Career
He has taught at the University of Haifa, Tel Aviv University, and the Beit Zvi School of Dramatic Art; Hakibbutzim Seminar College and Sapir Academic College, and as a visiting lecturer at the Hebrew University of Jerusalem and the University of Delaware. He also, for many years, served as an associate artistic director at the Cameri Theatre, and dramaturg at the Haifa Municipal Theatre. [1] In 2010, he was a founding member of the Academy of Performing Arts, Tel Aviv, which combines professional training with studies towards a BA degree, in cooperation with the Open University of Israel. He serves at the Academy of Performing Arts, Tel Aviv as a professor of theatre and a stage director.
From 1982 to 1986, he served as the Head of the Department of Theatre Arts, Tel Aviv University. In 1984, he founded and edited Assaph: Theatre Studies published by Tel Aviv University; in 1994, he founded the Department of Theatre at the University of Haifa and served as its first chairman, and in 1995, he edited JTD: Journal of Theatre and Drama, published by the University of Haifa. From 2000 until its closure in 2004, he served as the director of the Haifa University Theatre. In 2007, he founded Mofa, an electronic journal for theatre and the performing arts, for which he serves as an editor. [1]
Oz is also the general editor of the Hebrew edition (single volume series) of the works of William Shakespeare, and served as the president of the Israeli Association for Theatre Research (IATR). [1]
Oz directed several stage plays, among them, Shakespeare's The Merchant of Venice and Henry V, Harold Pinter's Ashes to Ashes, Mountain Language , and Landscape ; C. P. Taylor's Good , and his own play Glorious Mountain. He is a resident director at the Alfa Theatre in Tel Aviv. His play Glorious Mountain (2021) is a historical fantasy on the first immigration to Palestine at the end of the 19th century and the birth of Zionism. His play, Pipes (2023), depicts the assassination of Jacob Israël de Haan, the first political murder by Jews in modern Palestine.
Among his many Hebrew translations of plays and operas, commissioned and performed by all major theatre companies in Israel and the New Israeli Opera, are: William Shakespeare's The Merchant of Venice, As You Like It , Coriolanus , Romeo and Juliet , The Tempest , King Lear , Julius Caesar , Henry V, and A Midsummer Night's Dream ; Bertolt Brecht's Life of Galileo , The Wedding, The Resistible Rise of Arturo Ui , Three Penny Opera , and The Rise and Fall of the City Mahogany; Harold Pinter's The Homecoming , Betrayal , Landscape, Silence , One for the Road , Ashes to Ashes, The New World Order, Party Time, and Mountain Language; C. P. Taylor's Good; Engelbert Humperdinck's Hänsel und Gretel ; Wild Honey , an adaptation, by Michael Frayn, of an untitled work by Anton Chekhov; and Agamemnon , by Aeschylus, as adapted by Steven Berkoff; and Peter Turrini's Figaro. [1] [2]
Oz was also previously a theatre critic for two of the major daily papers in Israel (Lamerhav, and later Ha'aretz ) as well as on the Israeli National Radio. From 1968 to 1973, Oz served as a theatre editor for the literary magazine Akhshav, and had a weekly show on theatre on the Israeli National Radio from 1968 to 1971, and edited and presented several TV series on theatre and William Shakespeare. [1]
Activism
Oz is an internationally known peace activist in Israel. He is a founding member of the Committee for Solidarity with Birzeit University and the Committee Against the War in Lebanon. He has organized, spoken, and written extensively on subjects relating to achieving peace in the Middle East and ending the Israeli occupation of the Palestinian territories. In the spring of 2005, in a letter opposing a proposed UK academic boycott of Israeli universities (including his home institutions, the University of Haifa and Birzeit University), he stated: "Whenever asked, over the last few years I expressed my opinion that even though the repressive policies of [Israel] against the Palestinian population, especially in the territories occupied in 1967, is appalling, racist, sometimes horrifying in its cruelty, and often having crossed the boundaries of war crimes, academic boycott was neither morally justified nor effective." [3] In the official biography of the Late Nobel Prize laureate Harold Pinter by Michael Billington, the famous playwright is quoted as having written, in 2005, to Oz: "Let's keep fighting!".
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