Benedict Mason, born on 23 February 1954, is a British composer.
Mason was educated at King's College, Cambridge (1971–75) and took a degree in film-making at the Royal College of Art (1975–78). He did not turn to composition until his early 30s, but his first acknowledged work, Hinterstoisser Traverse (1986), attracted attention from the European new music scene. [1] His early works are decidedly postmodern in inclination, with considerable use of stylistic irony (some commentators[ weasel words ] have noted in these works a similarity to the music of Mauricio Kagel). Mason then developed an interest in polyrhythmic music, and in works such as his Double Concerto one can hear a strong stylistic affinity to the later works of György Ligeti. [1] More recent works have concentrated on the spatial dimension of music, such as in his Music for European Concert Halls series, and sometimes have come very close to installation art.
Mason has composed in many genres, and his soccer opera Playing Away, with a libretto by Howard Brenton, was commissioned by the Munich Biennale and premièred there in 1994 by Opera North. [2]
Karlheinz Stockhausen was a German composer, widely acknowledged by critics as one of the most important but also controversial composers of the 20th and early 21st centuries. He is known for his groundbreaking work in electronic music, having been called the "father of electronic music", for introducing controlled chance into serial composition, and for musical spatialization.
Opera is a form of Western theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another.
Scott Joplin was an American composer and pianist. Dubbed the "King of Ragtime", he composed more than 40 ragtime pieces, one ragtime ballet, and two operas. One of his first and most popular pieces, the "Maple Leaf Rag", became the genre's first and most influential hit, later being recognized as the quintessential rag. Joplin considered ragtime to be a form of classical music meant to be played in concert halls and largely disdained the performance of ragtime as honky tonk music most common in saloons.
Overture is a music instrumental introduction to a ballet, opera, or oratorio in the 17th century. During the early Romantic era, composers such as Beethoven and Mendelssohn composed overtures which were independent, self-existing, instrumental, programmatic works that foreshadowed genres such as the symphonic poem. These were "at first undoubtedly intended to be played at the head of a programme".
Brian John Peter Ferneyhough is an English composer. Ferneyhough is typically considered the central figure of the New Complexity movement. Ferneyhough has taught composition at the Hochschule für Musik Freiburg and the University of California, San Diego; he teaches at Stanford University and is a regular lecturer in the summer courses at Darmstädter Ferienkurse. He has resided in California since 1987.
Contemporary classical music is Western art music composed close to the present day. At the beginning of the 21st century, it commonly referred to the post-1945 modern forms of post-tonal music after the death of Anton Webern, and included serial music, electronic music, experimental music, and minimalist music. Newer forms of music include spectral music and post-minimalism.
Karel August Goeyvaerts was a Belgian composer.
Kevin Volans is a South African born Irish composer and pianist. He studied with Karlheinz Stockhausen and Mauricio Kagel in Cologne in the 1970s and later became associated with the Neue Einfacheit movement in the city. In the late 1970s he became interested in the indigenous music of his homeland and began a series of pieces which attempted to combine aspects of African and contemporary European music. Although Volans later moved away from any direct engagement with African music, certain residual elements such as interlocking rhythms, repetition and open forms are still detectable in his music since the early 1990s which takes a new direction more redolent of certain schools of abstract art. He settled in Ireland permanently in 1986 and was granted Irish citizenship in 1994.
Michael Peter Finnissy is an English composer, pianist, and pedagogue. An immensely prolific composer, his music is "notable for its dramatic urgency and expressive immediacy".
David Toop is an English musician, author, curator, and emeritus professor. From 2013 to 2021 he was professor of audio culture and improvisation at the London College of Communication. He was a regular contributor to British music magazine The Wire and the British magazine The Face. He was a member of British new wave band The Flying Lizards.
Herbert Owen Reed was an American composer, conductor, and author.
New Complexity is a label principally applied to composers seeking a "complex, multi-layered interplay of evolutionary processes occurring simultaneously within every dimension of the musical material".
John Roger Smalley was an Anglo-Australian composer, pianist and conductor. Professor Smalley was a senior honorary research fellow at the School of Music, University of Western Australia in Perth and honorary research associate at the University of Sydney.
Vladimir Grigoryevich Tarnopolski is a Russian-Ukrainian composer.
Camillo Togni was an Italian composer, teacher, and pianist. Coming from a family of independent means, he was able to pursue his art as he saw fit, regardless of changing fashions or economic pressure.
Joseph Wilfred Kerman was an American musicologist and music critic. Among the leading musicologists of his generation, his 1985 book Contemplating Music: Challenges to Musicology was described by Philip Brett in The Grove Dictionary of Music and Musicians as "a defining moment in the field". He was Professor Emeritus of Musicology at the University of California, Berkeley.
Åke Parmerud is a Swedish composer, musician, and multimedia artist noted for his acoustic and electronic works, which have been performed mostly in Europe, Mexico, and Canada. He is also noted for the design of stage and acoustics as well as interactive media and software. He has received recognition for his work from a number of festivals in Europe and has won two Swedish Grammis awards. He has been a member of the Royal Swedish Academy of Music since 1998.
Live electronic music is a form of music that can include traditional electronic sound-generating devices, modified electric musical instruments, hacked sound generating technologies, and computers. Initially the practice developed in reaction to sound-based composition for fixed media such as musique concrète, electronic music and early computer music. Musical improvisation often plays a large role in the performance of this music. The timbres of various sounds may be transformed extensively using devices such as amplifiers, filters, ring modulators and other forms of circuitry. Real-time generation and manipulation of audio using live coding is now commonplace.
Richard Suart is an English opera singer and actor, who has specialised in the comic roles of Gilbert and Sullivan operas and in operetta, as well as in avant-garde modern operas. He is probably best known for his numerous portrayals of Ko-Ko in The Mikado.
The Munich Biennale is a contemporary opera and music theatre festival in the city of Munich. The full German name is Internationales Festival für neues Musiktheater, literally: International Festival for New Music Theater. The biennial festival was created in 1988 by Hans Werner Henze and is held in even-numbered years over 2–3 weeks in the late spring. The festival concentrates on world premieres of theater-related contemporary music, with a particular focus on commissioning first operas from young composers.