"Redemption Song" | ||||
---|---|---|---|---|
Single by Bob Marley and the Wailers | ||||
from the album Uprising | ||||
B-side |
| |||
Released | 7 October 1980 [1] [2] | |||
Genre | Folk | |||
Length | 3:49 | |||
Label | Island | |||
Songwriter(s) | Bob Marley | |||
Producer(s) | Bob Marley, Chris Blackwell | |||
Bob Marley and the Wailers singles chronology | ||||
| ||||
Music video | ||||
"Redemption Song" on YouTube |
"Redemption Song" is a song by Jamaican singer Bob Marley. It is the final track on Bob Marley and the Wailers' twelfth album, Uprising , produced by Chris Blackwell and released by Island Records. [3] The song is considered one of Marley's greatest works. Some key lyrics derived from a speech given by the Pan-Africanist orator Marcus Garvey titled "The Work That Has Been Done", which Marley publicly recited as early as July 1979 during his appearance at the Amandla Festival. [4]
Unlike most of Bob Marley's other tracks, it is strictly a solo acoustic recording, consisting of his singing and playing an acoustic guitar, without accompaniment. The song is in the key of G major.
The song is reported to have been written around 1979, appearing for the first time on a demo tape called "Dada Demos" which, amongst other unreleased tracks and re-recordings of older songs, features an early version of "Could You Be Loved?" with drum machine accompaniment. German journalist Teja Schwaner claims to have witnessed Marley playing Redemption Song during a hotel stay in Hamburg on tour in 1976, [5] although he could have confused it with another song.
A few years earlier, Bob Marley had been diagnosed with the cancer in his toe that took his life in 1981. According to Rita Marley, "...he was already secretly in a lot of pain and dealt with his own mortality, a feature that is clearly apparent in the album, particularly in this song."[ citation needed ]
After its recording for the Uprising album, the song saw its first public performance during the opener show of the Uprising Tour on May 30, 1980, in Zürich, Switzerland, and continued to be featured in every known setlist of that tour's further concerts. There exist at least two music video recordings of the song, one produced by the Jamaica Broadcasting Corporation, featuring Marley and his keyboarder Earl Lindo both accompanying themselves on guitars, and a second one from September 1980 featuring Marley during a rehearsal break and his band members listening. A few more recordings from live concerts exist, both audio and video, amongst them a performance from Dortmund, Germany, on June 13, 1980, which is featured on the official 2014 release Uprising Live.
"Redemption Song" was released as a single in the UK and France in October 1980 and included a full band rendering of the song. This version has since been included as a bonus track on the 2001 reissue of Uprising, as well as on the 2001 compilation One Love: The Very Best of Bob Marley & The Wailers . Although in live performances the full band was used for the song, the solo recorded performance remains the take most familiar to listeners.[ citation needed ]
In 2004, Rolling Stone placed the song at number 66 among "The 500 Greatest Songs of All Time". In 2010, the New Statesman listed it as one of the Top 20 Political Songs. [6]
On 5 February 2020 (on the eve of what would have been his 75th birthday), Marley's estate released an official animated video for the song. [7] This also commemorated the 40th anniversary of the song's release.
Bob Marley – vocals, acoustic guitar, production
With Bob accompanying himself on guitar, "Redemption Song" was unlike anything he had ever recorded: an acoustic ballad, without any hint of reggae rhythm. In message and sound it recalled Bob Dylan. Biographer Timothy White called it an 'acoustic spiritual' and another biographer, Stephen Davis, pointed out the song was a 'total departure', a deeply personal verse sung to the bright-sounding acoustic strumming of Bob's Ovation Adamas guitar.
— James Henke, author of Marley Legend [8]
The song urges listeners to "Emancipate yourself from mental slavery," because "None but ourselves can free our minds." These lines were taken from a speech given by Marcus Garvey at Menelik Hall in Sydney, Nova Scotia (Canada), during October 1937 and published in his Black Man magazine: [9] [10]
We are going to emancipate ourselves from mental slavery because whilst others might free the body, none but ourselves can free the mind. Mind is your only ruler, sovereign. The man who is not able to develop and use his mind is bound to be the slave of the other man who uses his mind ... [11]
In 2009, Jamaican poet and broadcaster Mutabaruka chose "Redemption Song" as the most influential recording in Jamaican music history. [12]
In 2017, "Redemption Song" was featured in series 25 of BBC Radio 4's Soul Music , a documentary series exploring famous pieces of music and their emotional appeal, with contributors including Marley's art director Neville Garrick, Jamaican Poet Laureate Lorna Goodison, Grammy Award-winning artist John Legend, and Wailers guitarist Don Kinsey. [13]
In American Songwriter's 2019 appreciation of the song, Jim Beviglia analyzed the song as being a "departure" from his regular music:
Marley was too much a force of nature to lose his personality just because he was in a new setting. The rhythmic ingenuity that marked his career can be heard in the little instrumental breakdown between verses. His vocal also drips with idiosyncratic power, from the way he hiccups his way through some of the lines to give them some extra flavor to his brilliant phrasing of the word “triumphantly.” Other songwriters might have crammed in a few other words just to fit the meter a bit more snugly, but Marley’s choice gives that word added meaning. [14]
Region | Certification | Certified units/sales |
---|---|---|
Brazil (Pro-Música Brasil) [15] | Gold | 30,000‡ |
Italy (FIMI) [16] | Gold | 25,000‡ |
Spain (PROMUSICAE) [17] | Gold | 30,000‡ |
United Kingdom (BPI) [18] | Gold | 400,000‡ |
‡ Sales+streaming figures based on certification alone. |
Joe Strummer of The Clash recorded a cover of this song that was released posthumously on the album Streetcore in 2003, which featured his backing band at the time, The Mescaleros. Strummer also covered the song as a duet with Johnny Cash during the latter's sessions for the American IV: The Man Comes Around album, this version being released later in the box set Unearthed . [19]
Uprising is the twelfth studio album by Bob Marley and the Wailers and the final studio album released during Marley's lifetime. Released on 10 June 1980, the album is one of Marley's most directly religious, with nearly every song referencing his Rastafarian beliefs, culminating in the acoustic recording of "Redemption Song".
Exodus is the ninth studio album by Jamaican reggae band Bob Marley and the Wailers, first released in June 1977 through Island Records, following Rastaman Vibration (1976). The album's production has been characterized as laid-back with pulsating bass beats and an emphasis on piano, trumpet and guitar. Unlike previous albums from the band, Exodus thematically moves away from cryptic story-telling; instead it revolves around themes of change, religious politics, and sexuality. The album is split into two halves: the first half revolves around religious politics, while the second half is focused on themes of making love and keeping faith.
Catch a Fire is the fifth studio album by the reggae band The Wailers, released in April 1973. It was their first album released by Island Records. After finishing a UK tour with Johnny Nash, they had started laying down tracks for JAD Records when a disputed CBS contract with Danny Sims created tensions. The band did not have enough money to return to Jamaica, so their road manager Brent Clarke approached producer Chris Blackwell, who agreed to advance The Wailers money for an album. They instead used this money to pay their fares back home, where they completed the recordings that constitute Catch a Fire. The album has nine songs, two of which were written and composed by Peter Tosh; the remaining seven were by Bob Marley. While Bunny Wailer is not credited as a writer, the group's writing style was a collective process. For the immediate follow-up album, Burnin', also released in 1973, he contributed four songs. After Marley returned with the tapes to London, Blackwell reworked the tracks at Island Studios, with contributions by Muscle Shoals session musician Wayne Perkins, who played guitar on three overdubbed tracks. The album had a limited original release under the name The Wailers in a sleeve depicting a Zippo lighter, designed by graphic artists Rod Dyer and Bob Weiner; subsequent releases had an alternative cover designed by John Bonis, featuring an Esther Anderson portrait of Marley smoking a "spliff", and crediting the band as Bob Marley and the Wailers.
Rastaman Vibration is the eighth studio album by Jamaican reggae band Bob Marley and the Wailers, released in April 1976.
Kaya is the tenth studio album by the Jamaican band Bob Marley and the Wailers, released in 1978. The album consists of tracks recorded alongside those released on the Exodus album. It was produced by the band.
Bob Marley and the Wailers were a Jamaican ska, rocksteady and reggae band. The founding members, in 1963, were Bob Marley, Peter Tosh, and Bunny Wailer.
Stephen Robert Nesta Marley is a Jamaican-American musician. The son of Bob Marley, Marley is an eight-time Grammy Award winner, three times as a solo artist, twice as a producer of his younger paternal half-brother Damian Marley's Halfway Tree and Welcome to Jamrock albums, and a further three times as a member of his older brother Ziggy Marley's group Ziggy Marley & The Melody Makers.
Alfarita Constantia "Rita" Marley OJ OD is a Cuban-born Jamaican singer-songwriter and entrepreneur. She is the widow of reggae legend Bob Marley. Along with Marcia Griffiths and Judy Mowatt, Rita was a member of the reggae vocal group the I Threes, the backing vocalists for Bob Marley and the Wailers.
Marcus Garvey is the third album by reggae artist Burning Spear, released in 1975 on Fox Records in Jamaica and then internationally on Island Records later in the year. The album is named after the Jamaican National Hero and Rastafari movement prophet Marcus Garvey. A dub version of it was released four months later as Garvey's Ghost.
Tuff Gong is the brand name associated with a number of businesses started by Bob Marley and the Marley family. 'Tuff Gong' comes from Marley's nickname, which was in turn an echo of that given to founder of the Rastafari movement, Leonard "The Gong" Howell.
Garvey's Ghost is the fourth album by the reggae artist Burning Spear, released in 1976 on Island Records, ILPS 9382. Each track is a dub version of its correspondent song on his third album, Marcus Garvey.
Earl "Chinna" Smith, a.k.a. Earl Flute and Melchezidek the High Priest, is a Jamaican guitarist active since the late 1960s. He is most well known for his work with the Soul Syndicate band and as guitarist for Bob Marley & the Wailers, among others, and has recorded with many reggae artists, appearing on more than 500 albums.
Robert Nesta Marley was a Jamaican singer, songwriter, and guitarist. Considered one of the pioneers of reggae, he fused elements of reggae, ska and rocksteady and was renowned for his distinctive vocal and songwriting style. Marley increased the visibility of Jamaican music worldwide and made him a global figure in popular culture. He became known as a Rastafarian icon, and he infused his music with a sense of spirituality. Marley is also considered a global symbol of Jamaican music and culture and identity and was controversial in his outspoken support for democratic social reforms. Marley also supported the legalisation of cannabis and advocated for Pan-Africanism.
"Could You Be Loved" is a 1980 song by Jamaican reggae band Bob Marley and the Wailers. It was released as the first single from their twelfth and last album, Uprising (1980), and is also included on their greatest-hits album Legend (1984). It was written in 1979 on an aeroplane while The Wailers were experimenting on guitar. In the middle of the song, background singers quote a verse from Bob Marley's first single "Judge Not": "The road of life is rocky; And you may stumble too. So while you point your fingers, someone else is judging you". Instruments used on the original record of this song are guitars, bass, drums, acoustic piano, the Hohner Clavinet and an organ, as well as the Brazilian cuíca. "Could You be Loved" was very successful on the charts in Europe, peaking within the top 10 in Belgium, France, Ireland, Italy, the Netherlands, Norway, Spain, Switzerland and the UK. Additionally, it was a top 20 hit in Sweden and West Germany.
One Love: The Very Best of Bob Marley & The Wailers is a compilation album of Bob Marley and the Wailers songs that was released on the Island Records label in 2001.
Donald Kinsey was an American guitarist and singer, best known as a member of the Word Sound and Power Band, the reggae backing group for Peter Tosh.
Time Will Tell: A Tribute to Bob Marley is an album by Bunny Wailer, released through Shanachie Records in 1990. In 1991, the album won Wailer the Grammy Award for Best Reggae Recording.
Bruno Blum is a French singer songwriter, guitar player, music producer and musicologist sometimes nicknamed "Doc Reggae". He is mostly known for his work in the reggae, Caribbean music, rock music and African musics fields, and also works as a cartoon and comic book artist, illustrator, visual artist, photographer, video director, writer, journalist, music historian, interpreter and speaker.
Winston Hubert McIntosh, professionally known as Peter Tosh, was a Jamaican reggae musician. Along with Bob Marley and Bunny Wailer, he was one of the core members of the band the Wailers (1963–1976), after which he established himself as a successful solo artist and a promoter of Rastafari. He was murdered in 1987 during a home invasion.
The following outline is provided as an overview of and topical guide to Bob Marley: