Autrique House | |
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General information | |
Type | Town house |
Architectural style | Art Nouveau |
Address | Chaussée de Haecht / Haachtsesteenweg 266 |
Town or city | 1030 Schaerbeek, Brussels-Capital Region |
Country | Belgium |
Coordinates | 50°51′47″N4°22′23″E / 50.86306°N 4.37306°E |
Current tenants | Schaerbeek municipality |
Completed | 1893 |
Client | Eugène Autrique |
Design and construction | |
Architect(s) | Victor Horta |
Awards and prizes | Medal Europa Nostra 2005 |
Website | |
Official website | |
References | |
[1] |
The Autrique House [2] [3] (French : Maison Autrique; Dutch : Autrique Huis) is a historic town house in Brussels, Belgium. This house, built in 1893, was the first designed by Victor Horta in Art Nouveau style, and represents an essential step in the evolution of the Belgian architect. In many ways, it was an innovative dwelling, although it does not feature the novel spatial composition of the almost contemporary Hôtel Tassel. It is located at 266, chaussée de Haecht/Haachtsesteenweg, in the municipality of Schaerbeek.
The Autrique House was built for the engineer Eugène Autrique and his family. Due to budget restrictions, the family wanted a simple but comfortable home. For this reason, many custom made details, which Horta designed himself in most of the other town houses he built, were abolished. The house was kept in a relatively good condition during the 20th century. In the 1990s, it was bought by the municipality of Schaerbeek. It was thoroughly renovated and is now opened to the public.
Built by Victor Horta in 1893 for his friend Eugène Autrique, the Autrique House constitutes the missing link between traditional private architecture and the emerging Art Nouveau style. [4] All typical Art Nouveau characteristics are already present in this early work of Horta: fine iron pillars and columns of the façade, sgraffito, stained glass, mosaics, and importance of natural light and decorative elements of floral inspiration. These characteristics were to be developed and magnified by Horta and his disciples.
In July 2006, the European heritage organisation Europa Nostra gave a "Medal" or second prize "for the meticulous restoration of an early masterpiece by Victor Horta and for the creation of a scenography that pays tribute to the private architecture of Brussels, while opening the door to an imaginary world." [5]
The Autrique House was the first town house built by Victor Horta. This dwelling was already innovative for its application of a novel Art Nouveau decorative scheme that did not include references to other historical styles. However, the floor plan and spatial composition of the Autrique House remained rather traditional. On the deep and narrow building plot, the rooms were organised according to a traditional scheme used in most Belgian town houses at that time. It consisted of a suite of rooms on the left side of the building plot, flanked by a rather narrow entrance hall with stairs and a corridor that led to a small garden at the back. From the three-room suite, only the first and the last had windows, and so the middle room, used mostly as a dining room, was rather gloomy.
In 2005, the Autrique House received the Medal of Europa Nostra for "the scrupulous restoration of an early masterpiece of Victor Horta, and for the creation of a scenography which pays tribute to the private architecture of Brussels and opens a door to an imaginary world."
Art Nouveau, Jugendstil in German, is an international style of art, architecture, and applied art, especially the decorative arts. It was often inspired by natural forms such as the sinuous curves of plants and flowers. Other characteristics of Art Nouveau were a sense of dynamism and movement, often given by asymmetry or whiplash lines, and the use of modern materials, particularly iron, glass, ceramics and later concrete, to create unusual forms and larger open spaces. It was popular between 1890 and 1910 during the Belle Époque period, and was a reaction against the academicism, eclecticism and historicism of 19th century architecture and decorative art.
Victor Pierre Horta was a Belgian architect and designer, and one of the founders of the Art Nouveau movement. He was a fervent admirer of the French architectural theorist Eugène Viollet-le-Duc and his Hôtel Tassel in Brussels (1892–93), often considered the first Art Nouveau house, is based on the work of Viollet-le-Duc. The curving stylized vegetal forms that Horta used in turn influenced many others, including the French architect Hector Guimard, who used it in the first Art Nouveau apartment building he designed in Paris and in the entrances he designed for the Paris Metro. He is also considered a precursor of modern architecture for his open floor plans and his innovative use of iron, steel and glass.
The Obscure Cities, first published in English as, variously, Stories of the Fantastic and Cities of the Fantastic, is a bande dessinée series created by Belgian artist François Schuiten and French writer Benoît Peeters. First serialized in magazine format in 1982, the series has been published in album format by Brussels-based publisher Casterman since 1983. New installments of the series were published throughout the 1980s, 1990s, 2000s, and 2020s, with full-color, partial color, or black-and-white artwork, as well as photo illustration. The artwork of the series is distinguished by Schuiten's realistic rendering of diverse contemporary, historical, and imaginary architectural styles.
Paul Saintenoy was a Belgian architect, teacher, architectural historian, and writer.
Paul Hankar was a Belgian architect and furniture designer, and an innovator in the Art Nouveau style.
Gustave Strauven was a Belgian architect of the Art Nouveau style. He created more than 30 buildings, using new technologies and incorporating wrought iron floral motifs.
The Hôtel Tassel is a historic town house in Brussels, Belgium. It was designed by Victor Horta for the scientist and professor Emile Tassel, and built between 1892 and 1893, in Art Nouveau style. It is considered one of the first buildings in that style because of its highly innovative plan and its ground-breaking use of materials and decoration. It is located at 6, rue Paul-Emile Janson/Paul-Emile Jansonstraat, a few steps from the Avenue Louise/Louizalaan.
The Horta Museum is a museum in Brussels, Belgium, dedicated to the life and work of the architect Victor Horta and his time. The museum is housed in Horta's former town house and workshop, built between 1898 and 1901, in Art Nouveau style. It is located at 23–25, rue Américaine/Amerikaansestraat in the municipality of Saint-Gilles.
The Hôtel Solvay is a large historic town house in Brussels, Belgium. It was designed by Victor Horta for Armand Solvay, the son of the chemist and industrialist Ernest Solvay, and built between 1895 and 1900, in Art Nouveau style. It is located at 224, avenue Louise/Louizalaan, not far from the Hôtel Max Hallet, another remarkable Art Nouveau building by Horta.
The Hôtel van Eetvelde is a historic town house in Brussels, Belgium. It was designed by Victor Horta for Edmond van Eetvelde, administrator of Congo Free State, and built between 1895 and 1898, in Art Nouveau style. It is located at 4, avenue Palmerston/Palmerstonlaan in the Squares Quarter. Two extensions, also designed by Horta, were added between 1898 and 1901.
Henri van Dievoet was a Belgian architect.
The Cauchie House is a historic town house in Brussels, Belgium. It was designed by the architect, painter, and designer Paul Cauchie, and built in 1905, in Art Nouveau style. Its façade is remarkable for its allegorical sgraffito decoration.
Gabriel Van Dievoet was a Belgian decorator and Liberty style sgraffitist. He was the brother of the architect Henri Van Dievoet.
The major town houses of Victor Horta are four town houses in Brussels, Belgium, which have been listed as a UNESCO World Heritage Site since 2000. All four houses were designed and built by the Belgian architect Victor Horta (1861–1947), who pioneered the Art Nouveau style during the mid-1890s.
The Hôtel Max Hallet is a historic town house in Brussels, Belgium. It was designed by Victor Horta, and built between 1903 and 1906, in Art Nouveau style. It is located at 346, avenue Louise/Louizalaan, not far from the Hôtel Solvay, another remarkable Art Nouveau building by Horta.
The Art Nouveau movement of architecture and design first appeared in Brussels, Belgium, in the early 1890s, and quickly spread to France and to the rest of Europe. It began as a reaction against the formal vocabulary of European academic art, eclecticism and historicism of the 19th century, and was based upon an innovative use of new materials, such as iron and glass, to open larger interior spaces and provide maximum light; curving lines such as the whiplash line; and other designs inspired by plants and other natural forms.
The Hankar House is a historic town house in Brussels, Belgium. It was designed by the architect Paul Hankar, and built in 1893, in Art Nouveau style. It is generally considered one of the first buildings in that style because of its highly innovative plan and its ground-breaking use of materials and decoration.
The Art Deco movement of architecture and design appeared in Brussels, Belgium, immediately after World War I when the famed architect Victor Horta began designing the Centre for Fine Arts, and continued until the beginning of World War II in 1939. It took its name from the International Exposition of Modern Decorative and Industrial Arts held in Paris in 1925. At the end of World War II, Art Deco in Brussels faded to make way for the modernist and international architectural styles that would mark the postwar period.
The Saint-Cyr House is a historic town house in Brussels, Belgium. It was designed by the architect Gustave Strauven, and built between 1901 and 1903, in Art Nouveau style. It is Strauven's most important building, and served as a private residence for the painter and decorator George Léonard de Saint-Cyr.