| Time Will Tell: A Tribute to Bob Marley | |
|---|---|
 | |
| Studio album by | |
| Released | 1990 |
| Genre | Reggae |
| Label | Shanachie Records |
| Producer | Bunny Wailer |
| Review scores | |
|---|---|
| Source | Rating |
| Allmusic |   [1] |
Time Will Tell: A Tribute to Bob Marley is an album by Bunny Wailer, released through Shanachie Records in 1990. In 1991, the album won Wailer the Grammy Award for Best Reggae Recording. [2] [3]
All songs by Bob Marley, unless noted otherwise.
Natty Dread is the seventh album by Bob Marley and the Wailers, released in 1974. Previously Marley had recorded with Peter Tosh and Bunny Wailer as the Wailers, and this was his first record without them.
Uprising is the twelfth studio album by Bob Marley and the Wailers released in 1980. Marley died the following year, and Uprising was the final studio album released during his lifetime. This album is one of Marley's most directly religious, with nearly every song addressing his Rastafarian beliefs, culminating in the acoustic recording of "Redemption Song".
Exodus is the ninth studio album by Jamaican reggae band Bob Marley and the Wailers, first released in June 1977 through Island Records, following Rastaman Vibration (1976).
Burnin' is the sixth studio album by Jamaican reggae band The Wailers, released in October 1973. It was written mostly by bandleader Bob Marley and produced by Chris Blackwell. A commercial and critical success in the United States, Burnin' was certified Gold and later added to the National Recording Registry, with the Library of Congress deeming it historically and culturally significant.
Survival is the eleventh studio album by Bob Marley and the Wailers released in 1979.
Rastaman Vibration is the eighth studio album by the reggae band Bob Marley and the Wailers, released in April 1976.
Kaya is the tenth studio album released by Bob Marley and the Wailers in 1978. The album consists of tracks recorded alongside those present on the Exodus album in 1977.
Bob Marley and the Wailers were a Jamaican reggae band led by Bob Marley. It developed from the earlier ska vocal group, The Wailers, created by Peter Tosh, Marley, and Bunny Wailer in 1963. By late 1963 singers Junior Braithwaite, Beverley Kelso, and Cherry Smith had joined on. By the early 1970s, Marley and Bunny Wailer had learned to play some instruments, and brothers Aston "Family Man" Barrett (bass) and Carlton Barrett (drums), had joined the band. After Bunny Wailer and Peter Tosh left the band in 1974, Marley began touring with new band members as Bob Marley and the Wailers. His new backing band included the Barrett brothers, Junior Marvin and Al Anderson on lead guitar, Tyrone Downie and Earl "Wya" Lindo on keyboards, and Alvin "Seeco" Patterson on percussion. The "I Threes", consisting of Judy Mowatt, Marcia Griffiths, and Marley's wife, Rita, provided backing vocals.
Alpharita Constantia Marley is a Cuban-born Jamaican singer and the widow of Bob Marley. She was a member of the vocal group the I Threes, along with Marcia Griffiths and Judy Mowatt, who gained recognition as the backing vocalists for Bob Marley and the Wailers.
"Get Up, Stand Up" is a song written by Bob Marley and Peter Tosh. It originally appeared on The Wailers' 1973 album Burnin'. It was recorded and played live in numerous versions by Bob Marley and the Wailers, along with solo versions by Peter Tosh and Bunny Wailer. It was later included on the compilations Legend and Rebel Music, as well as live recordings such as Live at the Roxy among others.
Soul Revolution is the third album by Bob Marley and the Wailers. It was produced by Lee "Scratch" Perry and the Wailers. A "dub" version with the vocals removed was released as Soul Revolution Part II. In 1988 both versions were released as one set.
Aston Francis Barrett, often called "Family Man" or "Fams" for short, is a retired Jamaican musician and Rastafarian.
Most of Bob Marley's early music was recorded with Peter Tosh and Bunny Wailer, who together with Marley were the most prominent members of the Wailers. In 1972, the Wailers had their first hit outside Jamaica when Johnny Nash covered their song "Stir It Up", which became a UK hit. The 1973 album Catch a Fire was released worldwide, and sold well. It was followed by Burnin', which included the song "I Shot the Sheriff". Eric Clapton's cover of the song became a hit in 1974.
Robert Nesta Marley, was a Jamaican singer, songwriter, and musician. Considered one of the pioneers of reggae, his musical career was marked by fusing elements of reggae, ska, and rocksteady, as well as his distinctive vocal and songwriting style. Marley's contributions to music increased the visibility of Jamaican music worldwide, and made him a global figure in popular culture for over a decade. Over the course of his career Marley became known as a Rastafari icon, and he infused his music with a sense of spirituality. He is also considered a global symbol of Jamaican music and culture and identity, and was controversial in his outspoken support for the legalization of marijuana, while he also advocated for Pan-Africanism.
Hall of Fame: A Tribute to Bob Marley's 50th Anniversary is an album by Bunny Wailer, released through RAS Records in November 1995. In 1997, the album won Wailer the Grammy Award for Grammy Award for Best Reggae Album.
Bob, Peter, Bunny & Rita is a roots reggae album by Bob Marley & the Wailers, released posthumously in 1985, four years after Marley's death. All tracks were previously unreleased recordings by Jad Records Co., Inc.
Neville O'Riley Livingston, known professionally as Bunny Wailer, was a Jamaican singer-songwriter and percussionist. He was an original member of reggae group The Wailers along with Bob Marley and Peter Tosh. A three-time Grammy Award winner, he is considered one of the longtime standard-bearers of reggae music. He was also known as Jah B, Bunny O'Riley, and Bunny Livingston.
The following outline is provided as an overview of and topical guide to Bob Marley:
Easy Skanking in Boston '78 is the fifth live album by Jamaican reggae band Bob Marley and the Wailers. It was released on February 3, 2015, by Island Records and Tuff Gong. It was recorded at the Boston Music Hall on June 8, 1978, as part of the band's Kaya Tour in support of their 10th studio album, Kaya.
