end of 2012, he had released more than 150 recordings. The primary labels of these releases were recording companies Sony, BMG, EMI, AVEX and independent labels D.O.R., Copasetic, Better, Reel 2 Reel, Law and Auder, Sub and Bleep, Slammin', Quirky, 3MV, Pro One, Squat, Keda and Offspring Records.
Headphone Dust is an English independent record label founded by the musician Steven Wilson. It's almost entirely focused on releasing Wilson's own music as well as his remixes of other artists. The only exception to this is the Irish band Fovea Hex.
Untitled is a box set compilation of songs released by British musician, songwriter, and producer Steven Wilson under the pseudonym Bass Communion. It contains many rarities from the last 15 years of Steven's ambient and drone work, especially from vinyl-only editions of Bass Communion albums. It also features the previously unreleased track "Temporal", recorded in 2012 as a homage to composer Harrison Birtwistle and his 1971 composition "Chronometer" – both pieces are created entirely from the sounds of clocks and other timekeeping devices.
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