Old England (department store)

Last updated

Old England
Brussels-Musical Instrument Museum (1).jpg
Façade of the Old England department store, now the Musical Instruments Museum (MIM)
Old England (department store)
General information
AddressRue Montagne de la Cour / Hofberg 2
Town or city1000 City of Brussels, Brussels-Capital Region
CountryBelgium
Coordinates 50°50′34″N4°21′32″E / 50.84278°N 4.35889°E / 50.84278; 4.35889

The Old England department store was a large retailer in central Brussels, Belgium, partially housed in a notable Art Nouveau building constructed in 1899 by Paul Saintenoy out of girded steel and glass. Nowadays, its former buildings house the Musical Instruments Museum (MIM), founded in 1877, which forms part of the group of Royal Museums for Art and History (RMAH).

Contents

Located at 2, rue Montagne de la Cour/Hofberg on the Mont des Arts/Kunstberg, the building stands next to the Place Royale/Koningsplein and across the street from the Magritte Museum. [1] It is served by Brussels-Central railway station and Parc/Park metro station on lines 1 and 5 of the Brussels Metro.

History

From 1886 onwards, the company's primary location was actually in the main building of the former Hôtel de Spangen, a complex of residences built mostly by Corneille Juste Philibert Philippe, Count of Spangen, between 1775 and 1782 on the Place Royale/Koningsplein in central Brussels. The property was eventually sold and partitioned to several different enterprises, including a hotel, and eventually the Old England company, which successively acquired more of the complex in stages in 1905, 1909, and 1911. In 1913, Old England completed renovations that demolished the 18th-century interiors in order to better accommodate its retail functions.

Paul Saintenoy

The building was designed by the architect Paul Saintenoy, who was strongly influenced by the architecture of Victor Horta, Paul Hankar, and the rationalist architectural theories of Eugène Viollet-le-Duc, also famous for his work restoring Gothic buildings. Horta and Hankar's buildings laid the groundwork for the widespread development of the style called Art Nouveau in Belgium and France. Horta's buildings in particular made free and conspicuous use of industrialised methods of construction, with steel frames and large-scale glass panels as infill, allowing for interiors to be bathed in light and in large measure dissolving the boundary between interior and exterior. This became a preferred technique for the construction of retail shop windows and department stores, to encourage the practice of window-shopping.

Though Saintenoy was not nearly as famous as Horta, Hankar, Henry van de Velde or Gustave Serrurier-Bovy, the four most noteworthy practitioners of Art Nouveau in and from Belgium, he was well known at the turn of the century for his numerous buildings that use the style, most notably several smaller town houses around Brussels, most of which still survive today and form part of the city's important heritage centred around the style.

Art Nouveau branch of Old England

The Old England department store in 1981, after having been bought by the Belgian State and before restoration 1981-10 Magasin Old England, rue Ravenstein, Bruxelles (11607597634).jpg
The Old England department store in 1981, after having been bought by the Belgian State and before restoration

The Old England department store opened a new branch location not far from its original building on the Place Royale in 1899, designed by Saintenoy in collaboration with the engineer Emile Wyhowski de Bukanski. Using a steel superstructure, he negotiated the rather narrow lot that sloped significantly and curved along the line of the street, designing a six-storey building that used a main façade balanced around a projecting central oriel bay, itself crowned by a high arched attic. The building's expansive curtain walls of glass over the entire façade maximise the influx of natural light, which is accented by the octagonal oriel tower at the north-west corner of the building that begins on the fourth floor and terminates in a lacy steel pergola that uses the structural frame of a cupola's spire. Its ornament, painted a dark green like the rest of the structure, curves around the frame to create supporting brackets that mimic the forms of vines and tendrils of plants, hallmarks of the "industrial" type of Art Nouveau design.

The structure thus constitutes an essay in the structural properties of iron and steel, which maximises its utility as a department store. The vibrant green colour, accented by the yellow and orange enamelled signage proclaiming the store's name, set it off from the light masonry and stucco structures around it, functioning thus as a landmark in the streetscape. The large expanses of glass for the exterior envelope allowed potential customers to easily and casually peruse the items from the street, ultimately drawing them inside to shop more aggressively, and providing a modicum of transparency in the process of selling by declaring implicitly that the company had nothing to hide from consumers.

None of these architectural strategies were new for the department store or retail shop as a building type, but Saintenoy's Old England store is one of the earliest examples of the bare iron/steel-and-glass curtain-wall façade being employed on such a large scale (most earlier department stores had clad their metal frame in some kind of masonry, at least on the façade). Horta would employ the same strategy on his famous À L'Innovation store in Brussels, completed in 1901, as would Henry Gutton on his Grand Bazar de la rue de Rennes in Paris, a branch of the Magasins Réunis department store chain, finished in 1907. [2]

Subsequent history and transformation

The building was bought by the Belgian Government in 1978 after Old England moved out in 1972. It took over fifteen years to complete restoration and renovation work on the structure, which really began in 1989, and was in fairly bad shape. The same year, it was listed as a protected monument by the Monuments and Sites Directorate of the Brussels-Capital Region. [3] The Musical Instruments Museum (MIM) moved into the structure between 1989 and 1994. Its exhibits include significant sections on Brussels' role in the history of manufacturing musical instruments, including the birthplace of the saxophone as the home of Adolphe Sax.

See also

Related Research Articles

<span class="mw-page-title-main">Art Nouveau</span> 1890–1911 European style of art and architecture

Art Nouveau is an international style of art, architecture, and applied art, especially the decorative arts. It was often inspired by natural forms such as the sinuous curves of plants and flowers. Other characteristics of Art Nouveau were a sense of dynamism and movement, often given by asymmetry or whiplash lines, and the use of modern materials, particularly iron, glass, ceramics and later concrete, to create unusual forms and larger open spaces. It was popular between 1890 and 1910 during the Belle Époque period, and was a reaction against the academicism, eclecticism and historicism of 19th century architecture and decorative art.

<span class="mw-page-title-main">Victor Horta</span> Belgian architect and designer

Victor Pierre Horta was a Belgian architect and designer, and one of the founders of the Art Nouveau movement. He was a fervent admirer of the French architectural theorist Eugène Viollet-le-Duc and his Hôtel Tassel in Brussels (1892–93), often considered the first Art Nouveau house, is based on the work of Viollet-le-Duc. The curving stylized vegetal forms that Horta used in turn influenced many others, including the French architect Hector Guimard, who used it in the first Art Nouveau apartment building he designed in Paris and in the entrances he designed for the Paris Metro. He is also considered a precursor of modern architecture for his open floor plans and his innovative use of iron, steel and glass.

<span class="mw-page-title-main">La Samaritaine</span> Department store in France

La Samaritaine is a large department store in Paris, France, located in the first arrondissement. The nearest métro station is Pont-Neuf, directly in front at the quai du Louvre and the rue de la Monnaie. The company was owned by Ernest Cognacq and Marie-Louise Jaÿ who hired architect Frantz Jourdain to expand their original store. It started as a small apparel shop and expanded to what became a series of department store buildings with a total of 90 different departments. It has been a member of the International Association of Department Stores from 1985 to 1992.

Paul Saintenoy was a Belgian architect, teacher, architectural historian, and writer.

<span class="mw-page-title-main">Paul Hankar</span> Belgian architect and furniture designer

Paul Hankar was a Belgian architect and furniture designer, and an innovator in the Art Nouveau style.

<span class="mw-page-title-main">Centre for Fine Arts, Brussels</span> Cultural venue in Brussels, Belgium

The Centre for Fine Arts is a multi-purpose cultural venue in the Royal Quarter of Brussels, Belgium. It is often referred to as BOZAR in French or by its initials PSK in Dutch. This multidisciplinary space was designed to bring together a wide range of artistic events, whether music, visual arts, theatre, dance, literature, cinema or architecture.

<span class="mw-page-title-main">Musical Instrument Museum, Brussels</span> Music museum in Brussels, Belgium

The Musical Instruments Museum (MIM) is a music museum in central Brussels, Belgium. It is part of the Royal Museums of Art and History (RMAH) and is internationally renowned for its collection of over 8,000 instruments.

<span class="mw-page-title-main">Hôtel Tassel</span> Historic Art Nouveau house and UNESCO World Heritage Site in Brussels, Belgium

The Hôtel Tassel is a historic town house in Brussels, Belgium. It was designed by Victor Horta for the scientist and professor Emile Tassel, and built between 1892 and 1893, in Art Nouveau style. It is considered one of the first buildings in that style because of its highly innovative plan and its ground-breaking use of materials and decoration. It is located at 6, rue Paul-Emile Janson/Paul-Emile Jansonstraat, a few steps from the Avenue Louise/Louizalaan.

<span class="mw-page-title-main">Hôtel van Eetvelde</span> Historic Art Nouveau house and UNESCO World Heritage Site in Brussels, Belgium

The Hôtel van Eetvelde is a historic town house in Brussels, Belgium. It was designed by Victor Horta for Edmond van Eetvelde, administrator of Congo Free State, and built in 1895, in Art Nouveau style. It is located at 4, avenue Palmerston/Palmerstonlaan in the Squares Quarter. An extension, also designed by Horta, was added in 1898.

<span class="mw-page-title-main">Mont des Arts</span> Urban complex and historic site in Brussels, Belgium

The Mont des Arts or Kunstberg, meaning "Hill/Mount of the Arts", is an urban complex and historic site in central Brussels, Belgium, including the Royal Library of Belgium (KBR), the National Archives of Belgium, the Square – Brussels Meeting Centre, and a public garden.

<span class="mw-page-title-main">Royal Academy of Fine Arts, Brussels</span> Art school established in Brussels, Belgium, in 1711

The Royal Academy of Fine Arts of Brussels is an art school established in Brussels, Belgium. It was founded in 1711. Starting from modest beginnings in a single room in Brussels' Town Hall, it has since 1876 been operating from a former convent and orphanage in the Rue du Midi/Zuidstraat, which was converted by the architect Victor Jamaer. The school has played an important role in training leading local artists.

<span class="mw-page-title-main">Henri Sauvage</span> French architect

Henri Sauvage was a French architect and designer in the early 20th century. He was one of the most important architects in the French Art nouveau movement, Art Deco, and the beginning of architectural modernism. He was also a pioneer in the construction of public housing buildings in Paris. His major works include the art nouveau Villa Majorelle in Nancy, France and the art-deco building of the La Samaritaine department store in Paris.

<span class="mw-page-title-main">Place Royale, Brussels</span> Square in Brussels, Belgium

The Place Royale or Koningsplein is a historic neoclassical square in the Royal Quarter of Brussels, Belgium. Modelled after the so-called French royal square and built between 1775 and 1782, according to a plan of the architects Jean-Benoît-Vincent Barré and Gilles-Barnabé Guimard, to replace the former Palace of Coudenberg, it was part of an urban project including Brussels Park.

<span class="mw-page-title-main">Place des Martyrs, Brussels</span> Square in Brussels, Belgium

The Place des Martyrs is a historic square in central Brussels, Belgium. Its current name, meaning "Martyrs' Square", refers to the martyrs of the September Days of the Belgian Revolution of 1830.

<span class="mw-page-title-main">Belgian Comic Strip Center</span> Museum of Belgian comics in Brussels, Belgium

The Belgian Comic Strip Center is a museum in central Brussels, Belgium, dedicated to Belgian comics. It is located at 20, rue des Sables/Zandstraat, in an Art Nouveau building designed by Victor Horta, and can be accessed from Brussels-Congress railway station and Brussels-Central railway station.

<span class="mw-page-title-main">Palace of the Count of Flanders</span> Palace in Brussels, Belgium

The Palace of the Count of Flanders is a neoclassical palace in Brussels, Belgium. It was originally built between 1776 and 1781 for Countess Brigitte of Tirimont-Templeuve, though it was heavily expanded in the 19th century. Nowadays, it houses the Court of Audit of Belgium.

<span class="mw-page-title-main">Art Nouveau in Brussels</span> Local implementation of a style of architecture and design

The Art Nouveau movement of architecture and design first appeared in Brussels, Belgium, in the early 1890s, and quickly spread to France and to the rest of Europe. It began as a reaction against the formal vocabulary of European academic art, eclecticism and historicism of the 19th century, and was based upon an innovative use of new materials, such as iron and glass, to open larger interior spaces and provide maximum light; curving lines such as the whiplash line; and other designs inspired by plants and other natural forms.

<span class="mw-page-title-main">Hankar House</span> Historic Art Nouveau house in Brussels, Belgium

The Hankar House is a historic town house in Brussels, Belgium. It was designed by the architect Paul Hankar, and built in 1893, in Art Nouveau style. It is generally considered one of the first buildings in that style because of its highly innovative plan and its ground-breaking use of materials and decoration.

<span class="mw-page-title-main">Art Deco in Brussels</span> Local implementation of a style of architecture and design

The Art Deco movement of architecture and design appeared in Brussels, Belgium, immediately after World War I when the famed architect Victor Horta began designing the Centre for Fine Arts, and continued until the beginning of World War II in 1939. It took its name from the International Exposition of Modern Decorative and Industrial Arts held in Paris in 1925. At the end of World War II, Art Deco in Brussels faded to make way for the modernist and international architectural styles that would mark the postwar period.

<span class="mw-page-title-main">Hôtel Otlet</span> Historic Art Nouveau house in Brussels, Belgium

The Hôtel Otlet is a historic town house in Brussels, Belgium. It was designed by the architect Octave van Rysselberghe for the jurist, bibliographer and entrepreneur Paul Otlet, and built between 1894 and 1898, in Art Nouveau style. This work marks the still cautious insertion of Van Rysselberghe into that style.

References

Citations

  1. "Gulliver". The Economist . Archived from the original on 25 January 2002. Retrieved 12 September 2017.
  2. See Catherine Coley, "Les Magasins Réunis: From Paris to the Provinces, from Art Nouveau to Art Deco," in Serge Jaumain and Geoffrey Crossick, Cathedrals of Consumption: The European Department Store, 1890–1939 (Rutland, VT, USA/Cambridge, UK: Ashgate, 1998)
  3. "Bruxelles Pentagone - Old England - Rue Montagne de la Cour 2 - Rue Villa Hermosa 1 - Place Royale 13-14 - GUIMARD Barnabé". www.irismonument.be. Retrieved 21 November 2020.

Bibliography