Blackheart Man | ||||
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Studio album by | ||||
Released | 8 September 1976 | |||
Recorded | August 1975 | |||
Studio | Aquarius Recording Studios, Kingston, Jamaica | |||
Genre | Roots reggae | |||
Length | 45:50 | |||
Label | Solomonic, Island | |||
Producer | Bunny Wailer | |||
Bunny Wailer chronology | ||||
|
Review scores | |
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Source | Rating |
AllMusic | [1] |
Christgau's Record Guide | A− [2] |
Mojo | [3] |
The Rolling Stone Album Guide | [4] |
Blackheart Man is the debut album by Bunny Wailer, originally released on 8 September 1976, in Jamaica on Solomonic Records and internationally on Island Records. [5]
The songs on the album are regarded as the finest written by Bunny Wailer, and explore themes such as repatriation ("Dreamland"), and his arrest for marijuana possession ("Fighting Against Conviction", originally titled "Battering Down Sentence"). [6] "This Train" is very loosely based on the American gospel standard of the same name. The album features some of Jamaica's leading musicians and also contributions from Bob Marley and Peter Tosh of The Wailers on backing vocals, and the Wailers rhythm section of Carlton and Aston Barrett on some of the tracks. The origins of the album title goes back to Wailer's childhood in the Jamaican countryside, where he grew up in the same village as his friend Bob Marley. [5] [6] [3]
Wailer said:
Well, the Blackheart Man is a very serious fable; when we were kids, we all grew up hearing about this Blackheart Man, and we were told that you had to be careful of strangers who might walk up to you and invite you into a situation, or you might be found in the lonely countryside, or in the gullies, or anywhere that this individual might have shown up, and then he would take your heart out. So it brought fear on all the youths of that time when they heard the name, Blackheart Man. So I did the album based on my experiences. [3]
Bunny Wailer himself considers Blackheart Man to be his best solo album. As he told Jamaican newspaper The Daily Gleaner in June 2009:
I will make good albums, yes, for I have made good albums - Liberation , Protest, Struggle, My Father's House, Rock and Groove. All them album is really good album - Marketplace - but Blackheart Man is really an exceptional album, as to the valuation of the message and the number of people who have received that message and have made themselves better people through them lives within the spiritual and cultural settings that the Blackheart Man exhibits. [7]
This is one of the three Wailers solo albums released in 1976, along with Peter Tosh's album Legalize It and Bob Marley's Rastaman Vibration . The album was listed in the 1999 book The Rough Guide: Reggae: 100 Essential CDs. [6]
The original LP release of the album was released in two different mixes. The international mix is what is most widely available and has appeared on CD. The Jamaican mix has longer versions of songs and different overdubs. In particular, the Jamaican mix of "This Train" lasts a full minute longer. Although the Jamaican mix has not appeared on CD, it remains a favorite amongst reggae aficionados.
The album has been released on compact disc several times; first in 1989 on Mango Records, then in 2002 on Island in a remastered edition. [5] A new remastering was released on iTunes in 2009, with some of the songs in newly extended and dub versions. [7]
All songs written by Bunny Wailer except where noted
Natty Dread is the seventh album by Bob Marley and the Wailers, released in 1974. Previously Marley had recorded with Peter Tosh and Bunny Wailer as the Wailers, and this was his first record without them.
Exodus is the ninth studio album by Jamaican reggae band Bob Marley and the Wailers, first released in June 1977 through Island Records, following Rastaman Vibration (1976). The album's production has been characterized as laid-back with pulsating bass beats and an emphasis on piano, trumpet and guitar. Unlike previous albums from the band, Exodus thematically moves away from cryptic story-telling; instead it revolves around themes of change, religious politics, and sexuality. The album is split into two halves: the first half revolves around religious politics, while the second half is focused on themes of making love and keeping faith.
Legalize It is the debut studio album by Jamaican singer-songwriter and former Wailer Peter Tosh, released in June 1976. It was recorded at Treasure Isle and Randy's, Kingston.
Burnin' is the sixth album by Jamaican reggae group the Wailers, released in October 1973. It was written by all three members and recorded and produced by the Wailers in Jamaica, contemporaneously with tracks from the Catch a Fire album with further recording, mixing and completion while on the Catch a Fire tour in London. It contains the song "I Shot the Sheriff". It was the last album before Marley, Peter Tosh and Bunny Wailer decided to pursue solo careers, while continuing their local releases through their company Tuff Gong Records. A commercial and critical success in the United States, Burnin' was certified Gold and later added to the National Recording Registry, with the Library of Congress deeming it historically and culturally significant.
Catch a Fire is the fifth studio album by the reggae band The Wailers, released in April 1973. It was their first album released by Island Records. After finishing a UK tour with Johnny Nash, they had started laying down tracks for JAD Records when a disputed CBS contract with Danny Sims created tensions. The band did not have enough money to return to Jamaica, so their road manager Brent Clarke approached producer Chris Blackwell, who agreed to advance The Wailers money for an album. They instead used this money to pay their fares back home, where they completed the recordings that constitute Catch a Fire. The album has nine songs, two of which were written and composed by Peter Tosh; the remaining seven were by Bob Marley. While Bunny Wailer is not credited as a writer, the group's writing style was a collective process. For the immediate follow-up album, Burnin', also released in 1973, he contributed four songs. After Marley returned with the tapes to London, Blackwell reworked the tracks at Island Studios, with contributions by Muscle Shoals session musician Wayne Perkins, who played guitar on three overdubbed tracks. The album had a limited original release under the name The Wailers in a sleeve depicting a Zippo lighter, designed by graphic artists Rod Dyer and Bob Weiner; subsequent releases had an alternative cover designed by John Bonis, featuring an Esther Anderson portrait of Marley smoking a "spliff", and crediting the band as Bob Marley and the Wailers.
Confrontation is the thirteenth and final studio album by Bob Marley & the Wailers and the only to be released posthumously in May 1983, two years after Marley's death. The songs were compiled from unreleased material and singles recorded during Marley's lifetime. Many of the tracks were built up from demos, most notably "Jump Nyabinghi" where vocals from the I-Threes were added, which were not there when Marley released the song as a dubplate in 1979. In addition the harmony vocals on "Blackman Redemption" and "Rastaman Live Up" are performed by the I-Threes in order to give the album a consistent sound – on the original single versions they are performed by the Meditations. The most famous track on the album is "Buffalo Soldier".
Rastaman Vibration is the eighth studio album by Jamaican reggae band Bob Marley and the Wailers, released in April 1976.
Bob Marley and the Wailers were a Jamaican ska, rocksteady and reggae band. The founding members, in 1963, were Bob Marley, Peter Tosh, and Bunny Wailer.
Alfarita Constantia Marley is a Cuban-born Jamaican singer, songwriter and entrepreneur. She is the widow of reggae legend Bob Marley. Along with Marcia Griffiths and Judy Mowatt, she was a member of the reggae vocal group the I Threes, the backing vocalists for Bob Marley and the Wailers.
Babylon by Bus is a live album released by Bob Marley and the Wailers in 1978. The tracks on this album are considered, with two exceptions, to be from the Pavillon de Paris concerts over 3 nights, 25–27 June 1978, during the Kaya Tour, though there are discrepancies in the track listing.
Equal Rights is the second studio album by Peter Tosh. It was released in 1977 on Columbia Records.
Soul Revolution Part II is the third album by Bob Marley and the Wailers. It was produced by Lee "Scratch" Perry. While the name on the album cover for all the original releases was Soul Revolution Part II, some releases had the name Soul Revolution printed on the album label, leading to uncertainty over what name was intended. A "dub" version with the vocals removed was released as Soul Revolution Part II Dub; both versions were released as one set in 1988. The album was repackaged with additional material as African Herbsman in 1973.
Live at the Roxy is a two-disc live album by The Wailers, released in 2003. The album contains a complete concert, recorded on 26 May 1976 at The Roxy in West Hollywood California, during the Rastaman Vibration tour.
Aston Francis Barrett, often called "Family Man" or "Fams" for short, is a retired Jamaican musician and Rastafarian.
Hall of Fame: A Tribute to Bob Marley's 50th Anniversary is an album by Bunny Wailer, released through RAS Records in November 1995. In 1997, the album won Wailer the Grammy Award for Grammy Award for Best Reggae Album.
Bob, Peter, Bunny & Rita is a roots reggae album by Bob Marley & the Wailers, released posthumously in 1985, four years after Marley's death. All tracks were previously unreleased recordings by Jad Records Co., Inc.
Neville O'Riley Livingston, known professionally as Bunny Wailer, was a Jamaican singer-songwriter and percussionist. He was an original member of reggae group The Wailers along with Bob Marley and Peter Tosh. A three-time Grammy Award winner, he is considered one of the longtime standard-bearers of reggae music. He was also known as Jah B, Bunny O'Riley, and Bunny Livingston.
Winston Hubert McIntosh, OM, professionally known as Peter Tosh, was a Jamaican reggae musician. Along with Bob Marley and Bunny Wailer, he was one of the core members of the band the Wailers (1963–1976), after which he established himself as a successful solo artist and a promoter of Rastafari. He was murdered in 1987 during a home invasion.
The following outline is provided as an overview of and topical guide to Bob Marley:
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