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Chances Are | ||||
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Compilation album / Studio album by | ||||
Released | October 1981 | |||
Recorded | 1968–1972 | |||
Genre | Reggae | |||
Length | 32:03 | |||
Label | WEA, Cotillion (U.S.) | |||
Producer | Bob Marley, Larry Fallon, Danny Sims | |||
Bob Marley & The Wailers chronology | ||||
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Review scores | |
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Source | Rating |
Rolling Stone | (1/5) [1] |
Chances Are is a compilation album by Bob Marley released in 1981 by WEA International throughout the world, and through the Cotillion imprint of Atlantic Records in the U.S.
Commissioned by Danny Sims (co-founder and owner of JAD Records) and issued after Marley's death in May 1981, Chances Are was a collection of previously unreleased recordings from 1968 to 1972 that were produced by JAD during Marley's time living in the U.S. and otherwise working with JAD back and forth from Jamaica to the States. The selected tracks on this collection were overdubbed, remixed, and in many cases, extended beyond their original duration specially for this album.
The majority of songs on this album were re-released on the Black Progress compilation album in 1997 (also released by JAD through the former KOCH International, prior to their original versions being issued on the Complete Wailers series.) The only song not reissued in this version is Mellow Mood, although there was a limited CD pressing of Chances Are printed in the early nineties.
Rocksteady is a music genre that originated in Jamaica around 1966. A successor of ska and a precursor to reggae, rocksteady was the dominant style of music in Jamaica for nearly two years, performed by many of the artists who helped establish reggae, including harmony groups such as the Techniques, the Paragons, the Heptones and the Gaylads; soulful singers such as Alton Ellis, Delroy Wilson, Bob Andy, Ken Boothe and Phyllis Dillon; musicians such as Jackie Mittoo, Lynn Taitt and Tommy McCook. The term rocksteady comes from a popular (slower) dance style mentioned in the Alton Ellis song "Rocksteady", that matched the new sound. Some rocksteady songs became hits outside Jamaica, as with ska, helping to secure the international base reggae music has today.
Exodus is the ninth studio album by Jamaican reggae band Bob Marley and the Wailers, first released in June 1977 through Island Records, following Rastaman Vibration (1976). The album's production has been characterized as laid-back with pulsating bass beats and an emphasis on piano, trumpet and guitar. Unlike previous albums from the band, Exodus thematically moves away from cryptic story-telling; instead it revolves around themes of change, religious politics, and sexuality. The album is split into two halves: the first half revolves around religious politics, while the second half is focused on themes of making love and keeping faith.
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Catch a Fire is the fifth studio album by the reggae band The Wailers, released in April 1973. It was their first album released by Island Records. After finishing a UK tour with Johnny Nash, they had started laying down tracks for JAD Records when a disputed CBS contract with Danny Sims created tensions. The band did not have enough money to return to Jamaica, so their road manager Brent Clarke approached producer Chris Blackwell, who agreed to advance The Wailers money for an album. They instead used this money to pay their fares back home, where they completed the recordings that constitute Catch a Fire. The album has nine songs, two of which were written and composed by Peter Tosh; the remaining seven were by Bob Marley. While Bunny Wailer is not credited as a writer, the group's writing style was a collective process. For the immediate follow-up album, Burnin', also released in 1973, he contributed four songs. After Marley returned with the tapes to London, Blackwell reworked the tracks at Island Studios, with contributions by Muscle Shoals session musician Wayne Perkins, who played guitar on three overdubbed tracks. The album had a limited original release under the name The Wailers in a sleeve depicting a Zippo lighter, designed by graphic artists Rod Dyer and Bob Weiner; subsequent releases had an alternative cover designed by John Bonis, featuring an Esther Anderson portrait of Marley smoking a "spliff", and crediting the band as Bob Marley and the Wailers.
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Bob Marley and the Wailers were a Jamaican ska, rocksteady and reggae band. The founding members, in 1963, were Bob Marley, Peter Tosh, and Bunny Wailer.
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The Wailing Wailers is the 1965 eponymous debut studio album by the Wailers, later known as Bob Marley and the Wailers. Released on the Studio One label, the album is a compilation of various recordings made between 1964 and 1965 by Neville “Bunny” Livingston, Robert Nesta Marley and Peter McIntosh. It compiles what Clement Coxsone Dodd considered the best Wailers recordings from this period. They were accompanied by the Studio One backing band, The Soul Brothers.
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Robert Nesta Marley was a Jamaican reggae singer, guitarist, and songwriter. Considered one of the pioneers of the genre, Marley fused elements of reggae, ska, and rocksteady in his music and was renowned for his distinctive vocal and songwriting style. Marley's contribution to music increased the visibility of Jamaican music worldwide and made him a global figure in popular culture. Over the course of his career, Marley became known as a Rastafarian icon, and he infused his music with a sense of spirituality. He is also considered a global symbol of Jamaican music and culture and identity, and was controversial in his outspoken support for democratic social reforms. He also supported legalisation of cannabis, and advocated for Pan-Africanism. In 1976, Marley survived an assassination attempt in his home, which was thought to be politically motivated.
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Winston Hubert McIntosh, OM, professionally known as Peter Tosh, was a Jamaican reggae musician. Along with Bob Marley and Bunny Wailer, he was one of the core members of the band the Wailers (1963–1976), after which he established himself as a successful solo artist and a promoter of Rastafari. He was murdered in 1987 during a home invasion.
"Guava Jelly" is a song recorded by the Jamaican group Bob Marley and the Wailers. It was released as a 7" vinyl single through Tuff Gong and Green Door Records. It was issued commercially with B-side track "Redder Then Red", which was misspelled on its initial printing, in 1971. It was written and produced by Marley and features uncredited lyrical contributions from Bunny Livingston. A reggae composition like the majority of Marley's works, "Guava Jelly" contains a rocksteady and island-like production with lyrics loosely based around sexual intercourse. His use of the term "guava jelly" was likely referring to a specific type of sexual lubricant. It was favorably viewed by several reviewers, with many of them finding the composition to be sexual and about love. The group placed "Guava Jelly" on several compilation albums, including Africa Unite: The Singles Collection in 2005, and Owen Gray and Herbie Mann created their own versions in 1974 and 1975, respectively.