Bigger Than America | ||||
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Studio album by | ||||
Released | 20 September 1996 (UK) | |||
Genre | Synth-pop | |||
Length | 54:42 | |||
Label | Eye of the Storm WEA | |||
Producer | B.E.F. | |||
Heaven 17 chronology | ||||
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Singles from Bigger Than America | ||||
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Bigger Than America is the sixth studio album by the English synth-pop band Heaven 17. It was originally released in September 1996, on the label Eye of the Storm, eight years after their previous album, Teddy Bear, Duke & Psycho .
The album peaked at number one on Germany Alphabeat Redaktionscharts' Rock/Pop/Alternative Charts in November 1996, but did not chart in the UK. It was listed as number 6 on the online music magazine Addicted to Noise's Writers Poll. [1]
In an interview with The Guardian in 2010, Ware recalled: "This went under the radar to the extent that hardly anybody in this country knew about it; we did do an album in '95 called Bigger Than America, which was our attempt to re-engage early analogue synths and create an album based on that. It just got lost in the big Warner Brothers machine." [2]
Review scores | |
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Source | Rating |
The Guardian | [3] |
Select | [4] |
Upon its release, Caroline Sullivan of The Guardian commented: "Heaven 17 have hardly changed [and] things are much the same - just less melodic. Marsh and Ware still produce plinky, one-tempo backbeats, [and] Gregory's lyrics are disillusioned, even morose. "We Blame Love" has the closest thing to a tune, which brings us to the crux of the matter - their status as godfathers of techno is unchallenged, but these songs are hollow and too samey." [3]
Robert Semrow of Keyboard wrote: "[Heaven 17] were outstanding before, and have only improved with time. Each song is solid and very dancefloor-friendly. Bigger Than America is similar to their previous sound, with pads and dance grooves providing a backdrop for Gregory's unmistakable strong vocals. Lots of movement, lots of changes, and lots to enjoy." [5] Howard Cohen of Knight Ridder summarised: "Erasure-like Europop cuts 'Freak!' and 'Another Big Idea' are danceable enough, and there's a throbbing Giorgio Moroder dance remix. But this is largely tuneless, boring stuff. Which explains why few missed Heaven 17 in the first place." [6]
Tracks marked with "+" are bonus tracks added to the other version of the CD album.
Chart (1996/97) | Peak position |
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Australian Albums (ARIA) [7] | 155 |
Heaven 17 are an English synth-pop band formed in Sheffield in 1980. The band were a trio for most of their career, composed of founding Human League members Martyn Ware and Ian Craig Marsh (keyboards) with vocalist Glenn Gregory.
The Human League are an English synth-pop band formed in Sheffield in 1977. Initially an experimental electronic outfit, the group signed to Virgin Records in 1979 and later attained widespread commercial success with their third album Dare in 1981 after restructuring their lineup. The album contained four hit singles, including the UK/US number one hit "Don't You Want Me". The band received the Brit Award for Best British Breakthrough Act in 1982. Further hits followed throughout the 1980s and into the 1990s, including "Mirror Man", "(Keep Feeling) Fascination", "The Lebanon", "Human" and "Tell Me When".
Penthouse and Pavement is the debut studio album by English synth-pop band Heaven 17, released in September 1981 by Virgin Records.
Glenn Peter Gregory is a British singer, songwriter and multi-instrumentalist whose music career spans more than 40 years. He came to prominence in the early 1980s as co-founder and lead singer of the new wave and synth-pop band Heaven 17, which released several UK chart hits in the 1980s and 1990s, including “Temptation”, “Let Me Go”, “Come Live with Me”, “Crushed by the Wheels of Industry”, “Sunset Now”, “This Is Mine”, and “(We Don't Need This) Fascist Groove Thang”
"Let Me Go" is a song by English synthpop band Heaven 17, released as the lead single from their second album The Luxury Gap. It reached #41 on the UK Singles Chart, the lowest chart placement among the singles from that album but their highest at the time of its release.
How Men Are is the third studio album by English synth-pop band Heaven 17, released on 24 September 1984 by Virgin Records. The album peaked at No. 12 in the UK and was certified Silver by the BPI in October 1984.
"Temptation" is a single by British band Heaven 17 featuring Carol Kenyon, originally released in April 1983 by Virgin Records, peaking at number two on the UK Singles Chart. This was the second single to be taken from their second album, The Luxury Gap (1983), after "Let Me Go" in November 1982. It was written by Glenn Gregory, Ian Craig Marsh and Martyn Ware, and produced by B.E.F. and Greg Walsh. The music video for the song was directed by Steve Barron. "Temptation" was certified silver by the BPI in May 1983, for sales exceeding 250,000 copies, subsequently listed by the Official Charts Company as the 34th best-selling single of 1983 in the UK.
"Sweet Harmony" is a song by British band the Beloved, released on 11 January 1993 by East West Records as the first and lead single from their second studio album, Conscience (1993). The song was written and produced by the band's frontman Jon Marsh with his wife, Helena Marsh, and remains the band's biggest hit. It peaked at number eight in the UK and became a club staple. The single was followed by a much talked about music video, directed by Big TV, consisting of a nude Jon Marsh surrounded by nude women in a heaven-like setting. The video was based on the record sleeve on the Jimi Hendrix album Electric Ladyland from 1968.
Before After is the seventh studio album by the English synth-pop band Heaven 17. It was originally released in September 2005, on the label Ninthwave, nine years after their previous album, Bigger Than America.
Pleasure One is the fourth studio album by English synth-pop band Heaven 17, released on 17 November 1986 by Virgin Records. It was the band's last studio album chart entry within the UK Top 100.
Teddy Bear, Duke & Psycho is the fifth studio album by the English synth-pop band Heaven 17, released in September 1988 by Virgin Records, the band's last studio album for the label.
"(We Don't Need This) Fascist Groove Thang" is a song by British synth-pop band Heaven 17. It was their debut single, released on 6 March 1981, and the lead single from their debut studio album, Penthouse and Pavement (1981). It was a minor hit in the UK in 1981, despite being banned by the BBC. It was also a minor dance hit in the US. It developed from an instrumental, "Groove Thang", that Martyn Ware and Ian Craig Marsh created earlier that year for Music for Stowaways, an album they released as British Electric Foundation.
"The Ballad of Go Go Brown" is a song by the British new wave and synth-pop band Heaven 17, released on 15 August 1988 as the lead single from their fifth studio album, Teddy Bear, Duke & Psycho. The song was written and produced by band members Glenn Gregory, Ian Craig Marsh and Martyn Ware. "The Ballad of Go Go Brown" reached number 91 in the UK Singles Chart and remained in the top 100 for two weeks.
"Contenders" is a song by the British new wave and synth-pop band Heaven 17, released on 6 October 1986 as the first single from their fourth studio album, Pleasure One. It was written and produced by Glenn Gregory, Ian Craig Marsh and Martyn Ware. The song reached No. 80 in the UK and spent four weeks on the chart. It also reached No. 6 on the U.S. Billboard Dance/Club Play Singles Chart.
"Crushed by the Wheels of Industry" is a song by the British synthpop band Heaven 17, released on 12 August 1983 as the fifth and final single from their second studio album, The Luxury Gap (1983). It was written by Glenn Gregory, Ian Craig Marsh and Martyn Ware, and produced by Marsh and Ware and Greg Walsh. It reached number 17 in the UK Singles Chart and would be the band's last top 20 hit in the UK until 1992's Brothers in Rhythm remix of "Temptation".
"Sunset Now" is a song by the British new wave and synth-pop band Heaven 17, released on 20 August 1984 as the first single from their third studio album, How Men Are (1984). It was written by Glenn Gregory, Ian Craig Marsh and Martyn Ware, and produced by Marsh and Ware and Greg Walsh. It reached No. 24 in the UK, remaining on the charts for six weeks on. A music video was filmed to promote the single.
"This Is Mine" is a song by the British new wave and synth-pop band Heaven 17, released on 19 October 1984 as the second single from their third studio album, How Men Are (1984). It was written by Glenn Gregory, Ian Craig Marsh and Martyn Ware, and produced by Marsh and Greg Walsh. The song reached No. 23 in the UK, remaining in the charts for seven weeks. It would be the band's last Top 30 single until 1992's "Temptation "
"...(And That's No Lie)" is a song by the British new wave and synth-pop band Heaven 17, released on 7 January 1985 as the third single from their third studio album, How Men Are (1984). The song was written by Glenn Gregory, Ian Craig Marsh and Martyn Ware, and produced by Ware and Greg Walsh. It reached number 52 in the UK Singles Chart and remained in the top 100 for five weeks. A music video was filmed to promote the single.
"Designing Heaven" is a song by the British new wave and synth-pop band Heaven 17, released in 1996 as the lead single from their sixth studio album, Bigger Than America. It was written by band members Glenn Gregory, Ian Craig Marsh and Martyn Ware, and was produced by Marsh and Ware under their production company British Electric Foundation. The song peaked at number 128 in the UK Singles Chart. It was the band's first release of new material since 1988.
Higher and Higher: The Best of Heaven 17 is a compilation album by English synth-pop band Heaven 17, released in 1993.