Autotheism | ||||
---|---|---|---|---|
Studio album by | ||||
Released | August 14, 2012 | |||
Recorded | 2012, Keene Machine Studios, North Hollywood, California | |||
Genre | Progressive death metal, [1] [2] technical death metal [3] | |||
Length | 40:56 | |||
Label | Sumerian | |||
Producer | Michael Keene [4] | |||
The Faceless chronology | ||||
|
Aggregate scores | |
---|---|
Source | Rating |
Metacritic | (77/100) [5] |
Review scores | |
Source | Rating |
About.com | [2] |
Allmusic | [1] |
Alternative Press | [6] |
Kerrang! | [7] |
Kerrang! | 8.7/10 [3] |
Revolver Magazine | [8] |
Autotheism is the third studio album by American technical death metal band The Faceless. It was released on August 14, 2012, through Sumerian Records. [9] The album debuted at number 50 on the Billboard 200, [10] number 3 on the Top Hard Rock Albums, [10] number 13 on the Top Independent albums, [10] number 18 on Top Rock albums, [10] and hit number 1 on the CMJ radio loud rock chart.[ citation needed ] This is the band's only album to feature vocalist Geoffrey Ficco, rhythm guitarist Wes Hauch, and bassist Evan Brewer.
The record was recorded at Keene's home studio in Los Angeles in 2012. Preproduction versions of almost every song had been previously recorded by Keene throughout 2011, along with an additional song which ultimately was not used for the record. Keene noted that this track was better suited for his solo project and that the song would eventually see the light of day under that project name. Some of the guitar tracking for the preproduction captured a natural, raw quality and ended up being used in the final album versions of the songs. Keene approached the recording of Autotheism differently than previous records. All guitar and bass was recorded direct and drums were tracked live right in Keene's living room. Keene states that 7 different guitars were used to achieve the broad array of tones heard, including his neon green Washburn WM526, a 1959 Gibson Les Paul, a Bernie Rico Jr, as well as a chambered guitar made of carbon fiber.
Evan Brewer debuted the use of fretless bass in The Faceless on two tracks on a whim of experimentation in the studio. Keene also explored a more industrial influence, creating "post-apocalyptic" percussion sequences on many of the tracks. This played a big part in giving the record its distinctly dark quality. Another key quality of Autotheism came from Keene's time spent on experimenting with string arrangements and keyboard sequencing.
The lyrics were written largely in the studio, a process that Keene and Ficco described as "grueling, but rewarding". An outline for the story of the lyrics was written, followed by the individual topics for each song. Then, Keene and Ficco worked out the lyrics and phrasing as they went along with the recording process. "The bulk of the time was spent on the writing of the lyrics and phrasing. Once that part was complete, the actual recording flew by. "Geoff is an exceptionally easy vocalist to record and produce" said Keene. Michael Keene cited Ray Kurzweil as a lyrical inspiration on the album. [11]
Vocally, the album has a much greater emphasis on Michael Keene's clean vocals than previous albums. This is shown on the album's first track, which is sung primarily by Keene.
A guest appearance by Keene's long time friend and infamous YouTube sensation Sergio "The Sexy Sax Man" Flores appears on the track "Deconsecrate". Keene's mother also contributes harmonizing background vocals on the track "Emancipate".
Keene has stated in interviews that the name "Autotheism" derives from "auto" meaning self and "theism" meaning belief in God or gods, hence autotheism means "believing in one's self", or "being your own God". The album questions antiquated belief systems that are in play in current society. As well as touching upon religion, the album touches upon growth in technology at an exponential rate, the Holographic Universe theory, and science as a new religion, or alternatively, knowledge and reason as a reigning religion. Keene said in interviews that the inspiration for the album came partly from reading a book by Ray Kurzweil called The Singularity Is Near. The album also has an underlying theme of "Age of Reason" or "Renaissance"-esque discovery and ethics traits; alternatively, "starting over" or massively rethinking the way current systems are run. The album artwork, as well as the music and lyrics, intuitively portray this atmosphere.
Music written by Michael Keene, except where noted. [12] [13]
No. | Title | Length |
---|---|---|
1. | "Autotheist"
| 17:43
|
2. | "Accelerated Evolution" (Keene, Steve Jones) | 4:39 |
3. | "The Eidolon Reality" | 3:46 |
4. | "Ten Billion Years" (Wes Hauch, Keene) | 5:34 |
5. | "Hail Science" | 0:53 |
6. | "Hymn of Sanity" | 1:34 |
7. | "In Solitude" | 6:27 |
Total length: | 40:56 |
The Other Side is an acoustic EP by American rock band Godsmack, released on March 16, 2004. It includes several previously released songs re-recorded as acoustic versions, as well as three new acoustic tracks.
Spiritual Machines is the fourth studio album by the Canadian alternative rock band Our Lady Peace, released by Columbia Records in December 2000. Although not initially intended, the project evolved into a conceptual interpretation of futurist and inventor Raymond Kurzweil's 1999 book The Age of Spiritual Machines. Short tracks of spoken dialog from Kurzweil himself are interspersed among the actual songs on the album. The Kurzweil K250 keyboard, one of his inventions, was utilized throughout the recording of the album.
Glass Casket is a deathcore band from Winston-Salem, North Carolina. Originally known as Gadrel, the band released two albums before becoming mostly inactive in 2006 as the members focused on other projects. In 2013, the band announced that they were working on new music but would not officially reform until a decade later in 2023, announcing that an EP would be released later that year.
Inviolet Row is an indie rock band from Las Vegas, Nevada. Formed in 2001 by Lee Scrivner, Casey Johnson, Kevin Brewer, and Abe Millet, the band released the albums Consolation Prizes (2002) and Nevertheless (2005), and continues to write new material.
Metropolis is the fourth studio album by Sister Machine Gun, released on July 15, 1997 by TVT and Wax Trax! Records. The album spent more than 14 weeks on the CMJ Radio Top 200 chart, peaking at #7.
IV is the fourth studio album by American rock band Godsmack, released on April 25, 2006. This is Godsmack's only studio album produced by Andy Johns.
Everything All the Time is the debut album of indie rock band Band of Horses and was released on March 21, 2006, on Sub Pop Records. It features new versions of five of the six songs from the band's Tour EP, some with different titles. The album is the only one to feature original band members Mat Brooke, Chris Early and Tim Meinig.
Evan Brewer is an American musician from Nashville, Tennessee. He is the current bassist of Fallujah and formerly played bass for The Faceless and Entheos. He has also been involved in other bands such as Reflux and the last bassist to be a part of Animosity. He also released two solo albums under his own name. In 2011, he released his debut solo album titled Alone, and his second solo album, Your Itinerary, was released on July 16, 2013.
The Faceless are an American technical death metal band from the Encino neighborhood of Los Angeles. They released their debut album, Akeldama, in November 2006, and a follow-up, Planetary Duality, in November 2008. The band's third album, Autotheism, was released on August 14, 2012. On December 1, 2017, the band released their fourth album, In Becoming a Ghost.
Planetary Duality is the second studio album by American death metal band The Faceless. It was released on November 11, 2008 through Sumerian Records. It is a concept album with the lyrics following a science fiction theme of an extraterrestrial and extra-dimensional race controlling the world and is loosely inspired by the book The Children of the Matrix by David Icke. The album debuted at number 119 on the Billboard 200, selling around 5,600 copies in its first week.
Omni is the fourth full-length album from Minus the Bear, released on May 4, 2010. It is their first album to be released on Dangerbird Records and was produced by Grammy Award-winner Joe Chiccarelli. On April 27, 2009, the band began recording without the support of a record label. On September 3, 2009, they announced on their Twitter that they were officially done recording.
The Common Man's Collapse is the second studio album by American metalcore band Veil of Maya. The album was produced by Michael Keene of The Faceless and was released through Sumerian Records on April 1, 2008.
Id is the third studio album by American metalcore band Veil of Maya. It was released through Sumerian Records on April 6, 2010. They worked with producer Michael Keene of death metal band The Faceless on this album. Keene previously worked with the band, producing their previous album The Common Man's Collapse. It is the band's only album to feature bassist Matthew C. Pantelis.
New Multitudes is a Woody Guthrie tribute album performed by Jay Farrar, Will Johnson, Anders Parker, and Jim James to commemorate the 100th anniversary of Guthrie's birth, released through Rounder Records on February 28, 2012. The project was initiated by Woody's daughter Nora Guthrie to have Farrar add music to her father's lyrics—specifically, his earliest songwriting years in Los Angeles. Over the course of several years, he invited the others to collaborate and recorded at a variety of locations across the United States. Each artist wrote music to lyrics that inspired him and presented it to the collaborators for recording. The result is an album with diverse musical genres that has garnered positive reviews from critics for its varied styles and instrumentation. The quartet promoted the album with a small promotional tour that took them to record stores, radio programs, theaters, and folk festivals. The group has plans for releasing a second volume.
Akeldama is the debut studio album by technical death metal band The Faceless. It was released on November 14, 2006 as the first release from Sumerian Records. The title of the album is Aramaic for "Field of Blood". It was produced by Michael Keene.
The Light the Dead See is the fourth full-length studio album from English electronica production duo Soulsavers, released by V2 Records in the UK on 21 May 2012, and by Mute in the US on 22 May 2012. The album title comes from a poem by Frank Stanford. The album is a collaboration with Dave Gahan, the frontman of Depeche Mode, as guest vocalist. Gahan sings and wrote the lyrics on all non-instrumental songs on the album.
In Becoming a Ghost is the fourth studio album by The Faceless. It was released on December 1, 2017 through Sumerian Records. It is the only album with Abigail Williams' Ken Sorceron on vocals, The Zenith Passage's Justin McKinney on guitar and Chason Westmoreland, formerly of Hate Eternal, session drumming. The album debuted at #66 on the Billboard Top Current Albums chart.
The Zenith Passage is an American technical death metal band from Los Angeles, California founded in 2012. They are currently signed to Metal Blade Records. To date they have released one EP, Cosmic Dissonance, and two LPs, Solipsist and Datalysium.
Solipsist is the debut studio album by American technical death metal band The Zenith Passage. It was released via Unique Leader Records on April 15, 2016. It is the band's first release for Unique Leader Records, with whom they signed in 2013. The album focuses on the concept of solipsism. The album features a guest vocal appearance by Fallujah's Alex Hofmann, and guitar solo by Wes Hauch. The cover art was done by Ken Sarafin, who had also worked with Skinless, The Kennedy Veil, and Archspire. Per figures provided by Metal news site MetalInsider, the album sold 720 units in its first week.
The Illusion of Democracy is a studio album by American progressive metalcore band Reflux. It was released on October 12, 2004, through Prosthetic Records. Live music videos were released for the songs "Above the Pyramid and the Eye" and "Single File to Bliss".