"Backfired" is the debut solo single from American singer and Blondie vocalist Debbie Harry. Released in 1981, it was taken from her debut solo studio album, KooKoo.
"Pledging My Love" is a blues ballad. It was written by Ferdinand Washington and Don Robey and published in 1954.
"What Becomes of the Brokenhearted" is a hit single recorded by Jimmy Ruffin and released on Motown Records' Soul label in the summer of 1966. It is a ballad, with lead singer Jimmy Ruffin recalling the pain that befalls the broken-hearted who had love that's now departed. The song essentially deals with the struggle to overcome sadness while seeking a new relationship after a breakup.
"Until You Come Back to Me (That's What I'm Gonna Do)" is a song written by Morris Broadnax, Clarence Paul, and Stevie Wonder. The song was originally recorded by Stevie Wonder in 1967, but his version was not released as a single and did not appear on an album until 1977's anthology Looking Back. The best-known version of this song is the 1973 release by Aretha Franklin, who had a million-selling top 10 hit on Billboard charts. The song reached No. 1 on the R&B chart and No. 3 on the Hot 100 chart in 1974. It became an RIAA Gold record.
"I Couldn't Live Without Your Love" is a 1966 single written by Tony Hatch and Jackie Trent and recorded by Petula Clark. It was inspired by the affair the songwriters were having at the time. Clark has cited "I Couldn't Live Without Your Love" along with "Don't Sleep in the Subway" as her favorites of her hits. “I still love that one; I do it onstage with great joy,” Clark told the "Montreal Gazette" in 2017.
"I Don't Want Your Love" is a song by English rock band Duran Duran, released on 19 September 1988 as the first single from their fifth studio album, Big Thing (1988). As with the album, the band's name was rendered on the artwork as Duranduran.
"How Can I Be Sure" is a popular song written by Felix Cavaliere and Eddie Brigati, and originally recorded by the Young Rascals for their 1967 album Groovin' with a single release in August 1967 affording the group their fourth Top 10 hit peaking at #4.
"Super Duper Love (Are You Diggin' on Me)" is a song by Willie "Sugar Billy" Garner, released in 1975 as a single from his 1975 album Super Duper Love. It interpolates parts of Aretha Franklin's 1968 version of Young Rascals' song "Groovin'". It was made famous when English singer Joss Stone covered the song's part one for her debut album, The Soul Sessions (2003), from which it was released in May 2004 as the second and final single under the title "Super Duper Love". A live performance of James Brown's 1966 song "It's a Man's Man's Man's World", retitled "It's a Man's Man's World", is included as a B-side to the CD single.
"You to Me Are Everything" is a song by British soul group the Real Thing, released as a single in 1976. Written by Ken Gold and Michael Denne and produced by Gold, "You to Me Are Everything" was the Real Thing's sole number-one single on the UK Singles Chart, spending three weeks at the top in July 1976. The song was re-released ten years later titled the "Decade Remix" which returned the song to the chart in March 1986, reaching number five.
"It Only Takes a Minute" is a 1975 song by American soul/R&B group Tavares, released as the first single from their third album, In the City (1975). The song was the group's only top-10 pop hit in the United States, peaking at number 10, and their second number one song on the American soul charts. On the US Disco chart, "It Only Takes a Minute" spent five weeks at number two and was the first of four entries on the chart. The song was subsequently covered by Jonathan King performing as 100 Ton and a Feather in 1976 and by boy band Take That in 1992.
"Hopelessly Devoted to You" is a song recorded by British-Australian singer, songwriter and actress Olivia Newton-John for Grease: The Original Soundtrack from the Motion Picture (1978). It was written and produced by John Farrar and originally performed by Newton-John in the film version of the musical Grease (1978). The song was released in Australia in August 1978 and peaked at number two. It reached number three on the US Billboard Hot 100 and number seven on the Adult Contemporary chart. On the country chart, "Hopelessly Devoted to You" peaked at number 20 and was her first top 20 country hit in two years. Newton-John performed the song at the 21st Grammy Awards in 1979.
"Wake Up Everybody" is an R&B song written by John Whitehead, Gene McFadden and Victor Carstarphen.
Sonia is the second album by British pop star Sonia, released in October 1991 on IQ Records, after parting company with Chrysalis Records and Stock Aitken Waterman. Sonia's second album was produced by Nigel Wright and for the first time Sonia co-wrote some of the songs. The album features the singles "Only Fools ", "Be Young, Be Foolish, Be Happy" and "You to Me Are Everything", all of which were hits in the UK Singles Chart, while the album itself reached No.33. The album was repackaged and released as a debut album in the US in 1992, while the album was further repackaged and released in Japan, though both versions met with little success. Following this, Sonia was moved to BMG Eurodisc's Arista Records imprint and agreed to take part in the Eurovision Song Contest in 1993.
"Love of the Common People" is a song written by John Hurley and Ronnie Wilkins, eventually released in 1970 on John Hurley's album John Hurley Sings about People, but first sung in January 1967 by the Four Preps. The Four Preps' recording was not a hit, but, later in 1967, the Everly Brothers and Wayne Newton would each issue their versions of the song, both of which "bubbled under" in the US charts; Newton's version peaked at No. 106, the Everlys' at No. 114. However, the Everly Brothers' recording was a major hit in Canada, peaking at No. 4. In 1968, Irish artist Joe Dolan with backing group the Drifters recorded a version which hit the top 10 on the Irish Singles Chart, but did not chart elsewhere.
"Just Another Dream" is a song by English singer-songwriter Cathy Dennis, first released in the United Kingdom as her solo debut single in November 1989. The following year, it was remixed and included on Dennis' first album, Move to This (1990), and re-released as a single, becoming a top-10 hit in the United States. The song was co-written by Dancin' Danny D, a.k.a. D Mob, who also produced the track and sang backing vocals. Poku's vocals are often mistaken for Rick Astley. Two different music videos were produced for the song.
"Hang On in There Baby" is a song written by American musician Johnny Bristol and arranged by H. B. Barnum as the title track from his first album. It was released as a single in 1974, reaching No. 8 on the U.S. Hot 100 and No. 2 on the U.S. R&B chart. In the UK it reached No. 3.
B Sides and Rarities is a compilation album by the American pop singer Andy Williams that was released by Collectables Records on May 27, 2003. Although the collection starts with two 1947 recordings by Kay Thompson and The Williams Brothers, the rest of the material comes from his time at Columbia Records and includes covers of contemporary hits as well as lesser-known material from the songwriters of "Can't Get Used to Losing You", "Home Lovin' Man" and "Moon River".
Me and Mrs. Jones is an album by American pop singer Johnny Mathis that was released in January 1973 by Columbia Records. While it does cover several big chart hits of the day like his last album, Song Sung Blue, did, it also includes songs that didn't make the US Top 40 or had never charted.
The Best Days of My Life is an album by American pop singer Johnny Mathis, released on January 29, 1979, by Columbia Records. He scaled back considerably on his more than decade-long practice of recording recent hit songs by other artists. He did, however, cover two standards: "As Time Goes By" and "Begin the Beguine", the latter of which is given a disco arrangement.
"Someone That I Used to Love" is the title of a torch song written by Michael Masser and lyricist Gerry Goffin: first recorded in 1977 by Bette Midler, the song became a 1980 hit single via a recording by Natalie Cole.
