Beak (album)

Last updated
BEAK>
Beak debut album.jpg
Studio album by
Beak>
Released18 October 2009
Recorded5–17 January 2009
StudioState Of Art Studios (Bristol, England)
Genre
Length1:01:04
Label Invada
Producer Beak>
Beak> chronology
BEAK>
(2009)		 >>
(2012)

Beak (stylized BEAK> and also named Recordings 05/01/09 > 17/01/09) [1] is the self-titled debut studio album by British band Beak>, released by the label Invada in October 2009. It was improvised and recorded in a twelve-day period without any overdubbing or repair. It earned generally positive reviews from critics upon release, holding an aggregate of 72 out of 100 on Metacritic.

Contents

Production

Beak was written and recorded between 5–17 January 2009, improvised live without any overdubbing, at State Of Art Studios in Bristol, England. [2] The reason for the improvised recording was that, according to member Geoff Barrow, "We’ve all played on really overdub-y records, but we felt like this wasn’t about that. We had enough of a sound between the three of us that we didn’t need to mess around with it." [3] However, in an L.A. Record interview with the entire group, they said there was might've been one tiny overdub, and that was done through discussion. [4]

The recording on each day would start at twelve PM, and last until six. Some songs were played ten times, while some others had two or three versions made, but usually the first take was chosen to be featured on the final product. The only tracks that were done in one take were "Backwell" and "Battery Point". Barrow said about the lyric writing, "I never wrote anything down. And what you hear is what happened in the [recording] room. Non-traditional vocals, really. I’m not a very lyrical person, and I’m definitely not a singer. I felt a little weird about it." [3] The album was engineered by Stuart Matthews, and finally mastered by Shawn Joseph at Optimum Mastering. [2]

Critical reception

Professional ratings
Aggregate scores
SourceRating
Metacritic 72/100 [5]
Review scores
SourceRating
Allmusic Star full.svgStar full.svgStar full.svgStar half.svgStar empty.svg [6]
The Daily Telegraph Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [7]
Drowned in Sound 9/10 [8]
musicOMH Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [9]
NME 7/10 [10]
Pitchfork Media 6.9/10 [11]
Popmatters Disc Plain yellow dark.svgDisc Plain yellow dark.svgDisc Plain yellow dark.svgDisc Plain yellow dark.svgDisc Plain yellow dark.svgDisc Plain yellow dark.svgPlain Disc 40%25 grey or 20%25 black.svgPlain Disc 40%25 grey or 20%25 black.svgPlain Disc 40%25 grey or 20%25 black.svgPlain Disc 40%25 grey or 20%25 black.svg [12]
Resident Advisor 4/5 [13]
The Skinny Star full.svgStar full.svgStar full.svgStar empty.svgStar empty.svg [14]
Under the Radar Star full.svgStar full.svgStar full.svgStar full.svgStar full.svgStar full.svgStar empty.svgStar empty.svgStar empty.svgStar empty.svg [15]

Critical reactions of Beak were generally positive, holding an aggregate score of 72 out of 100 on Metacritic, based on ten reviews. [5] A highly favorable review came from Robert Ferguson of Drowned in Sound , who called the album "a cohesive, ambitious and thoughtfully-executed murky delight" and "A godsend of a record in these times of landfill indie". [8] Andrew Perry of The Daily Telegraph gave it four out of five stars, writing that "Countless bands cite vintage German rock as an influence, but this lot actually sound out-there enough to justify comparison." [7] NME 's Ash Dosanjh scored it a seven out of ten, noting "a doom-like quality" of the record. [10] With a rating of four out of five, Resident Advisor reviewer Michaelangelo Matos praised the krautrock and goth elements as "less overly beholden to any one area than it might seem." [13] Ben Hogwood of musicOMH praised the album's variety, describing the LP as "a record that gradually gives up its secrets with each listen, in turns sombre, blissful, angry and energetic – a record of moods and their transfer to disc". [9] Allmusic journalist Heather Phares, in her three-and-a-half star review, opined that "at their best BEAK> are fascinatingly dour, and willing to challenge listeners in unexpected ways", [6] while BBC Music writer Adam Kennedy found it "as eccentrically Bristolian as Aphex Twin’s works are Cornish or Mogwai’s are Scottish, with equally intrepid results", noting its "constant invention and genuine humanity characterising every whirr and warm glow". [1]

In more mixed reviews, Pitchfork Media's Jess Harvell described Beak "as full of odd, compulsive energy as you'd expect from something cranked out in two weeks, made by a guy who probably had creative fuel to burn, considering that his day job took 11 years between their second and third albums". [11] Popmatters' Robert McCallum said the album, "can at times be a frustrating listen, but a frustrating listen that is certainly not without its fruits, and these fruits can far outweigh the frustration." [12] Ian Crichton of The Skinny opined it as "at times a little too familiar and static to fully lose oneself in": "at first feels exciting and accomplished, until the absolute adherence to well-worn formulas of taut motorik beats, Can basslines and ghost train organ drones begin to dull the edge." [14] Under the Radar writer Nick Hyman called the sounds "frequently surprising and refreshing to hear what comes around the dark corners created here", although felt the experimental nature went too far at some points of the LP. [15]

Track listing

All tracks are written by Beak>

No.TitleLength
1."Backwell"6:15
2."Pill"5:34
3."Ham Green"6:27
4."I Know"5:02
5."Battery Point"7:10
6."Iron Acton"5:00
7."Ears Have Ears"4:23
8."Blagdon Lake"4:44
9."Barrow Gurney"2:01
10."The Cornubia"4:00
11."Dundry Hill"7:38
12."Flax Bourton"2:50
Total length:1:01:04

Personnel

Credits are adapted from liner notes. [2] Locations

Personnel

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References

  1. 1 2 Kennedy, Adam. "BEAK> Recordings 05/01/09 > 17/01/09 Review". BBC Music . Retrieved 30 December 2014.
  2. 1 2 3 BEAK> (CD liner notes). Beak>. United Kingdom: Invada. 2009. INV100CD.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  3. 1 2 "THE SELF-TITLED INTERVIEW: Geoff Barrow of Portishead & BEAK>". Self-Titled. 1 September 2010. Retrieved 30 December 2014.
  4. ↑ "BEAK>: IT'S SO INCREDIBLY BORING". L.A. Record . YBX Media Inc. 16 September 2010. Retrieved 31 December 2014.
  5. 1 2 "Beak> – Beak?". Metacritic. CBS Interactive . Retrieved 30 December 2014.
  6. 1 2 Phares, Heather. "BEAK> – Beak>". Allmusic. Rovi Corporation . Retrieved 30 December 2014.
  7. 1 2 Perry, Andrew (23 October 2009). "Beak>: Beak>, CD review". The Daily Telegraph . Retrieved 30 December 2014.
  8. 1 2 Ferguson, Robert (16 October 2009). "Album Review: Beak> – Beak>". Drowned in Sound . Silentway. Archived from the original on 31 December 2014. Retrieved 30 December 2014.
  9. 1 2 Hogwood, Ben (19 October 2009). "BEAK> – BEAK>". musicOMH . Retrieved 30 December 2014.
  10. 1 2 Dosanjh, Ash (26 October 2009). "Album review: BEAK> – 'BEAK>' (Invada)". NME . Inspire . Retrieved 30 December 2014.
  11. 1 2 Harvell, Jess (30 October 2009). "Beak>: Beak>". Pitchfork Media . Retrieved 30 December 2014.
  12. 1 2 McCallum, Robert (16 November 2009). "Beak>: Beak>". Popmatters . Retrieved 30 December 2014.
  13. 1 2 Matos, Michaelangelo (27 November 2009). "BEAK> – BEAK>". Resident Advisor . Retrieved 30 December 2014.
  14. 1 2 Crichton, Ian (18 November 2009). "BEAK> – BEAK>". The Skinny . Radge Media. Retrieved 30 December 2014.
  15. 1 2 Hyman, Nick (14 January 2010). "Beak>: Beak> (Ipecac)". Under the Radar . Retrieved 30 December 2014.
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