Bibliography of film by genre

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This is a bibliography of reference works on film by genre.

Contents

Action / adventure

James Bond

Rubin, Steven Jay (2003). The Complete James Bond Movie Encyclopedia. Contemporary Books. ISBN   978-0-07-141246-9.

Martial arts

War

Animated

Art/Arthouse

Biographical

Blaxploitation

Comedy

Crime

Film noir

Gangster film

Horror / thriller

Horror

Thriller

Musical

Road movie

Samurai

Science fiction

Western

Other genres

Documentary

See also

Related Research Articles

<span class="mw-page-title-main">Action film</span> Film genre

The action film is a film genre which predominantly features chase sequences, fights, shootouts, explosions, and stunt work. The specifics of what constitutes an action film has been in scholarly debate since the 1980s. While some scholars such as David Bordwell suggested they were films that favor spectacle to storytelling, others such as Goeff King stated they allow the scenes of spectacle to be attuned to story telling. Action films are often hybrid with other genres, mixing into various forms ranging to comedies, science fiction films, and horror films.

<span class="mw-page-title-main">Crime film</span> Film genre

Crime films, in the broadest sense, is a film genre inspired by and analogous to the crime fiction literary genre. Films of this genre generally involve various aspects of crime and its detection. Stylistically, the genre may overlap and combine with many other genres, such as drama or gangster film, but also include comedy, and, in turn, is divided into many sub-genres, such as mystery, suspense or noir.

<span class="mw-page-title-main">Cinema of Hong Kong</span> Hong Kong film industry

The cinema of Hong Kong is one of the three major threads in the history of Chinese language cinema, alongside the cinema of China and the cinema of Taiwan. As a former British colony, Hong Kong had a greater degree of political and economic freedom than mainland China and Taiwan, and developed into a filmmaking hub for the Chinese-speaking world.

Heroic bloodshed is a genre invented by Hong Kong action cinema revolving around stylized action sequences and dramatic themes, such as brotherhood, duty, honour, redemption, and violence that has become a popular genre used by different directors worldwide. The term heroic bloodshed was coined by editor Rick Baker in the magazine Eastern Heroes in the late 1980s, specifically referring to the styles of directors John Woo and Ringo Lam. Baker defined the genre as "a Hong Kong action film that features a lot of gun play and gangsters rather than kung fu. Lots of blood. Lots of action." Heroic bloodshed films often feature gun fu action sequences.

<span class="mw-page-title-main">Mystery film</span> Genre of film

A mystery film is a film that revolves around the solution of a problem or a crime. It focuses on the efforts of the detective, private investigator or amateur sleuth to solve the mysterious circumstances of an issue by means of clues, investigation, and clever deduction. Mystery films include, but are not limited to, films in the genre of detective fiction.

<span class="mw-page-title-main">Dale Arden</span> Fictional character appearing in Flash Gordon

Dale Arden is a fictional character, the fellow adventurer and love interest of Flash Gordon and a prototypic heroine for later female characters, including Princess Leia and Padme Amidala in Star Wars. Flash, Dale and Dr. Hans Zarkov fight together against Ming the Merciless.

<span class="mw-page-title-main">Efrem Zimbalist Jr.</span> American actor (1918–2014)

Efrem Zimbalist Jr. was an American actor best known for his starring roles in the television series 77 Sunset Strip and The F.B.I. He is also known as recurring character "Dandy Jim Buckley" in the series Maverick and as the voice of Alfred Pennyworth in the DC Animated Universe.

<i>Conquest of Space</i> 1955 American sci-fi film

Conquest of Space is a 1955 American Technicolor science fiction film from Paramount Pictures, produced by George Pal, directed by Byron Haskin, that stars Walter Brooke, Eric Fleming, and Mickey Shaughnessy.

<span class="mw-page-title-main">Buddy film</span> Film genre in which two people of the same sex are non-romantically paired

The buddy film is a subgenre of romantic comedy, a combination of the romance, adventure and comedy film in which two people, bonded through some kind of affection or love for each other, go on an adventure, mission, or road trip. The two typically are males with contrasting personalities. The contrast is sometimes accentuated by an ethnic difference between the two. The buddy film is commonplace in Western cinema; unlike some other film genres, it endured through the 20th century with different pairings and different themes.

Hong Kong action cinema is the principal source of the Hong Kong film industry's global fame. Action films from Hong Kong have roots in Chinese and Hong Kong cultures including Chinese opera, storytelling and aesthetic traditions, which Hong Kong filmmakers combined with elements from Hollywood and Japanese cinema along with new action choreography and filmmaking techniques, to create a culturally distinctive form that went on to have wide transcultural appeal. In turn, Hollywood action films have been heavily influenced by Hong Kong genre conventions, from the 1970s onwards.

This is a list of reference works involves encyclopedias and encyclopedic dictionaries of any language published on the subject of film/cinema, radio, television, and mass communications, including related biographical dictionaries of actors, directors, etc.

A list of reference works on the film noir genre of film. See Bibliography of film by genre for other genres.

A list of reference works on the horror genre of film.

<span class="mw-page-title-main">Florence Marly</span> Czech-born French film actress (1919-1978)

Florence Marly was a Czech-born French film actress. During World War II, Marly moved to neutral Argentina with her Jewish husband, film director Pierre Chenal, where she appeared in several films. She also acted in two of her husband's films while they were in Chile.

Kung Fu Zombie is a 1981 comedy-themed Hong Kong martial arts film written and directed by Hwa I Hung. It stars Billy Chong as a martial artist who must fight supernatural foes.

Sue Dwiggins Worsley was an American writer and production assistant on many films and also TV shows. She also worked on the memoir of her husband, film director Wallace Worsley Jr. She worked largely in science fiction and horror genres, but also did production secretary work for Deliverance.

Dalton Shaffer Reymond was an American screenwriter, author, and college professor. He is perhaps best remembered as a screenwriter for the controversial Disney live-action feature film Song of the South (1946).

References