Barn the Spoon | |
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![]() Barn the Spoon | |
Born | Barnaby Alexander Carder 1981 (age 42–43) |
Nationality | British |
Occupation(s) | Artist, spoon carver, author |
Website | barnthespoon.com |
Barnaby Alexander Carder, known as Barn the Spoon (born 1981), is a British artisan spoon carver, teacher, author and co-founder of Spoonfest, the annual international festival of spoon carving in Edale in Derbyshire, UK. [1] He is also founder of the Green Wood Guild, a collective of green wood carvers who run carving workshops [2] and owns a spoon shop and woodworking venue in Hackney in London's East End. Carder also teaches spoon carving, woodworking and bladesmithing (with master smith Nic Westermann). [3]
Carder was born in Oxford [4] in November 1981 [5] and grew up in Berkshire. [6] At the age of 12 a neighbour introduced him to woodturning by showing him how to make bowls [7] and soon he had a lathe in the garage of his parents' house. [8] He graduated from Bristol University with a degree in biology, intending initially to become a biology teacher before becoming apprenticed to a cabinet maker. [9] After apprenticing himself to green wood worker Mike Abbott in Hereford, he then spent 3 years working in forestry and living in the forests, sourcing green wood. [7] It was while living in the woods he began to carve and then sell spoons for a living travelling between Oxford and Bristol, [10] finding that the spoons sold better in cities. [7] Carder holds an official pedlar's licence for this purpose. [7]
Carder is founder of The Green Wood Guild, London's school of traditional woodwork, based at Stepney City Farm. [11] The guild provides courses in woodworking, carving, whittling and bladesmithing and runs two regular clubs, Whittlers Anonymous and Spoonclub. [11]
Carder uses freshly cut (green) wood and traditional techniques to carve his spoons, usually using an axe, spoon knife (a curved bladed knife for hollowing out the bowl of the spoon), and small carving knife. [7] [12] The wood is sourced locally from parks in and around London and is recycled from trees which have been removed for conservation reasons. [13] Carder states that a single spoon can take him from twenty minutes to two hours to carve. [6] He opened his Hackney Road shop at the end of 2012 and carves in the shop window, where people often stop to watch. [13] [6]
Carder has a display of some of his spoons in the Fuller Craft Museum in Brockton, Massachusetts [14] and his spoons have also sold in the Conran shop in Tokyo. [2] In 2016 Carder and Robin Wood joined Stevie Parle during London Craft Week to explore wood-fired cooking and how dining from wooden utensils can affect the experience of eating. [15] Carder has been described by the press as "legendary" [16] and it has been said that "No one in Britain knows more about crafting a spoon from green wood than Barn the Spoon". [17]
In May 2017 following the release of his book, Carder announced the lease on his shop is to expire and he hopes to leave London to be closer to nature. He launched a '1000 spoons' project where he intends to carve 1000 spoons from a single tree, using any profits to plant and maintain his own woodland. [18]
Carder teaches spoon and bowl carving at his shop on the Hackney Road and has run courses at various other venues around the UK including Stepney City Farm, Tate Britain, the Pitt Rivers Museum [19] and Heal's. [20] [21]
In May 2017 Carder published his first book, a spoon carving guide entitled Spon: A Guide to Spoon Carving and the New Wood Culture published by Penguin Books. [12] 'Spon' refers to the Anglo-Saxon English word for a wood chip which is believed to be the etymological root of spoon. [22] In it Carder shows techniques and the appropriate use of tools used in creating different types of spoon. [23] Carder explains the need to think in three dimensions, as with other forms of sculpture, and has said "Perfection is always just a spoon away." [17]
Carder is co-founder of Spoonfest with Robin Wood MBE (trustee and ex-chairman of the Heritage Crafts Association). [24] [25] Spoonfest is an annual international festival of spoon carving that has been held in Edale, Derbyshire [22] [26] since 2012, with 200 people attending in the first year. [27]
Woodworking is the skill of making items from wood, and includes cabinetry, furniture making, wood carving, joinery, carpentry, and woodturning.
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The following outline is provided as an overview of and topical guide to crafts:
Delbert Lee "Cigar" Daisey, known as "Cigar" Daisey, was an American waterfowl wood carver and decoy maker. He was the son of Herbert Lee Daisey and Emma Jane Daisey. He was born, lived and worked in Chincoteague, Virginia, and was the resident carver at the Refuge Waterfowl Museum. His decoy carvings are recognized for both their artistic value and functionality as working pieces for waterfowl hunting. His works include black ducks, mallards, redheads, ruddys and red-breasted mergansers and often crafted in drake (male) and hen (female) pairs. He had carved about 1900 ducks in total and he generally used cork or wood as his medium. He carved his first duck out of balsa wood in 1940 at his father's wood shop. The Smithsonian has his works in their collection. He was given his nickname in 1945 by John Buckalew, Federal Game Warden and first manager of the Chincoteague National Wildlife Refuge because Daisey would leave cigar butts to taunt game wardens while poaching ducks on Assateague Island. Later in life, Daisey was an avid conservationist.
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Stepney City Farm is a city farm in Stepney, London, England. It is situated on Stepney Way with its entrance on the roundabout leading onto Stepney High Street and Belgrave Street towards Limehouse. The land is owned by Tower Hamlets Council through a trust, "The King George's Fields Trust" chaired by the Mayor of Tower Hamlets.
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Michelle Holzapfel is an American woodturner and a participant in the American Craft movement. She has five decades of experience turning and carving native hardwoods in Marlboro, Vermont, where she has lived her adult life. Holzapfel fits the definitions of both Studio artist and Material movement artist. A product of the revolutionary back-to-the-earth movement of 1960s and 1970s, she attributes the expressiveness of her turned and carved forms to the idealism of those years. Raised in rural Rhode Island, she has worked alone in her Vermont studio—shared only with her husband, the furniture maker and educator David Holzapfel—since 1976. Her wood pieces which feature intricate carvings have been exhibited in museums and galleries in the U.S., Australia and Europe. Publications featuring her work include but are not limited to House Beautiful, American Craft, Woodworking, and Fine Woodworking.
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