Between Friends | ||||
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Studio album by | ||||
Released | May 12, 2006 | |||
Length | 60:10 | |||
Label | Plus One | |||
Producer |
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Tamia chronology | ||||
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Between Friends is the fourth studio album by Canadian R&B singer Tamia. Her first project under her own independent label, Plus One Music Group, founded after her departure from Elektra Records in 2004, it was first released in South Africa on May 12, 2006, followed by a worldwide release in the fourth quarter of 2006. A departure from her third studio album More (2004). which included a diverse roster of collaborators, Tamia reteamed with frequent contributor Shep Crawford to work on most of the album, with its title referring to their working relationship and connection during the recording process.
The album received a mixed reviews from critics, many of whom praised Tamia's vocal talents and the range of tracks but found the material too generic and uneven. Upon its US release, Between Friends debuted and peaked at number 66 on the Billboard Hot 200 and number nine on Billboard's Top R&B/Hip-Hop Albums, selling 18,000 copies in its first week. While it became her third consecutive top ten album on the latter chart, it also marked Tamia's lowest-charting debut since her first album eight years prior as well as her lowest first week sales by then.
Between Friends produced three singles, including lead single "Can't Get Enough" and follow-up "Me", both of which became Tamia's highest-charting songs in five years, reaching the top thirty of Billboard's Hot R&B/Hip-Hop Songs. A third single, "Almost", entered the top forty of the Dance Club Songs chart.
During promotion for the album, a Christmas EP titled A Gift Between Friends was released on October 27, 2007.
In 2004, following several delays, Elektra Records released Tamia's third studio album, More . Her highest-charting release yet, it debuted at number seventeen on the US Billboard 200, selling 58,000 copies in its first week – the highest-selling week of her career up to that point. [1] In addition, the album spawned three singles, including lead single "Officially Missing You" which scored moderate success however, reaching the top 40 on Billboard's Hot R&B/Hip-Hop Songs. [2] Only a month before More's official release, Sylvia Rhone, the chairman of Elektra Records, was fired after Warner Music, Elektra's parent company, announced to cut 1,000 jobs among a round of executive exits and departmental restructuring. [3] Rhone, who had been instrumental in Tamia's transition from Qwest to Elektra in the late-1990s, had served as the executive producer on More and previous album A Nu Day (2000) and worked closely with the singer. [4] While Tamia denied rumors that she was seeking to leave the label, she recognized that "It's a scary time for me [...] I definitely was very shocked that Sylvia was let go." [4]
The same year, following its sale by Time Warner, Elektra merged with Atlantic Records, another Warner Music Group label, to form the Atlantic Records Group. [5] At about the same time, Tamia's recording deal was up for renewal and though she was in a position to re-sign with the label, the singer chose to leave the company following her transition. [6] In order to gain more creative control over future projects, she decided to go independent and found her own record label, Plus One Music Group. [7] With Tamia envisioning a consistent, "classic R&B" album, concentrating on "melodies and the songs and the emotion" rather than the producers or "big waves and dips", [8] unlike previous projects, she only consulted longtime contributor Shep Crawford to work with her on her fourth studio album. [9] [10] An intimate process, the pair met on a daily basis in an Orlando recording studio to write and produce new songs "from scratch." [11] During their sessions, Rodney "Darkchild" Jerkins called Tamia after he had heard that she was in the studio, and convinced her to record additional material with him in Atlantic City. [12] Alluding to her working relationship with Crawford and the creation process of the album, it was eventually titled Between Friends. [8]
Review scores | |
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Source | Rating |
About.com | [13] |
AllMusic | [14] |
As Tamia was able to arrange deals with international distributors at different times, Between Friends was first released through Gallo Record Company in South Africa on May 12, 2006 – several months before its arrival in the United States, Tamia's main selling market. [15] Elsewhere, the album was released in November and December 2006 via Image Entertainment, Blacksmith Entertainment, and Universal Music Canada. While the original version, released in South Africa, comprised eleven tracks, the international version featured four additional tracks that were produced by Shep Crawford, including "Have to Go Through It", a duet with Eric Benet, "Sittin' on the Job" and "Become Us" as well as the single "Almost". [15]
Between Friends received generally mixed to positive reviews from music critics. Allmusic wrote that "with production help from Shep Crawford and Rodney Jerkins, Between Friends offers up a range of tracks, including bouncy club numbers, sensual love songs, and mainstream pop and R&B. But while the music sounds great, it is Tamia's instrument that takes center stage throughout," adding that the album "is packed to the gills with displays of the artist's spectacular, elastic vocal talent." [14] [13] In his review for About.com writer Mark Edward Nero remarked that on Between Friends, "Tamia fails to do enough to distinguish herself from the legions of other pretty-faced/moderately talented singers out there". He felt that her "clear, strong voice" lacked "strong emotive abilities, a wide vocal range, distinctive singing style and much of a personality". [13]
No. | Title | Writer(s) | Standard edition(s) | Length |
---|---|---|---|---|
1. | "The Way I Love You" | Jerkins | 4:02 | |
2. | "Happy" |
| Crawford | 5:11 |
3. | "Almost" | Crawford | Crawford | 3:41 |
4. | "Too Grown" |
| Jerkins | 3:55 |
5. | "Me" | Crawford | Crawford | 4:23 |
6. | "Can't Get Enough" |
| Jerkins | 3:49 |
7. | "Day Dreaming" | Aretha Franklin | Crawford | 3:21 |
8. | "Sittin' on the Job" |
| Crawford | 2:33 |
9. | "Last First Kiss" |
|
| 4:41 |
10. | "Why Can't It Be" |
| Crawford | 3:04 |
11. | "When a Woman" | Crawford | Crawford | 4:18 |
12. | "Become Us" |
| Crawford | 4:44 |
13. | "Have to Go Through It" (featuring Eric Benét) | Crawford | Crawford | 3:49 |
14. | "Please Protect My Heart" |
| Crawford | 3:20 |
15. | "Love and I" | Crawford | Crawford | 5:19 |
Total length: | 60:10 |
No. | Title | Writer(s) | Producer(s) | Length |
---|---|---|---|---|
1. | "The Way I Love You" |
| Rodney "Darkchild" Jerkins | 4:02 |
2. | "Happy" |
| Crawford | 5:11 |
3. | "Too Grown" |
| Jerkins | 3:55 |
4. | "Me" | Crawford | Crawford | 4:23 |
5. | "Can't Get Enough" |
| Jerkins | 3:49 |
6. | "Day Dreaming" | Aretha Franklin | Crawford | 3:21 |
7. | "Last First Kiss" |
|
| 4:41 |
8. | "When a Woman" | Crawford | Crawford | 4:18 |
9. | "Why Can't It Be" |
| Crawford | 3:04 |
10. | "Please Protect My Heart" |
| Crawford | 3:20 |
11. | "Love and I" | Crawford | Crawford | 5:19 |
Total length: | 42:03 |
Notes
Performance credits
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Technical and production
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Weekly charts
| Year-end charts
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Region | Date | Format(s) | Label | Distributor | Edition(s) | Ref |
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South Africa | May 12, 2006 | Plus 1 Music Group | Gallo Record Company | Standard | ||
United States | November 14, 2006 | Image Entertainment | ||||
United Kingdom | November 20, 2006 | Blacksmith Entertainment | ||||
Japan | November 22, 2006 |
| Universal Music | |||
Canada | December 5, 2006 | Plus 1 Music Group |
| |||
United States | October 27, 2007 | Image Entertainment | Reissue |
Tamia Marilyn Washington Hill is a Canadian singer and songwriter. Born and raised in Windsor, Ontario, Tamia performed in various singing and dancing competitions as a child. In 1994, after signing a development deal with Warner Bros. Records, she was asked by veteran producer Quincy Jones to appear on his album Q's Jook Joint (1995), earning her Grammy Award nominations for their collaboration on "You Put a Move on My Heart" and "Slow Jams". Her self-titled debut album was released in 1998 and followed by a series of successful albums with Elektra Records, including A Nu Day (2000) and More (2004). Several songs from these albums became hit singles on the pop and R&B record charts, including "So Into You", "Stranger in My House", and "Imagination", as well as her collaborations "Into You", "Missing You", and "Spend My Life with You".
Deborah Cox is a Canadian singer, songwriter, actress, and record producer. Born and raised in Toronto, she began performing on television commercials at age 12, and entered various talent shows in her teenage years before becoming a professional backing vocalist for Celine Dion. In 1994, Cox relocated to the United States and was signed to Arista Records by Clive Davis, releasing her self-titled debut album the following year. Her second studio album, One Wish (1998), was certified platinum in the United States. It was marked by the commercial success of the pop crossover single "Nobody's Supposed to Be Here", which would become her most successful entry on the Billboard Hot 100 chart, peaking at number two and remaining there for eight consecutive weeks. Cox signed with J Records for her third studio album The Morning After (2002), which saw moderate commercial success.
"Same Script, Different Cast" is a song performed as a duet by American and Canadian R&B singers Whitney Houston and Deborah Cox. The song was released as a single in the United States on May 2, 2000, by Arista Records. The song features Houston playing the former lover of Cox's current boyfriend. Houston warns Cox of his hurtful ways, though Cox refuses to acknowledge it.
A Nu Day is the second studio album by Canadian recording artist Tamia. It was released by Elektra Records on October 10, 2000, following her transition from Qwest Records. A less ballad-driven collection of songs and more progressive approach than her debut effort, Tamia worked with a smaller number of songwriters and producers on the album, including Dallas Austin, Shep Crawford, Missy Elliott, Bink!, Errol "Poppi" McCalla, and Jazz Nixon, some of whom would become frequent collaborators on subsequent albums. As with Tamia, a cover version, DeBarge's 1983 single "Love Me in a Special Way", was also recorded for the album.
More is the third studio album by Canadian R&B recording artist Tamia. It was released by Elektra Records on April 6, 2004 in North America. Created over a period of three years, in which the singer gave birth to her first child, the album, initially titled Still, was bumped from its original August 2003 schedule after Tamia was diagnosed with multiple sclerosis and forced to undergo treatment. With the illness in remission, she resumed work on the album later that year and arranged additional recording sessions with producers Poke & Tone, Spanador and R. Kelly to revamp parts of the album which saw her also reteaming with frequent partners such as Jermaine Dupri, Shep Crawford and Mario Winans.
Based on a True Story is the debut album by American singer Lil' Mo. It was released on June 26, 2001, through Elektra Records and Warner Music Group. Created over a period of three years, in which its original version was delayed numerous times following arguments with Elektra executives over her image and material, and with preceding singles such as "5 Minutes" and "Ta Da" failing to chart noticeably on the mainstream charts, it went through major reconstructions throughout its creation process. Lil' Mo worked with production duo Flavahood on the majority of the album, with Shep Crawford, Duro and DJ Clue also contributing.
Canadian singer and songwriter Tamia has released nine albums, and twenty-six singles. She began her career in 1995 as a protégé of musician Quincy Jones, who offered her the chance to appear on his album Q's Jook Joint (1995). Selected as the album's first single, their collaboration "You Put a Move on My Heart" became a top 20 success on the US Billboard Hot R&B/Hip-Hop Songs. The song, along with their second collaboration "Slow Jams" and "Missing You", a song she recorded with Brandy, Gladys Knight, and Chaka Khan for the soundtrack of the 1996 motion picture Set It Off, was later nominated for a Grammy Award.
"Into You" is the third single from American rapper Fabolous's second studio album, Street Dreams (2003), featuring either Ashanti or Tamia. The song also appears on Tamia's album More. "Into You" originally featured Ashanti, but after Irv Gotti of Murder Inc. Records refused to let her film a music video to promote the single, Fabolous reached out to Tamia to re-record a commercial version. Both the album and single versions received heavy radio-play, resulting in all three artists being credited on the US Billboard Hot 100. The single was released through Elektra Records and DJ Clue's Desert Storm Records.
"So Into You" is a song performed by Canadian singer Tamia from her self-titled debut album Tamia (1998). It was written by Tamia, Tim Kelley, and Bob Robinson, with production helmed by Kelley and Robinson under their production moniker Tim & Bob. The song is built around a sample from "Say Yeah" (1978) by American soul band The Commodores. Due to the inclusion of the sample, its writers Lionel Richie and Ronald LaPreads are credited as songwriters. "So Into You" is a mid-tempo R&B song with lyrics describing the protagonist's feelings of love for her partner.
"Officially Missing You" is a song by Canadian R&B recording artist Tamia, taken from her third studio album, More (2004). Released as the album's lead single, it was written by Marcus Vest, better known by his stage name Seven Aurelius. The song is marked by its acoustic style featuring acoustic guitar and Tamia's vocals most prominently in the mix. "Officially Missing You" peaked at number one on the US Adult R&B Songs.
"Stranger in My House" is a song recorded by Canadian singer Tamia. It was written by Shae Jones and frequent collaborator Shep Crawford and produced by the latter. Initially helmed for fellow R&B singer Toni Braxton, it was left unused and later recorded by Tamia for her second studio album, A Nu Day (2000). Inspired by the surprise ending of the supernatural thriller film The Sixth Sense (1999), the strings-led, dramatic R&B ballad is about a woman who is confused with her partner's recent change in behavior and goes into denial about it.
"Can't Go for That" is a song by Canadian recording artist Tamia. It was written by Missy Elliott, Brycyn Evans and Roosevelt "Bink" Harrell for her second studio album A Nu Day (2000), featuring main production from the latter with Elliott and Evans serving as co-producers. Musically, the song includes an interpolation of "I Can't Go For That " as performed by Hall & Oates.
"Almost" is a song by Canadian singer Tamia. It was written and produced by Shep Crawford for the singer's fourth album Between Friends and released as its third and final single in 2007, reaching number 59 on the US Hot R&B/Hip-Hop Songs chart. The music video for the song was directed by Margaret Malandruccolo, who also shot the video for Tamia's previous single "Me".
"Me" is a song by Canadian recording artist Tamia. It was written and produced by Shep Crawford for the singer's second album A Nu Day (2000), but it did not make into the final track list. However it was later included on her fourth studio album Between Friends (2006) and released as its second single in 2007, reaching number 29 on the US Hot R&B/Hip-Hop Songs chart.
Beautiful Surprise is the fifth studio album by Canadian recording artist Tamia. It was released by her own label, Plus One Music Group on August 28, 2012 in the United States, with distribution handled by EMI and Capitol Records. Her first release since 2006's Between Friends following a longer hiatus during which she gave birth and raised her second daughter with husband Grant Hill, much of Beautiful Surprise was produced in the eight months leading up to the release of the album. A breakaway from her previous effort, Tamia consulted a wider range of musicians to work with her, including Claude Kelly, The Runners, duo Carvin & Ivan, Salaam Remi, and frequent collaborator Shep Crawford.
Love Life is the sixth studio album by Canadian recording artist Tamia, released on June 9, 2015 by Plus One Music Group and Def Jam Recordings. Her first major label release since More (2004), it saw Tamia consulting a diverse roster of collaborators including songwriting credits from Rachel Assil, Claude Kelly, and Dillon Pace. With much of the album completed in ten days only, she used two studios to record material for Love Life simultaneously. Production comes courtesy of the likes of Pop & Oak, The-Dream, Tricky Stewart and Polow da Don, as well as frequent collaborators The Stereotypes and Shep Crawford, among others.
"Questions" is a song by Canadian R&B recording artist Tamia. It was written and produced by singer R. Kelly for her third studio album More (2004). Released as the album's second single in the United States, it reached number 40 on the US Billboard Hot R&B/Hip-Hop Songs chart.
Shep Crawford is a Grammy Award-winning American R&B and gospel musician, songwriter, and record producer best known for Whitney Houston's "Same Script, Different Cast", Deborah Cox's "Nobody's Supposed to Be Here", Tamia's "Stranger in My House", Sisqó's "Incomplete", and Kelly Price's "As We Lay". He is the founder and pastor of The Experience Christian Ministries in Los Angeles, California.
Passion Like Fire is the seventh studio album by Canadian singer Tamia. It was released on September 7, 2018 through Plus One Music Group and 21 Entertainment. Her first project to be distributed by eOne Music, its release marked twenty years since the release of her solo debut single "Imagination" and its eponymous parent album. A breakaway from her previous album Love Life (2015), the singer worked with a smaller team of collaborators on the album, involving longtime contributors Shep Crawford and Salaam Remi as well as songwriters Lundon Knighten and Jonas Myrin and chief producer Lil' Ronnie and his team.
"Tell Me Who" is a song by Canadian recording artist Tamia. It was written by Tamia and frequent collaborator Shep Crawford for her second studio album A Nu Day (2000), while production was helmed by the latter. Released as the album's third and final single, following the top ten success of "Stranger in My House", it peaked at number two on Billboard's Dance Club Songs chart.