Barney Bear | |
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Directed by | Rudolf Ising George Gordon Preston Blair Michael Lah Dick Lundy William Hanna (supervision only) Joseph Barbera (supervision only) |
Story by | Rudolf Ising Heck Allen Jack Cosgriff |
Produced by |
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Starring |
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Music by | Scott Bradley |
Production company | |
Distributed by | Metro-Goldwyn-Mayer |
Release dates | June 10, 1939 – July 31, 1954 |
Running time | 6–9 minutes (per short) |
Country | United States |
Language | English |
Barney Bear is an American series of animated cartoon short subjects produced by MGM Cartoons. The title character is an anthropomorphic cartoon character, a sluggish, sleepy bear who often is in pursuit of nothing except for peace and quiet. [1] 26 cartoons were produced between 1939 and 1954. [2]
The character was created for Metro-Goldwyn-Mayer by director Rudolf Ising, who based the bear's grumpy yet pleasant disposition on his own and derived many of his mannerisms from the screen actor Wallace Beery. The character was voiced by Rudolf Ising from 1939 to 1943, [3] Pinto Colvig in 1941, Billy Bletcher from 1944 to 1949, Paul Frees from 1952 until 1954, Frank Welker in 1980, Lou Scheimer in 1980, Jeff Bergman in 2004, [4] and Richard McGonagle from 2012 to 2013. Barney Bear made his first appearance in The Bear That Couldn't Sleep in 1939, and, by 1941, was the star of his own series, getting an Oscar nomination for his fourth cartoon, the 1941 short The Rookie Bear . Ising left the studio in 1943. Three additional cartoons were produced and directed by George Gordon before he too left in 1945.
Ising's original Barney design contained a plethora of detail: shaggy fur, wrinkled clothing, and six eyebrows; as the series progressed, the design was gradually simplified and streamlined, reaching its peak in three late 1940s shorts, the only output of the short-lived directorial team of Preston Blair and Michael Lah. Lah and Blair's cartoons had a direction much more closer to cartoons by Hanna-Barbera and Tex Avery. Both worked as animators (and Lah ultimately as co-director) on several of Avery's pictures. [5] The last original Barney Bear cartoons were released between 1952 and 1954, directed by Ex-Disney/Lantz animator Dick Lundy. Lundy used Avery's unit to produce these cartoons while the latter was taking a one-year sabbatical from the studio. In the films from the late 1940s and early 1950s, Barney's design was streamlined and simplified, much the same as those of Tom and Jerry.
In the 1941 cartoon The Prospecting Bear, Barney is paired with a donkey named Benny Burro. [6] Though Benny would only make two further cartoon appearances, he would later feature as Barney's partner in numerous comic book stories. In the 1944 Avery cartoon Screwball Squirrel , Barney Bear is mentioned by Sammy Squirrel as he talks to Screwy Squirrel at the beginning.
Barney Bear would not appear in new material again until Filmation's The Tom and Jerry Comedy Show in 1980. More recently, Barney Bear appeared in the direct-to-video films Tom and Jerry: Robin Hood and His Merry Mouse in 2012 and Tom and Jerry's Giant Adventure in 2013. Giant Adventure once again paired Barney with Benny Burro. Barney Bear also made cameo appearances in Tom and Jerry Meet Sherlock Holmes in 2010 and Tom and Jerry: Back to Oz in 2016.
The series begins with the title character, Barney Bear, usually trying to accomplish a task in his series. He can be a bit lazy, but not too lazy. But he tends to overdo or do his task the wrong way. He also has a hard time going to sleep, but when he finally does go to sleep, he is a heavy sleeper. Mostly, he doesn't talk, but sometimes, he does.
At times, he was paired with Benny Burro, a curious donkey who accompanies him on several occasions, but mostly when he's in the west (Benny never spoke, but he did in the comic books).
Like many animated cartoons from the 1930s to the early 1950s, Barney Bear featured racial stereotypes. After explosions, for example, characters with blasted faces would resemble stereotypical blacks, with large lips, bow-tied hair and speaking in black vernacular.
In one particular cartoon, The Little Wise Quacker, when the duck kite hit the electricity cables, and Barney's face turned black because the electricity hit him, he rocked the duckling (also in blackface) and sang "Shortnin' Bread". Cartoon Network and Boomerang would usually omit these scenes on re-airings.
# | Title | Directed by | Produced by | Release Date | Notes |
---|---|---|---|---|---|
1 | The Bear That Couldn't Sleep | Rudolf Ising | Rudolf Ising Fred Quimby | June 10, 1939 | The first Barney Bear cartoon. |
2 | The Fishing Bear | January 20, 1940 | |||
3 | The Prospecting Bear | March 8, 1941 | |||
4 | The Rookie Bear | May 17, 1941 | Oscar nominee | ||
5 | The Flying Bear | November 1, 1941 | |||
6 | The Bear and the Beavers | March 28, 1942 | |||
7 | Wild Honey (Or How to Get Along Without a Ration Book!) | November 7, 1942 | |||
8 | Barney Bear's Victory Garden | December 26, 1942 | Narrated by Frank Bingman [7] | ||
9 | Bah Wilderness | February 13, 1943 | |||
10 | Barney Bear and the Uninvited Pest | July 17, 1943 | |||
11 | Bear Raid Warden | George Gordon | Fred Quimby | September 9, 1944 | |
12 | Barney Bear's Polar Pest | December 30, 1944 | |||
13 | The Unwelcome Guest | Michael Lah | February 17, 1945 | Although Gordon is often cited as the director, Lah claimed to have directed this cartoon instead. [8] | |
14 | The Bear and the Bean | Preston Blair Michael Lah | January 30, 1948 | Also supervised by William Hanna and Joseph Barbera | |
15 | The Bear and the Hare | June 26, 1948 | |||
16 | Goggle Fishing Bear | January 15, 1949 | |||
17 | The Little Wise Quacker | Dick Lundy | November 8, 1952 | ||
18 | Busybody Bear | December 20, 1952 | |||
19 | Barney's Hungry Cousin | January 31, 1953 | |||
20 | Cobs and Robbers | March 14, 1953 | |||
21 | Heir Bear | May 30, 1953 | |||
22 | Wee-Willie Wildcat | June 20, 1953 | |||
23 | Half-Pint Palomino | September 26, 1953 | |||
24 | The Impossible Possum | March 20, 1954 | |||
25 | Sleepy-Time Squirrel | June 19, 1954 | |||
26 | Bird-Brain Bird Dog | July 31, 1954 | Last Barney Bear cartoon. |
A selection of Barney Bear cartoons have been released on VHS tapes and Happy Harmonies Cartoon Classics LaserDisc by MGM/UA Home Video in the 1980s and 1990s.
The following cartoons can be found as extras on DVDs or Blu-rays of classic Warner Home Video films of the period:
In 2017, most of the Barney Bear shorts were released on the Boomerang streaming app.
Barney Bear began appearing in comic books in 1942. Dell Comics licensed various MGM characters, including Barney Bear. He appeared in backup stories in Our Gang Comics (1942–49) starting in the first issue; then—from 1949—in Tom and Jerry Comics (later just Tom and Jerry) and its spinoffs. From Our Gang #11-36 (1944-1947), Carl Barks took over the writing and drawing of the series. [9] Barks regularly teamed Barney up with Benny Burro; later, the obnoxious neighbor Mooseface McElk was also introduced.
Mooseface was created for Barks by Western Publishing colleague Gil Turner, who wrote and drew the Barney stories for several years after Barks' run ended. [10] Later, post-Turner talents introduced other characters, including Barney's nephews Fuzzy and Wuzzy. Other artists who've worked on Barney Bear have been Lynn Karp. [11]
In 2011, Yoe Books issued a hardback volume collecting Carl Barks' work on the series.
Frederick Clinton Quimby was an American animation producer and journalist best known for producing the Tom and Jerry cartoon series, for which he won seven Academy Awards for Best Animated Short Films. He was the film sales executive in charge of the Metro-Goldwyn-Mayer cartoon studio, which included Tex Avery, Droopy, Butch Dog, Barney Bear, Michael Lah and multiple one-shot cartoons, as well as William Hanna and Joseph Barbera, the creators of Tom and Jerry.
Frederick Bean "Tex" Avery was an American animator, cartoonist, director, and voice actor. He was known for directing and producing animated cartoons during the golden age of American animation. His most significant work was for the Warner Bros. and Metro-Goldwyn-Mayer studios, where he was crucial in the creation and evolution of famous animated characters such as Bugs Bunny, Daffy Duck, Porky Pig, Elmer Fudd, Droopy, Screwy Squirrel, The Wolf, Red Hot Riding Hood, and George and Junior.
The golden age of American animation was a period in the history of U.S. animation that began with the popularization of sound synchronized cartoons in 1928 and gradually ended in the 1960s when theatrical animated shorts started to lose popularity to the newer medium of television. Animated media from after the golden age, especially on television, were produced on cheaper budgets and with more limited techniques between the late 1950s and 1980s.
Hugh Harman and Rudolf Ising were an American animation team and company known for founding the Warner Bros. and Metro-Goldwyn-Mayer animation studios. In 1929, the studio was founded under the name Harman-Ising Productions, producing Looney Tunes and Merrie Melodies for Leon Schlesinger from 1930 to 1933. From 1934 to 1938, Harman-Ising produced the Happy Harmonies series, with William Hanna as their employee.
Rudolf Carl "Rudy" Ising was an American animator best known for collaborating with Hugh Harman to establish the Warner Bros. and MGM Cartoon studios during the early years of the golden age of American animation. In 1940, Ising produced William Hanna and Joseph Barbera's first cartoon, Puss Gets the Boot, a cartoon featuring characters later known as Tom and Jerry.
Droopy is an animated character from the golden age of American animation. He is an anthropomorphic white Basset Hound with a droopy face. He was created in 1943 by Tex Avery for theatrical cartoon shorts produced by the Metro-Goldwyn-Mayer cartoon studio. Essentially the polar opposite of Avery's other MGM character, the loud and wacky Screwy Squirrel, Droopy moves slowly and lethargically, speaks in a jowly monotone voice, and—though hardly an imposing character—is shrewd enough to outwit his enemies. When finally roused to anger, often by a bad guy laughing heartily at him, Droopy is capable of beating adversaries many times his size with a comical thrashing.
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Screwy Squirrel is an animated cartoon character, an anthropomorphic squirrel created by Tex Avery for Metro-Goldwyn-Mayer.
Puss Gets the Boot is a 1940 American animated short film and is the first short in what would become the Tom and Jerry cartoon series, though neither are yet referred to by these names. It was directed by William Hanna and Joseph Barbera, and produced by Rudolf Ising. It is based on the Aesop's Fable, The Cat and the Mice. As was the practice of MGM shorts at the time, only Rudolf Ising is credited. It was released to theaters on February 10, 1940, by Metro-Goldwyn-Mayer.
The Tom and Jerry Comedy Show is an American animated television series produced by Filmation for MGM Television featuring the popular cartoon duo Tom and Jerry. The show first aired on September 6, 1980 on CBS and continued until December 13 the same year. Its episodes were eventually added to syndicated Tom and Jerry packages in 1983. Episodes of the show also occasionally appeared on Cartoon Network and Boomerang.
Preston Erwin Blair was an American character animator, best remembered for his work at Walt Disney Productions and the Metro-Goldwyn-Mayer cartoon studio.
The Metro-Goldwyn-Mayer cartoon studio was an American animation studio operated by Metro-Goldwyn-Mayer (MGM) during the Golden Age of American animation. Active from 1937 until 1957, the studio was responsible for producing animated shorts to accompany MGM feature films in Loew's Theaters, which included popular cartoon characters Tom, Jerry, Droopy, Butch, Spike, Tyke, and Barney Bear.
Michael Richard Lah was an American animator of Slovene origin. He is best remembered for his work at the Metro-Goldwyn-Mayer cartoon studio, primarily as a member of Tex Avery's animation unit. He first worked on Tom and Jerry shorts before going to work on Droopy/Tex Avery shorts.
Blitz Wolf is a 1942 American animated propaganda short film produced and distributed by Metro-Goldwyn-Mayer. A parody of the Three Little Pigs told via a World War II perspective, the short was directed by Tex Avery and produced by Fred Quimby. It was nominated for the Academy Award for Best Short Subject: Cartoons but lost to Der Fuehrer's Face, another anti-Nazi World War II parody featuring Donald Duck.
George and Junior are cartoon characters, two anthropomorphic bears created by Tex Avery for Metro-Goldwyn-Mayer. All of the George and Junior shorts were directed by Tex Avery in the 1940s. They appeared in four cartoons: Henpecked Hoboes (1946), Hound Hunters (1947), Red Hot Rangers (1947), and Half-Pint Pygmy (1948).
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