Bindlestiff Family Cirkus

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The Bindlestiff Family Cirkus was founded in 1995 by Keith Nelson and Stephanie Monseu. Initially, the duo was named "Fireplay. [1] They toured the world with a mix of circus and sideshow. In 1999, the company became a non-profit organization incorporated as "Bindlestiff Family Variety Arts, Inc. [2] [3] [4] [5]

Contents

Shows

Beginning in 2001, the Cirkus produced full-length theatrical productions, including "Buckaroo Bindlestiff's Wild West Gender Bender Jamboree" (2001), "High Heels and Red Noses" (2003), and "From the Gutter to the Glitter: A Night Out with the Bindlestiffs" (2005), directed by Michael Preston. [6] [7] [8]

They also produced several editions of the Cavalcade of Youth, a showcase for performers 21 years of age and under. [2] [9]

The Palace of Variety

In 2002, the company converted a defunct shoe store just off Times Square into a performance space called The Palace of Variety and a museum called The Free Museum of Times Square. During the following seasons, The Palace of Variety became the focal point of variety arts in New York City. As many as fifteen shows per week featured the Bindlestiff Family Cirkus and other performing artists. Acts included plays, sideshow exhibitions, burlesque shows and a flea circus. The Free Museum of Times Square showcased the area's history. They were forced to close in February 2004 due to the planned demolition of the building. [10]

Company members

Mainstay performers include founders Keith Nelson and Stephanie Monseu, keyboardist Raja Azar, aerialist and trapeze artist Tanya Gagné, lasso artist and rope-spinner Angelo Iodice, clown Christine Duenas, musician Peter Bufano, clown Matthew Morgan, juggler Adam Kuchler, drummer Tim Hoey, flea circus impresario and clown Adam Gertsacov, magician Magic Brian, daredevil clown Jonah Logan, insectivore and magician Tanya Solomon, and magician MC Scotty the Blue Bunny. [5] [11] Other members have included Sxip Shirey.

Related Research Articles

The following outline provides an overview of and topical guide to entertainment and the entertainment industry:

Sideshow Theatrical genre

In North America, a sideshow is an extra, secondary production associated with a circus, carnival, fair, or other such attraction.

Circus Commonly a travelling company of performers

A circus is a company of performers who put on diverse entertainment shows that may include clowns, acrobats, trained animals, trapeze acts, musicians, dancers, hoopers, tightrope walkers, jugglers, magicians, unicyclists, as well as other object manipulation and stunt-oriented artists. The term circus also describes the performance which has followed various formats through its 250-year modern history. Although not the inventor of the medium, Philip Astley is credited as the father of the modern circus. In 1768 Astley, a skilled equestrian, began performing exhibitions of trick horse riding in an open field called Ha'Penny Hatch on the south side of the Thames River. In 1770 he hired acrobats, tightrope walkers, jugglers and a clown to fill in the pauses between the equestrian demonstrations and thus chanced on the format which was later named a "circus". Performances developed significantly over the next fifty years, with large-scale theatrical battle reenactments becoming a significant feature. The traditional format, in which a ringmaster introduces a variety of choreographed acts set to music, developed in the latter part of the 19th century and remained the dominant format until the 1970s.

Flea circus

A flea circus is a circus sideshow attraction in which fleas are attached to miniature carts and other items, and encouraged to perform circus acts within a small housing.

Jane Barnell was an American bearded lady who worked in circus sideshows, dime museums and carnivals, who used various stage names including Princess Olga, Madame Olga and Lady Olga. In her only film role in Tod Browning's cult classic Freaks, using the sideshow stage name Olga Roderick, she was billed as the "Bearded Lady".

The Big Apple Circus is a circus based in New York City. Opened in 1977, later becoming a nonprofit organization, it became a tourist attraction. The circus has been known for its community outreach programs, including Clown Care, as well as its humane treatment of animals. Big Apple Circus filed for Chapter 11 bankruptcy protection in November 2016 and exited bankruptcy in February 2017 after its assets were bought by Compass Partners. The Circus was renewed in October 2017 for its 40th anniversary season and returned to start a new season in October 2018 at Lincoln Center, receiving generally positive reviews.

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Dixon Place is a theater organization located in New York City dedicated to the development of works-in-progress from a broad range of performers and artists. It exists to serve the creative needs of artists—emerging, mid-career and established—who are creating new work in theater, dance, music, literature, puppetry, performance, variety and visual arts.

Impalement arts

Impalement arts are a type of performing art in which a performer plays the role of human target for a fellow performer who demonstrates accuracy skills in disciplines such as knife throwing and archery. Impalement is actually what the performers endeavor to avoid – the thrower or marksman aims near the target rather than at him or her. The objective is to land the throw or shot as close as possible to the assistant's body without causing injury.

Todd Robbins

Todd Robbins is an American magician, lecturer, actor, and author.

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<i>Koozå</i>

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Wanderlust Circus

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California Institute of Abnormalarts

The California Institute of Abnormalarts - also written as the California Institute of Abnormal Arts and abbreviated as CIA - is a nightclub and sideshow museum located in North Hollywood, California. Owned and operated by actor-screenwriter Carl Crew and Robert Ferguson, the venue primarily hosts underground musical groups, performance art, movie screenings and sideshow acts including burlesque and freak shows.

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Make*A*Circus

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References

  1. Kamenetz, Anya. "Fire, Fire, Burning Bright", The Village Voice , Neighborhoods, New York, New York, 4 June 2002.
  2. 1 2 Smithsonian Institution. "Profiles: Bindlestiff Family Cirkus", Smithsonian Institution, Smithsonian Folklife Festival, Circus Arts, Washington, DC, United States, 2017, as referenced on 18 February 2020.
  3. Lemons, Stephen. "Step Right Up: It’s the Strangest Show on Earth", Los Angeles Times , Los Angeles, California, 19 September 1999.
  4. Albrecht, Ernest / Editor. "Bindlestiff Family Cirkus Has Been Defying All Odds for Twenty Five Years", Spectacle (an online journal of the circus arts), Vol. VIII, No. 5, East Brunswick, New Jersey, date of publication undetermined, as referenced on 18 February 2020.
  5. 1 2 Juggle Magazine, International Jugglers' Association, Kissimmee, Florida, May/June 2004.
  6. Ferguson, Sarah. "Tricky Bohos", The Village Voice , Theater, New York, New York, 8 February 2000.
  7. Bellafante, Ginia. "A Funny Kind of Love", The New York Times , Style, New York, New York, 21 August 2005.
  8. Berger, Arion. "Q&A: Bindlestiff Family Cirkus", The Washington Post , Express, Washington, DC, United States, 28 June 2006.
  9. Graeber, Laurel. "Events for Children in NYC this week: A Cardboard and Duct Tape Spectacular", The New York Times , Arts, New York, New York, 4 May 2017.
  10. Martin, Douglas. "Old-Time Vaudeville Looks Young Again", The New York Times , Theater, New York, New York, 24 November 2002.
  11. Baldwin, Michelle. "Burlesque and the New Bump-n-Grind", Speck Press, Denver, Colorado, pgs. 107-108, as referenced in the Open Library.