Become Desert is a composition for choir and orchestra written in 2017 by the American composer John Luther Adams. The work was commissioned by the New York Philharmonic and the Seattle Symphony with co-commissions from the San Diego Symphony and the Rotterdam Philharmonic Orchestra. Its world premiere was given by the Seattle Symphony conducted by Ludovic Morlot on March 29, 2018. Become Desert is the third part of a musical trilogy, following Adams's Become River (2010) and the Pulitzer Prize for Music-winning Become Ocean (2014). [1]
Become Desert is written in one continuous movement and last approximately 40 minutes.
Become Desert was composed following Adams's move from his longtime residence in Alaska to the Sonoran Desert in Mexico. In the score program note, Adams wrote, "I used to say that if I ever left the tundra it would be for the desert. Now, some forty years after first coming to Alaska, I've finally made that move. As I've begun to learn the landforms, the light, the weather, the plants and the birds, I've dreamed of music that echoes this extraordinary landscape." Having witnessed firsthand the effects of anthropogenic climate change in the Arctic Alaska, the composer found himself ruminating a quote from François-René de Chateaubriand that became a motivation for the piece: "Forests precede civilizations, and deserts follow." [1] He thus described the piece as "a celebration of the deserts we are given, and a lamentation of the deserts we create." [2]
The work is scored for SATB chorus and a large orchestra consisting of four flutes, four oboes, four clarinets, four bassoons, eight horns, four trumpets, four trombones, four percussionists, four harps, and strings. The performers are further divided into five groups that surround the audience. [1]
Become Desert has been highly praised by music critics. Reviewing the world premiere performance, Thomas May of The Seattle Times described the work as "a profoundly original creation that puts the listener right inside the music as it unfolds. It's an experience that simply can't be replicated outside live performance, its uniqueness an antidote to the noisy stream of infinitely repeatable data in 21st-century digital culture." [3] Seth Colter Walls of The New York Times said it was "packed with moments of drama in microcosm. Over a nearly 40-minute span, those slight twists combine to create a new route toward a grand impact. Precisely because the two are so distinct in method, Desert came across as a thoroughly worthy successor to [Become] Ocean." [4]
Tom Huizenga of NPR wrote that the piece "shimmers in majestic stillness," adding, "Through intricate orchestration, Adams conjures glistening shafts of light, distant rolling thunder and flickering colors refracting in the haze of desert heat. The closer one listens to this 40-minute mirage, more is revealed, perhaps even something close to enlightenment." [2] Andrew Clements of The Guardian further remarked:
Where its predecessor evokes the unstoppable energy of the ocean, creating a slowly accumulating arc of sound that's sometimes joyous, sometimes apocalyptic, Become Desert is more static and seamless, not so elemental. It's woven from luminous textures that seem to be illuminated and transformed from within but which, despite the huge climaxes they generate, often feel as if they could evaporate at any moment. This is a very different orchestral journey from Adams's previous masterpiece, but one that's just as rewarding in this superb, beautifully recorded performance. [5]
A recording of Become Desert performed by the Seattle Symphony conducted by Morlot was released through Cantaloupe Music on June 14, 2019. [5] [6]
The Pulitzer Prize for Music is one of seven Pulitzer Prizes awarded annually in Letters, Drama, and Music. It was first given in 1943. Joseph Pulitzer arranged for a music scholarship to be awarded each year, and this was eventually converted into a prize: "For a distinguished musical composition of significant dimension by an American that has had its first performance in the United States during the year."
The Seattle Symphony is an American orchestra based in Seattle, Washington. Since 1998, the orchestra is resident at Benaroya Hall. The orchestra also serves as the accompanying orchestra for the Seattle Opera.
John Luther Adams is an American composer whose music is inspired by nature, especially the landscapes of Alaska, where he lived from 1978 to 2014. His orchestral work Become Ocean was awarded the 2014 Pulitzer Prize for Music.
Zhou Long is a Chinese American composer. He won the 2011 Pulitzer Prize for Music.
The Barcelona Symphony Orchestra and National Orchestra of Catalonia is a symphony orchestra based in Barcelona, Spain. Since April 1999, the Orchestra has had its headquarters at L'Auditori. Prior to that, from its foundation to 1998, the orchestra was resident at the Palau de la Música Catalana.
Sinfonia (Symphony) is a composition by the Italian composer Luciano Berio which was commissioned by the New York Philharmonic for its 125th anniversary. Composed in 1968–69 for orchestra and eight amplified voices, it incorporates musical quotations to represent an abstract and distorted history of culture. The eight voices are not incorporated classically but rather speak, whisper and shout excerpts from texts including Claude Lévi-Strauss' The Raw and the Cooked, Samuel Beckett's novel The Unnamable, instructions from the scores of Gustav Mahler and other writings.
Ludovic Morlot is a French conductor.
Jennifer Higdon's Concerto for Violin and Orchestra was written in 2008. The work was jointly commissioned by the Indianapolis Symphony Orchestra, the Toronto Symphony Orchestra, the Baltimore Symphony Orchestra, and the Curtis Institute of Music. It was composed for the violinist Hilary Hahn and was given its world premiere by Hahn and the Indianapolis Symphony Orchestra under the conductor Mario Venzago on February 6, 2009. The piece was later awarded the 2010 Pulitzer Prize for Music.
Anna Sigríður Þorvaldsdóttir is an Icelandic composer. She has been called "one of Iceland's most celebrated composers", and was the 2012 winner of the Nordic Council Music Prize. Her music is frequently performed in Europe and in the United States, and is often influenced by landscapes and nature.
The 57th Annual Grammy Awards were held on February 8, 2015, at the Staples Center in Los Angeles, California. The show was broadcast live by CBS at 5:00 p.m. PST (UTC−8). Rapper LL Cool J hosted the show for the fourth consecutive time.
L'arbre des songes is a violin concerto written by Henri Dutilleux between 1983 and 1985. It is dedicated to Isaac Stern.
Become Ocean is an orchestral composition by American composer John Luther Adams. The Seattle Symphony Orchestra commissioned the work and premiered it at Benaroya Hall, Seattle, on 20 and 22 June 2013. The work won the 2014 Pulitzer Prize for Music and the 2015 Grammy Award for Best Classical Contemporary Composition. In 2019, writers of The Guardian ranked it the 10th greatest work of art music since 2000.
The Symphony No. 4 is an orchestral composition by the American composer John Harbison. The work was commissioned by the Seattle Symphony with contributions from the philanthropists Richard and Constance Albrecht. It was given its world premiere in Seattle on June 17, 2004 by the Seattle Symphony under the direction of Gerard Schwarz.
Absolute Jest is a concerto for string quartet and orchestra by the American composer John Adams. The work was commissioned by the San Francisco Symphony for the orchestra's centennial. Its world premiere was given at the Louise M. Davies Symphony Hall on March 15, 2012, and was performed by the St. Lawrence String Quartet and the San Francisco Symphony under the direction of Michael Tilson Thomas. However, after the premiere Adams heavily re-wrote the beginning of the piece; this revised version of Absolute Jest was first performed in Miami Beach on December 1, 2012, by the St. Lawrence String Quartet and the New World Symphony under the composer's direction.
Dark Waves is a 2007 musical composition in one movement by the American composer John Luther Adams. It was commissioned by Musica Nova for the Anchorage Symphony Orchestra, who premiered the composition in 2007. The piece is dedicated to the Alaskan conductor Gordon Wright, who died a few days before the world premiere.
The National Youth Orchestra of China is a full symphony youth orchestra composed of approximately 100 Chinese musicians aged 14 to 21 years old. Students from all over China audition to participate in a two-week training residency before performing alongside a renowned soloist and conductor in premier venues throughout the world.
Nathan Lee is a Korean-American pianist. Described by The New York Times as a "prodigiously talented" pianist with "musical insight and sensitivity", Lee was a winner of the 2016 Young Concert Artists International Auditions.
Vincent Accettola is an American producer and arts administrator who previously served as Managing Director of the National Youth Orchestra of China.
What Do We Make of Bach? is a composition for obbligato organ and orchestra written by the American composer John Harbison. The work was commissioned by Minnesota Orchestra, Seattle Symphony, and Northrop at the University of Minnesota. It was given its world premiere by the organist Paul Jacobs and the Minnesota Orchestra at the Northrop Auditorium on October 12, 2018.
Aaron Jay Kernis's Violin Concerto was written between 2016 and 2017 for the violinist James Ehnes on a joint commission from the Toronto Symphony Orchestra, the Seattle Symphony, the Melbourne Symphony Orchestra, and the Dallas Symphony Orchestra, with support of the Norma and Don Stone Fund for New Music. Its world premiere was performed by Ehnes and the Toronto Symphony Orchestra conducted by Peter Oundjian at Roy Thomson Hall, Toronto, on March 8, 2017. Kernis dedicated the piece to James Ehnes "with great admiration and friendship." The concerto later received the 2019 Grammy Awards for Best Contemporary Classical Composition and Best Classical Instrumental Solo.