Gone Troppo is the tenth studio album by the English rock musician George Harrison, released on 5 November 1982 by Dark Horse Records. It includes "Wake Up My Love", issued as a single, and "Dream Away", which was the theme song for the 1981 HandMade Films production Time Bandits. Harrison produced the album with Ray Cooper and former Beatles engineer Phil McDonald.
Climate of Hunter is the eleventh solo studio album by the American singer-songwriter Scott Walker. It was released in March 1984 and reached number 60 on the UK Albums Chart. It was his only album of the 1980s.
Welcome to the Cruise is the debut album by British singer-songwriter Judie Tzuke, released in 1979. The album peaked at No. 14 on the UK Albums Chart and was certified gold in 1981 by the British Phonographic Industry for sales in excess of 100,000 copies.
Mr. Mick is the fifth studio album released by the British rock group Stackridge in 1976. It originally was released in the UK by The Rocket Record Company, and its catalogue number was ROLL 3. This was the first album by Stackridge to go unreleased in the United States.
Michael Ralph "Mo" Foster was an English multi-instrumentalist, record producer, composer, solo artist, author, and public speaker. Through a career spanning over half a century, Foster toured, recorded, and performed with dozens of artists, including Jeff Beck, Gil Evans, Phil Collins, Ringo Starr, Joan Armatrading, Gerry Rafferty, Brian May, Scott Walker, Frida of ABBA, Cliff Richard, George Martin, Van Morrison, Dr John, Hank Marvin, Heaven 17 and the London Symphony Orchestra. He released several albums under his own name, authored a humorous book on the history of British rock guitar, written numerous articles for music publications, continued to compose production music, and established himself as a public speaker. Foster was an assessor for JAMES, an industry organisation that gives accreditation to music colleges throughout the United Kingdom. In 2014, Foster was a recipient of a BASCA Gold Badge Award to honour his lifelong contribution to the British songwriting and composing community.
The 5uu's were an American avant-rock group founded in Los Angeles, California in 1984 by drummer-composer Dave Kerman. The group released their first album in 1986 and recorded a second in 1988 with Motor Totemist Guild, a similar band from the area. The two groups merged in 1988 to form U Totem and made two albums. When U Totem split up in 1994, the 5uu's reformed and went on to make two more albums. In 2000 the band became known as Dave Kerman/5uu's and released a further two albums under this name. After a long pause, an album, The Quiet In Their Bones was released in 2022.
Southern Reunion is Mo Foster's second solo album.
Live At Blues West 14 is Mo Foster's fourth solo album.
"We Almost Got It Together" is a song by British singer-songwriter Tanita Tikaram, released in 1990 as the lead single from her second studio album, The Sweet Keeper (1990). It was written by Tikaram, and produced by Peter van Hooke and Rod Argent. The song was a top 30 hit in Finland, Ireland and Italy, while peaking within the top 40 in Belgium and the Netherlands.
Bulles is an album by French singer-songwriter Michel Polnareff released in 1981.
With this album, the singer found more success, as it sold 800,000 copies. "Radio", "Je t'aime", and "Tam-Tam" were put into heavy rotation on French radio stations. Although mostly rock-oriented, Polnareff maintains his personality lyrically and musically. In 2001, the album was re-issued by Universal-Polygram.
Resolving Contradictions is the second solo studio album by English rock musician Andy Mackay, released on Bronze Records in 1978.
Wolf is the third studio album by musician Trevor Rabin, released in 1981 through Chrysalis Records.
"The Electrician" is a song written by American singer-songwriter Scott Walker. The song was first recorded and released by Walker's pop group The Walker Brothers as their fourteenth UK single and last official release while the group were still active in 1978. The single did not chart. The song describes the work of a CIA torturer.
"Track Three" is a song written and recorded by American singer-songwriter Scott Walker in 1983. This was Walker's eighth solo single in the UK and was released in March 1984 to promote his 'comeback' solo album Climate of Hunter. A stylised black and white music video was produced for the single. The single however did not chart. It was also to be his only single of the 1980s and his last released in the UK.
Julie Covington is a 1978 album by English singer Julie Covington. It was produced by Joe Boyd and the sound engineer was John Wood. Most of the album was recorded at Britannia Row Studios in Islington. It was her second album released on Virgin Records. In 2000, it was reissued as Julie Covington Plus and features two bonus tracks.
Working Girl (Original Soundtrack Album) is the soundtrack album to the 1988 Mike Nichols film Working Girl, released by Arista Records, on August 29, 1989.
The Fetch is the second album by Linda Hoyle which released by Angel Air on 7 August 2015. The album was produced by her long time friend and former bandmate Mo Foster. On 29 June 2015, Hoyle released a promotional video for the album's first track, "The Fetch".
Blue Views is the fifth solo studio album by the English singer-songwriter Paul Carrack, then a member of the supergroup Mike + The Mechanics. It was Carrack's first solo album in seven years; in the interim period between solo albums, he had recorded one album as a member of Squeeze, one album as a member of Spin 1ne 2wo, and two albums as a member of Mike + The Mechanics. Blue Views was originally released in 1995 on I.R.S. Records in the UK and most other territories. In the US, it appeared on the Ark 21 label.
These Days is the seventeenth solo studio album by the English singer-songwriter Paul Carrack. The follow-up to Soul Shadows, it was released on 7 September 2018, on Carrack's own Carrack-UK label.
Living the Dream is the 24th studio album by British rock band Uriah Heep, released in September 2018 by Frontiers Records. It was produced by Jay Ruston. Production on the record lasted for 19 days, with the band recording everything "live".
