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Jeanette Winterson is an English author.
Second-wave feminism was a period of feminist activity that began in the early 1960s and lasted roughly two decades, ending with the feminist sex wars in the early 1980s and being replaced by third-wave feminism in the early 1990s. It occurred throughout the Western world and aimed to increase women's equality by building on the feminist gains of the late 19th and early 20th centuries.
Sex-positive feminism, also known as pro-sex feminism, sex-radical feminism, or sexually liberal feminism, is a feminist movement centering on the idea that sexual freedom is an essential component of women's freedom. They oppose legal or social efforts to control sexual activities between consenting adults, whether they are initiated by the government, other feminists, opponents of feminism, or any other institution. They embrace sexual minority groups, endorsing the value of coalition-building with marginalized groups. Sex-positive feminism is connected with the sex-positive movement. Sex-positive feminism brings together anti-censorship activists, LGBT activists, feminist scholars, producers of pornography and erotica, among others. Sex-positive feminists believe that prostitution can be a positive experience if workers are treated with respect, and agree that sex work should not be criminalized.
Third-wave feminism is a feminist movement that began in the early 1990s, prominent in the decades prior to the fourth wave. Grounded in the civil-rights advances of the second wave, Gen X third-wave feminists born in the 1960s and 1970s embraced diversity and individualism in women, and sought to redefine what it meant to be a feminist. The third wave saw the emergence of new feminist currents and theories, such as intersectionality, sex positivity, vegetarian ecofeminism, transfeminism, and postmodern feminism. According to feminist scholar Elizabeth Evans, the "confusion surrounding what constitutes third-wave feminism is in some respects its defining feature."
Janice G. Raymond is an American lesbian radical feminist and professor emerita of women's studies and medical ethics at the University of Massachusetts Amherst. She is known for her work against violence, sexual exploitation, and medical abuse of women, and for her controversial work denouncing transsexuality.
Laura Elizabeth Sjoberg is an American feminist scholar of international relations and international security. Her work specializes in gendered interpretations of just war theory, feminist security studies, and women's violence in global politics.
Dale Spender was an Australian feminist scholar, teacher, writer and consultant. In 1983, Dale Spender was co-founder of and editorial advisor to Pandora Press, the first of the feminist imprints devoted solely to non-fiction, committed, according to The New York Times, to showing that "women were the mothers of the novel and that any other version of its origin is but a myth of male creation". She was the series editor of Penguin's Australian Women's Library from 1987. Spender's work is "a major contribution to the recovery of women writers and theorists and to the documentation of the continuity of feminist activism and thought".
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Susie Orbach is a British psychotherapist, psychoanalyst, writer and social critic. Her first book, Fat is a Feminist Issue, analysed the psychology of dieting and over-eating in women, and she has campaigned against media pressure on girls to feel dissatisfied with their physical appearance. She was married to the author Jeanette Winterson. She is honoured in BBC'S 100 Women in 2013 and 2014. She was the therapist to Diana, Princess of Wales during the 1990s.
Shira Tarrant is an American writer on gender politics, feminism, sexuality, pop culture, and masculinity. Tarrant's books include When Sex Became Gender, Men and Feminism, Men Speak Out: Views on Gender, Sex, and Power, Fashion Talks: Undressing the Power of Style, and the forthcoming New Views on Pornography. She is described as an "unconventional feminist" redefining gender rights, and is considered "a national leader in working with younger feminist men". She was identified in 2010 as an "extraordinarily accomplished thought leader" by the national Women's Media Center. In 2012, she was named a Glidden Visiting Professor at Ohio University.
Who Stole Feminism? How Women Have Betrayed Women is a 1994 book about American feminism by Christina Hoff Sommers, a writer who was at that time a philosophy professor at Clark University. Sommers argues that there is a split between equity feminism and what she terms "gender feminism". Sommers contends that equity feminists seek equal legal rights for women and men, while gender feminists seek to counteract historical inequalities based on gender. Sommers argues that gender feminists have made false claims about issues such as anorexia and domestic battery and exerted a harmful influence on American college campuses. Who Stole Feminism? received wide attention for its attack on American feminism, and it was given highly polarized reviews divided between conservative and liberal commentators. Some reviewers praised the book, while others found it flawed.
Gut Symmetries is a 1997 novel by the British literary writer Jeanette Winterson, exploring themes of human relationships and physics.
Lisa L. Moore is a Canadian-American academic and poet. She earned a B.A. in English with honors at Queen's University in 1986, and then completed her doctorate at Cornell University in 1991. Principal themes in Moore’s work include the centrality of love between women to literary genres such as the novel, the landscape arts, and the sonnet; the transatlantic and multi-racial history of feminist art and thinking; and the importance of poetry to second-wave feminist, womanist, and lesbian cultures and politics.
Women in comedy refers to women who participate in comedic works as well as their experience within the social environment. While primarily dominated by men throughout history, women have been represented in the field of comedy since the mid-1700s. Comedy, or creative works with the intention of humor, is thought to have originated in ancient Greek theatre in 425 BCE. Some of the first figures to enter the field, however, were faced with resistance and discrimination. A sense of humor in women was previously thought to have meant the ability to laugh at a man's joke, rather than to tell the joke herself. When women did finally enter comedy, it was seen as niche, thus making bookings hard to come by.
Feminist businesses are companies established by activists involved in the feminist movement. Examples include feminist bookstores, feminist credit unions, feminist presses, feminist mail-order catalogs, and feminist restaurants. These businesses flourished as part of the second and third-waves of feminism in the 1970s, 1980s, and 1990s. Feminist entrepreneurs established organizations such as the Feminist Economic Alliance to advance their cause. Feminist entrepreneurs sought three primary goals: to disseminate their ideology through their businesses, to create public spaces for women and feminists, and to create jobs for women so that they did not have to depend on men financially. While they still exist today, the number of some feminist businesses, particularly women's bookstores, has declined precipitously since 2000.
Michele Kort was an American journalist, author, and editor.
Pandora Press is a UK feminist publishing imprint that was founded in 1983 by Philippa Brewster at Routledge and Kegan Paul, with Dale Spender as editor-at-large. It was the first imprint to produce a list devoted primarily to feminist non-fiction. Among early Pandora Press titles were Spender's There's Always Been a Women's Movement This Century (1983) and Time and Tide Wait for No Man (1984), and other authors published by the imprint included Marge Piercy and Jeanette Winterson. Brewster took on a book written by the women of Greenham Common, about which she has said: "That seemed to fulfill what we really wanted to do. ...We were all part of the women's movement. We represented it, but we also informed it." Also a commissioning editor for Pandora Press was Candida Lacey, who went on to become publisher of Myriad Editions for 15 years.
References
- ↑ Lydgate, Chris (August 30, 2019). "Scholar. Writer. Teacher. President. There was no script for Audrey Bilger's career. So she wrote her own". Reed Magazine.
- 1 2 "Claremont Mckenna College Faculty Bio". Archived from the original on 2012-07-22. Retrieved 2012-07-13.
- ↑ Laughing feminism: Comic strategies in Burney, Edgeworth, and Austen Bilger, Audrey Sue (1992). dissertations & theses (Ph.D. thesis). University of Virginia. OCLC 62548367 – via ProQuest.
{{cite thesis}}: CS1 maint: multiple names: authors list (link) - ↑ "Claremont Mckenna College: Audrey Bilger CV" (PDF).[ permanent dead link ]
- ↑ "Read How You Want Bio". Archived from the original on 2016-03-05. Retrieved 2012-07-13.
- ↑ "Ms. Magazine Blog Bio". Archived from the original on 2012-06-16.
- ↑ Montague, Ashley (2001). "Laughing Feminism: Subversive Comedy in Frances Burney, Maria Edgeworth, and Jane Austen (book review)". Yearbook of English Studies. doi:10.2307/3509398. JSTOR 3509398 – via The Free Library.
- ↑ Here Come the Brides! Reflections on Lesbian Love and Marriage. Seal Press. 2012. ISBN 9781580053921.
- ↑ Johnson, Kjerstin (June 17, 2011). "Bitch Radio: Audrey Bilger on Gay Marriage (from the archive)". Bitch .
- ↑ Olney, Warren (August 10, 2010). "Same-Sex Marriage, Gender and the Prop 8 Ruling". To the Point . NPR. KCRW.
- ↑ Bromley, Anne E. (June 26, 2019). "Audrey Bilger, Who Earned Ph.D. in English at UVA, to Lead Reed College". University of Virginia .