Bat-Mite | |
---|---|
Publication information | |
Publisher | DC Comics |
First appearance | Detective Comics #267 (May 1959) |
Created by | Bill Finger (writer) Sheldon Moldoff (artist) |
In-story information | |
Species | Fifth Dimensional Imp (Zrfffian) |
Place of origin | Fifth Dimension |
Team affiliations | Justice League of Mites |
Supporting character of | Batman |
Abilities |
Bat-Mite is a fictional character appearing in American comic books published by DC Comics. Bat-Mite is an imp similar to the Superman villain Mister Mxyzptlk. Depicted as a small, childlike man in an ill-fitting copy of Batman's costume, Bat-Mite possesses what appear to be near-infinite magical powers which could be considered nigh-omnipotence, but he actually uses highly advanced technology from the fifth dimension that cannot be understood by humans' limited three-dimensional views. Unlike Mxyzptlk, Bat-Mite idolizes his superhero target and thus he has visited Batman on various occasions, often setting up strange and ridiculous events so that he could see his hero in action. Bat-Mite is more of a nuisance than a supervillain, and often departs of his own accord upon realizing that he has angered his idol. [1]
Bat-Mite has appeared in various media outside comics, primarily in association with Batman. Paul Reubens and Lou Scheimer voice the character in Batman: The Brave and the Bold and The New Adventures of Batman respectively.
Bat-Mite made his first appearance in Detective Comics #267 (May 1959) in a story titled "Batman Meets Bat-Mite", and was created by writer Bill Finger and artist Sheldon Moldoff. [2]
Bat-Mite was retired from the comic in 1964, when editor Julius Schwartz instituted a "New Look" Batman that shed some of the sillier elements in the series. [3]
Bat-Mite appeared in a self-titled six-issue miniseries which lasted from June to November 2015. [4]
Bat-Mite regularly appeared in Batman, Detective Comics, and World's Finest Comics for five years. Bat-Mite and Mr. Mxyzptlk teamed up four times in the pages of World's Finest Comics to plague Superman and Batman together, as well. [5] In 1964, however, when the Batman titles were revamped under new editor Julius Schwartz, Bat-Mite vanished along with other members of the Batman extended family, such as Batwoman, Bat-Girl, and Ace the Bat-Hound.
After this, only three more Bat-Mite stories were published in the pre- Crisis DC Universe: two more Bat-Mite/Mr. Mxyzptlk team ups in World's Finest Comics #152 (August 1965) and #169 (September 1967) (which were not edited by Schwartz, but by Mort Weisinger), [6] and "Bat-Mite's New York Adventure" from Detective Comics #482 (February–March 1979), in which the imp visits the DC Comics offices and insists that he be given his own feature in a Batman comic. This story featured protestors with picket signs shouting "We want Bat-Mite!" outside the Tishman Building (where DC's editorial offices were located at the time), and was accompanied by an editorial comment that this story was published specifically to acknowledge real-life fan requests.
Following the Crisis on Infinite Earths continuity reboot, Bat-Mite is largely removed from the Batman comics canon. [7] He appears in the Elseworlds special World's Funnest before being restored to the main continuity in Superman/Batman #25 (2006). [8] [9] Furthermore, Bat-Bite appears as a hallucination that Batman suffers after losing his sanity during Grant Morrison's run. [10] [11] [12] [13]
Bat-Mite, as a fifth-dimensional Imp, has nigh-omnipotence, which is shown as near-infinite magical power. Bat-Mite has powers and skills identical to that of Mister Mxyzptlk (but not his weaknesses), such as the ability to manipulate spacetime. He has access to various bat-weapons like his hero, Batman. [14]
In Handbook of Comics and Graphic Narratives, Matt Yockey writes, "Bat-Mite pointedly represents the intersection of utopia and trauma in the superhero genre and he signals that the mastery over trauma is an essential step toward realizing a utopian ideal. His home in the 'fifth dimension' and his magical powers locate Bat-Mite in the utopian realm, yet he turns to Batman as his ideal, suggesting that contact with trauma is in fact indispensable to the expression of a utopian desire." [22]
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