"The Height of the Fighting (He-La-Hu)" | ||||
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Single by Heaven 17 | ||||
from the album Penthouse and Pavement | ||||
B-side | "Honeymoon in New York" | |||
Released | 12 February 1982 | |||
Length | 2:55 | |||
Label | Virgin | |||
Songwriter(s) | Martyn Ware, Ian Craig Marsh, Glenn Gregory | |||
Producer(s) | Martyn Ware, Ian Craig Marsh | |||
Heaven 17 singles chronology | ||||
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"The Height of the Fighting (He-La-Hu)" is a song by British synth-pop band Heaven 17, released on 12 February 1982 [1] as the fifth and final single from their debut album, Penthouse and Pavement . It was written by Martyn Ware, Ian Craig Marsh and Glenn Gregory, and produced by Ware and Marsh.
"The Height of the Fighting" was remixed for its release as a single, with more aggressive drums plus brass both missing from the album track. The added horn section was performed by Beggar and Co. [2] The song failed to make a chart appearance in the UK Singles Chart, but did reach the unnumbered 'bubbling under' section for three consecutive weeks, which would have been equivalent to a position between 76 and 100 at a time when the main charts covered the top 75. [3] [4] [5]
Upon its release, Red Starr of Smash Hits considered the single a "pointless rehash of an album track in a truly dreadful cover". They added: "The sooner BEF give up this dead-end synthetic funk and turn their talents back to writing classic stuff like "Dreams of Leaving" and "Radio WXJL" from Travelogue the better." [6] Sunie of Record Mirror noted: "It doesn't quite match the magnificent "Penthouse and Pavement" single but it's pretty fab nonetheless." [7]
In a retrospective review of the album, Dan LeRoy of AllMusic considered the song one of the "standout combinations of witty lyrics and whiplash electro-grooves". [8] Tim O'Neil of PopMatters commented that the song "acts as both a satire of gung-ho militarism and a rallying cry for anti-capitalist insurgency". [9]
Heaven 17
Additional personnel
Other
Chart (1982) | Peak position |
---|---|
New Zealand (Recorded Music NZ) [10] | 20 |
UK Top 100 Singles ( Record Business ) [11] | 41 |
Heaven 17 are an English synth-pop band formed in Sheffield in 1980. The band were a trio for most of their career, composed of founding Human League members Martyn Ware and Ian Craig Marsh (keyboards) with vocalist Glenn Gregory.
Penthouse and Pavement is the debut studio album by English synth-pop band Heaven 17, released in September 1981 by Virgin Records.
The Luxury Gap is the second studio album by English synth-pop band Heaven 17, released on 25 April 1983 by Virgin Records. It is the band's best-selling studio album, peaking at number 4 on the UK Albums Chart – eventually becoming the 17th best-selling album of the year – and being certified platinum by the BPI in 1984.
How Men Are is the third studio album by English synth-pop band Heaven 17, released on 24 September 1984 by Virgin Records. The album peaked at No. 12 in the UK and was certified Silver by the BPI in October 1984.
Pleasure One is the fourth studio album by English synth-pop band Heaven 17, released on 17 November 1986 by Virgin Records. It was the band's last studio album chart entry within the UK Top 100.
"Ruby Red" is a song by English rock band Slade, released in 1982 as the third single from the band's tenth studio album, Till Deaf Do Us Part. It was written by lead vocalist Noddy Holder and bassist Jim Lea, and was produced by Slade. "Ruby Red" reached number 51 in the UK Singles Chart and remained in the top 75 for three weeks.
"(We Don't Need This) Fascist Groove Thang" is a song by British synth-pop band Heaven 17. It was their debut single, released on 6 March 1981, and the lead single from their debut studio album, Penthouse and Pavement (1981). It was a minor hit in the UK in 1981, despite being banned by the BBC. It was also a minor dance hit in the US. It developed from an instrumental, "Groove Thang", that Martyn Ware and Ian Craig Marsh created earlier that year for Music for Stowaways, an album they released as British Electric Foundation.
"Trouble" is a song by the British new wave and synth-pop band Heaven 17, released on 5 January 1987 as the second and final single from their fourth studio album, Pleasure One (1986). It was written and produced by Glenn Gregory, Ian Craig Marsh and Martyn Ware. The song peaked at No. 51 in the UK and spent four weeks on the chart. It was a bigger success in Germany where it reached No. 17.
"Contenders" is a song by the British new wave and synth-pop band Heaven 17, released on 6 October 1986 as the first single from their fourth studio album, Pleasure One. It was written and produced by Glenn Gregory, Ian Craig Marsh and Martyn Ware. The song reached No. 80 in the UK and spent four weeks on the chart. It also reached No. 6 on the U.S. Billboard Dance/Club Play Singles Chart.
"Crushed by the Wheels of Industry" is a song by the British synthpop band Heaven 17, released on 12 August 1983 as the fifth and final single from their second studio album, The Luxury Gap (1983). It was written by Glenn Gregory, Ian Craig Marsh and Martyn Ware, and produced by Marsh and Ware and Greg Walsh. It reached number 17 in the UK Singles Chart and would be the band's last top 20 hit in the UK until 1992's Brothers in Rhythm remix of "Temptation".
"This Is Mine" is a song by the British new wave and synth-pop band Heaven 17, released on 19 October 1984 as the second single from their third studio album, How Men Are (1984). It was written by Glenn Gregory, Ian Craig Marsh and Martyn Ware, and produced by Marsh and Greg Walsh. The song reached No. 23 in the UK, remaining in the charts for seven weeks. It would be the band's last Top 30 single until 1992's "Temptation "
"...(And That's No Lie)" is a song by the British new wave and synth-pop band Heaven 17, released on 7 January 1985 as the third single from their third studio album, How Men Are (1984). The song was written by Glenn Gregory, Ian Craig Marsh and Martyn Ware, and produced by Ware and Greg Walsh. It reached number 52 in the UK Singles Chart and remained in the top 100 for five weeks. A music video was filmed to promote the single.
"I Can't Even Touch You" is a song by the English singer-songwriter Steve Harley, released under his band's name Steve Harley & Cockney Rebel by Chrysalis as a non-album single on 12 March 1982. The song was written by Harley and produced by Midge Ure.
"River of People" is a song by Scottish band Love and Money, which was released in 1987 as the third single from their debut studio album All You Need Is.... The song was written by James Grant and Bobby Paterson, and produced by Tom Dowd. "River of People" reached No. 82 in the UK Singles Chart and remained in the Top 100 for four weeks.
"I'm Not Afraid" is a song by English singer-songwriter Black, which was released in 1987 as the fourth single from his debut studio album Wonderful Life. The song was written by Black and Dave "Dix" Dickie, and produced by Robin Millar. "I'm Not Afraid" reached number 78 in the UK Singles Chart and remained in the top 100 for three weeks.
"Total Control" is a song by American new wave band the Motels. It was released in 1979 as the second single from their debut studio album Motels. The song failed to make an appearance on the US Billboard Hot 100, but reached number 9 on the Bubbling Under the Hot 100 chart in December 1979. It fared better in Australasia, peaking at number 7 in Australia and 11 in New Zealand. The song has been covered by American singer Tina Turner and Australian singer Missy Higgins.
"I'm Your Money" is a song by English new wave and synth-pop band Heaven 17, released in 1981 by Virgin as a non-album single. The song was written by band members Ian Craig Marsh, Martyn Ware and Glenn Gregory, and produced by B.E.F..
"Don't Look Back" is a song by British pop band the Korgis, released as a non-album single on London Records in 1982. The song was written by James Warren and was produced by Trevor Horn.
"See That Girl" is a song by English singer-songwriter Kirsty MacColl, released on 18 September 1981 by Polydor as the second single from her debut studio album, Desperate Character. It was written by MacColl and produced by Barry "Bazza" Farmer.
"Every Beat of My Heart" is a song by English singer-songwriter Chris Rea released by Magnet on 7 May 1982 as the second and final single from his fourth studio album, Chris Rea. The song was written by Rea, and produced by Jon Kelly and Rea. It failed to reach the top 100 of the UK Singles Chart, but did reach number 129 in Record Business magazine's Bubbling Under Singles chart.