Beverly Hoch (born August 26, 1951 [1] ) is an American coloratura soprano and music educator who has had an active performance career in operas, concerts, and on recordings since the late 1970s. She has been teaching at Texas Woman's University since 2007. [2]
Born in Marion, Kansas, Beverly is the daughter of Wharton Hoch and great-granddaughter of E. W. Hoch. [3] Hoch earned a Bachelor of Arts degree from Friends University in 1973 before pursuing formal musical studies. She earned a Bachelor of Music degree from Oklahoma City University in 1975, and a Master of Music degree in Vocal Performance from Wichita State University in 1978 where she was a pupil of George Gibson. [1] She also studied opera briefly at Sarah Lawrence College where she performed her first opera role, Zerlina in Don Giovanni in 1978. [4] She studied voice privately in New York with Michael Trimble (1977–1982) and Ellen Faull (1982–1986). [1]
Hoch won the regional division of the Metropolitan Opera National Council Auditions in 1977 before winning the Young Concert Artists contest in 1979. [5] She made her debut at the Santa Fe Opera as Iza in La Grande-Duchesse de Gérolstein in 1979. [6] She made her professional recital debut at the 92nd Street Y in January 1980. In his review of her performance, The New York Times music critic Donal Henahan wrote, "Miss Hoch's voice is pure and agile, which satisfies the basic requirements of a coloratura soprano, but it also has an attractive vibrato that lends itself to warmth and color. Like many coloraturas, she can use it in a precise instrumental style, and did so dazzlingly." [5]
In 1980 Hoch portrayed the Dew Fairy in Hansel and Gretel at the Wolf Trap Opera. [7] In 1981 she opened the Chamber Music Society of Lincoln Center's season with a concert of music by Stravinsky and Haydn at Alice Tully Hall. [8] In 1984 she portrayed Tiny in Britten's Paul Bunyan at the Opera Theatre of Saint Louis. [9] In 1985 she recorded the role of Clomiri in Handel's Imeneo with the Brewer Baroque Ensemble for Schwann Records. [10]
In 1986 Hoch portrayed Olympia in The Tales of Hoffmann at the Hawaii Opera Theatre and was Philine in Mignon at the Wexford Festival Opera. [11] In 1987 she recorded the album Great Coloratura Solos with the Hong Kong Philharmonic for MCA Records. [12] In 1988 she appeared at the Royal Swedish Opera as the title heroine in Lucia di Lammermoor . In 1989 she portrayed the title role in Lakmé at the Arizona Opera. The following year she recorded the role of the Queen of the Night in The Magic Flute with the London Classical Players and the Schütz Choir of London for EMI. [13]
In 1990 Hoch portrayed Ann Page in The Merry Wives of Windsor at the Washington National Opera. [14] In 1991 she portrayed the Queen of the Night in The Magic Flute at the Glyndebourne Festival Opera. [11] In 1992 she was a featured soloist with the American Symphony Orchestra at Carnegie Hall. [15] Other highlights of her career include portraying Adele in Die Fledermaus at the Strasbourg Opera House, Blondchen in Die Entführung aus dem Serail at the Opéra National de Lyon, and the role of Zerbinetta in Ariadne auf Naxos in opera houses throughout Germany. As a chamber musician she frequently performed with the Bach Aria Group for many years. Additionally, Hoch was a soloist at the wedding of Caroline Kennedy to Edwin Schlossberg in 1986. [16]
In 1997 she married jazz artist Michael Steinel. [17]
A mezzo-soprano or mezzo (; Italian: [ˈmɛddzo soˈpraːno]; meaning "half soprano") is a type of classical female singing voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e. A3–A5 in scientific pitch notation, where middle C = C4; 220–880 Hz). In the lower and upper extremes, some mezzo-sopranos may extend down to the F below middle C (F3, 175 Hz) and as high as "high C" (C6, 1047 Hz). The mezzo-soprano voice type is generally divided into the coloratura, lyric, and dramatic mezzo-soprano.
Cecilia Bartoli, Cavaliere OMRI is an Italian coloratura mezzo-soprano opera singer and recitalist. She is best known for her interpretations of the music of Bellini, Handel, Mozart, Rossini and Vivaldi, as well as for her performances of lesser-known music from the Baroque and Classical period. She is known for having the versatility to sing both soprano and mezzo roles.
Laura Claycomb is an American lyric coloratura soprano singer.
Judith Blegen is an American soprano, particularly associated with light lyric roles of the French, Italian and German repertories.
Arianna Zukerman is an American lyric soprano who has performed with some of the world's finest orchestras and opera companies. Her voice was described in The Washington Post as "remarkable" combining the "range, warmth and facility of a Rossini mezzo with shimmering, round high notes and exquisite pianissimos."
Beverly Wolff was an American mezzo-soprano who had an active career in concerts and operas from the early 1950s to the early 1980s. She performed a broad repertoire which encompassed operatic and concert works in many languages and from a variety of musical periods. She was a champion of new works, notably premiering compositions by Leonard Bernstein, Gian Carlo Menotti, Douglas Moore, and Ned Rorem among other American composers. She also performed in a number of rarely heard baroque operas by George Frideric Handel with the New York City Opera (NYCO), the Handel Society of New York, and at the Kennedy Center Handel Festivals.
James Billings is an American operatic baritone, librettist, and opera director. He began his career in the late 1950s in Boston and later became a member of the New York City Opera where he performed regularly from the early 1970s through the 1990s. A specialist in the comprimario repertoire, he has portrayed more than 175 opera roles on stage during his long career. Billings has also written librettos for numerous operas for children and since the mid-1990s has directed several opera productions.
Frances Lillian Bible was an American operatic mezzo-soprano who had a thirty-year career at the New York City Opera between 1948 and 1978. She also made a number of opera appearances with other companies throughout the United States, but only made a limited number of appearances abroad. Martin Bernheimer wrote in Opera News that, "Frances Bible was cheated by destiny. She never quite achieved the international recognition she deserved. Bible had it all—a mellow, wide-ranging mezzo-soprano, an attractive stage presence, genuine theatrical flair, a probing mind and a technique that allowed her to sing bel-canto filigree one night, Verdian drama the next. She was one of the rare American singers who savor the English language. She understood the value of economy, never stooping to easy effects. Perhaps she was too versatile, too tasteful and — dare one say it? — too intelligent for her own good."
Jean Kraft was an American operatic mezzo-soprano. She began her career singing with the New York City Opera (NYCO) during the early 1960s, after which she embarked on a partnership with The Santa Fe Opera from 1965 through 1987. In 1970 she joined the roster of singers at the Metropolitan Opera in New York City where she remained a fixture until 1989. She also performed as a guest of many other opera companies throughout the United States. In 2005 Opera News called her "a gifted mezzo and observant, imaginative actress who lent distinction to a wide range of character roles. By the end of her Met tenure, she had sung nearly 800 performances and become a solid audience favorite."
Betty Allen was an American operatic mezzo-soprano who had an active international singing career during the 1950s through the 1970s. In the latter part of her career her voice acquired a contralto-like darkening, which can be heard on her recording of Sergei Prokofiev’s Alexander Nevsky with conductor Eugene Ormandy and the Philadelphia Orchestra. She was known for her collaborations with American composers, such as Leonard Bernstein, Aaron Copland, David Diamond, Ned Rorem, and Virgil Thomson among others.
Dodi Protero was a Canadian operatic soprano who had a prolific international career from 1955 through 1980. A singer with a great deal of technical finesse, she excelled in the coloratura soprano and soubrette repertoires. She later had a successful second career as a voice teacher.
Ruth Falcon was an American operatic soprano and renowned voice teacher.
Ruth Welting was an American operatic soprano who had an active international career from the early 1970s through the mid-1990s. A specialist in the coloratura soprano repertoire, she was particularly associated with the Metropolitan Opera where she performed regularly from 1976 until her retirement from performance in 1994. Endowed with a powerful coloratura voice, she is remembered as one of a few sopranos capable of singing the Mad Scene from Lucia di Lammermoor in the original F major key.
Riki Turofsky is a Canadian concert and opera soprano, broadcaster, and video producer. She has sung leading roles with opera companies in Canada, the United States, and Europe, and has performed on the concert stage with major ensembles throughout North America. In 1978 she expanded her career into broadcasting as a host for the Canadian Broadcasting Corporation program Summer Festival. She has since appeared as a host on numerous programs for the CBC and the CTV Television Network. She also owns and operates the company Riki Productions which produces arts related programing for Canadian television.
Gwendolyn Jones is an American operatic mezzo-soprano who has had an active career in concerts and operas since the late 1960s. From 1972–1980 she was a resident artist with the San Francisco Opera, and was afterwards a regular performer with the New York City Opera and New Orleans Opera.
Carroll Freeman is an American operatic tenor, opera director, and music educator. He began his career as a prominent boy soprano in the 1960s. From the late 1970s through the mid 1990s he performed widely as a tenor with opera companies and orchestras in the United States. After that he worked as a director of opera productions with opera companies throughout North America. He is the former director of the opera program at the University of Tennessee and currently directs the opera program at Georgia State University. He is also the former Artistic Director of Mississippi Opera, Opera in the Ozarks at Inspiration Point, and opera studios at Knoxville Opera and Des Moines Metro Opera.
Ying Fang is a Chinese operatic soprano. A principal soprano at the Metropolitan Opera, she won the Golden Bell Award at the Guangdong Singing Competition in China in 2009, first prize at the Gerda Lissner International Vocal Competition in 2013, and the Lincoln Center Segal Award in 2015. Her performances have been featured on the television program Great Performances at the Met and in movie theaters for the Metropolitan Opera Live in HD. In 2015 Opera News stated that "Ying Fang sings with exquisite simplicity and directness. The twenty-eight-year-old soprano never forces her sound or indulges in coloratura 'flash.' She is incapable of vulgarity; her dignity is unshakeable, and her powers of persuasion are sovereign."
Andrea Velis was an American operatic tenor who had a lengthy association with the Metropolitan Opera that spanned 33 seasons. Considered a highly skilled character actor, he excelled in supporting roles, often to great comedic effect. His voice is preserved on several recordings made for Live from the Metropolitan Opera and the Metropolitan Opera radio broadcasts.
Heidi Stober is an American operatic soprano who has performed leading roles in major opera houses internationally, including the Dutch National Opera, the Garsington Opera, the Lyric Opera of Chicago, the Metropolitan Opera, the Municipal Theatre of Santiago, the Semperoper, and the Vienna State Opera. She has been particularly active with the Houston Grand Opera where she has performed in more than a dozen operas since 2004, including the world premieres of Daniel Catán's Salsipuedes: a Tale of Love, War and Anchovies (2004), Mark Adamo's Lysistrata (2005), and Ricky Ian Gordon's The House without a Christmas Tree (2017). She has also performed in more than ten operas with the San Francisco Opera since 2010. Since 2008 she has been a resident artist at the Deutsche Oper Berlin where she has primarily performed roles from the lyric soprano repertoire. Also active as a concert soprano on the international stage, she has performed with the Berlin Radio Symphony Orchestra, the Hong Kong Philharmonic Orchestra, the Houston Symphony, the Los Angeles Philharmonic, the New York Philharmonic, the Milwaukee Symphony Orchestra, the Philadelphia Orchestra, the Oslo Philharmonic, and the Radio Filharmonisch Orkest among other orchestras. She is particularly admired for her interpretations of the works of George Frideric Handel and Wolfgang Amadeus Mozart.
John Lankston was an American tenor and actor who had a career in opera and musical theater from the 1950s through the 2000s. After making his Broadway debut in Redhead (1959), he went on to create the roles of Adolph and the Ziegfeld Tenor in Jule Styne's Funny Girl (1963) in which he was a featured soloist with Barbara Streisand. For his work, he and the rest of the main cast were awarded the Grammy Award for Best Musical Theater Album at the 7th Annual Grammy Awards. He was a regular performer with the New York City Opera from 1966 to 2001. His greatest success with the NYCO was his creation of the quintuple role of Voltaire/Pangloss/Businessman/Governor/Gambler in the 1982 revival of Leonard Bernstein's Candide which was directed by Hal Prince and filmed for national broadcast on PBS's Live from Lincoln Center. The company later recorded the production on disc, and Langston and the rest of the artists involved were awarded the Grammy Award for Best Opera Recording in 1987.