Natty Dread | ||||
---|---|---|---|---|
Studio album by | ||||
Released | 25 October 1974 | |||
Recorded | 1974 | |||
Studio | Harry J. Studios, Kingston, Jamaica | |||
Genre | ||||
Length | 38:59 | |||
Label | Island/Tuff Gong | |||
Producer | Chris Blackwell and the Wailers | |||
Bob Marley and the Wailers chronology | ||||
|
Natty Dread is the seventh album by Bob Marley and the Wailers, released in 1974. Previously Marley had recorded with Peter Tosh and Bunny Wailer as the Wailers, and this was his first record without them. [3]
Natty Dread was most popularly received in the UK, where it peaked at No. 43 and sold in excess of 100,000 copies, making it a gold album. Over time it gained popularity in other parts of the world, and in 2003 it was ranked No. 181 on Rolling Stone magazine's list of the 500 greatest albums of all time. [4]
This section possibly contains original research .(January 2017) |
Natty Dread is a spiritually charged political and social statement. It opens with a blues-influenced positive celebration of skanking, reggae and sex, "Lively Up Yourself". The original and still unreleased demo of the Island version of "Lively Up Yourself" was recorded in 1973.
"No Woman, No Cry", the second track, is probably the best known recording on the album. It is a nostalgic remembrance of growing up in the impoverished streets of Trenchtown, the ghetto of Kingston, Jamaica, and the happiness brought by the company of friends. The song has been performed by artists as diverse as Boney M. (sung by Liz Mitchell), The Fugees, Pearl Jam, Jimmy Buffett, Rancid and Gilberto Gil. Songwriting credit for "No Woman, No Cry" went to V. Ford. Vincent Ford, better known as "Tartar" to his friends and neighbors, had been a kind friend of Marley as a child in Trenchtown. Marley claimed he would have starved to death on several occasions as a child if not for the aid of Tartar. The original version of the song was in gospel style, featuring Peter Tosh and some unknown female backing vocals and was cut for Island in 1973.
"Them Belly Full (But We Hungry)" is a warning against allowing a nation's poor to go hungry, with the prophetic warning "a hungry mob is an angry mob", while "Talkin' Blues" and "Revolution" go deeper into controversial political commentary. "Rebel Music (3 O'Clock Roadblock)" is a reflection on the potential impact of reggae music on Jamaican society. The song was written after Marley had been stopped by a night-time police carcheck. The influence of Marley's increasing devotion to Rastafari can be heard in religious-themed songs like "So Jah S'eh", "Natty Dread" and "Lively Up Yourself", while Marley's reputation as a romantic is confirmed with smooth, seductive songs like "Bend Down Low". The title track of the album takes its title from an idealised personification of the Rastafari movement, Natty Dread.
Although the album's liner notes list multiple songwriters, including family friends and band members, all songs were written by Marley. Marley was involved in a contractual dispute with his former publishing company, Cayman Music.
Vincent Ford, a childhood friend from Jamaica, was given writing credit for "No Woman, No Cry", as well as the songs "Crazy Baldheads" (with Marley's wife Rita), "Positive Vibration" and "Roots Rock Reggae" from the 1976 album Rastaman Vibration , along with "Inna De Red" and "Jah Bless" with Marley's son, Stephen. [5] [6]
Marley had not wanted his new songs to be associated with Cayman and it had been speculated, including in his obituary in The Independent , that he had put them in the names of his close friends and family members as a means of avoiding the contractual restrictions and as a way to "provide lasting help to family and close friends". [5]
Marley's former manager Danny Sims sued to obtain royalty and ownership rights to the songs, claiming that Marley had actually written the songs but had assigned the credit to Ford to avoid meeting commitments made in prior contracts. A 1987 court decision sided with the Marley estate, which assumed full control of the songs. [6]
Natty Dread was released 25 October 1974 by Island and Tuff Gong. [7]
In 1975, this album was mentioned in a few audio magazines as being ready to be released on Quadraphonic 8-track tape.[ citation needed ] This never happened. However, the Quadraphonic mixes of "Lively Up Yourself" and "No Woman No Cry" have been bootlegged from the master tapes and are available on the internet.[ citation needed ]
In 2001, a re-mastered edition of Natty Dread was released by Universal Records containing a bonus track.
Review scores | |
---|---|
Source | Rating |
AllMusic | [1] |
Christgau's Record Guide | A [8] |
Rolling Stone | [9] |
Select | [10] |
Released in the US in May 1975, the album reached the top half of the Billboard 200 at No. 92. When it was released in the UK in October 1975, it did even better, reaching No. 43. [11]
In 2003, the album was ranked No. 181 on Rolling Stone magazine's list of the 500 Greatest Albums of All Time, [9] maintaining the rating in a 2012 revised list. [12] The album was also included in the book 1001 Albums You Must Hear Before You Die . [13]
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Lively Up Yourself" | Bob Marley | 5:11 |
2. | "No Woman, No Cry" | Vincent Ford | 3:46 |
3. | "Them Belly Full (But We Hungry)" | Leon Cogill, Carlton Barrett | 3:13 |
4. | "Rebel Music (3 O'Clock Roadblock)" | Aston Barrett, Hugh Peart | 6:45 |
No. | Title | Writer(s) | Length |
---|---|---|---|
5. | "So Jah Seh" | Rita Marley, Willy Francisco | 4:27 |
6. | "Natty Dread" | Rita Marley, Allen Cole | 3:35 |
7. | "Bend Down Low" | Bob Marley | 3:21 |
8. | "Talkin' Blues" | Leon Cogill, Carlton Barrett | 4:06 |
9. | "Revolution" | Bob Marley | 4:23 |
No. | Title | Writer(s) | Length |
---|---|---|---|
10. | "Am-A-Do" (bonus track) | Bob Marley | 3:20 |
with:
Exodus is the ninth studio album by Jamaican reggae band Bob Marley and the Wailers, first released in June 1977 through Island Records, following Rastaman Vibration (1976). The album's production has been characterized as laid-back with pulsating bass beats and an emphasis on piano, trumpet and guitar. Unlike previous albums from the band, Exodus thematically moves away from cryptic story-telling; instead it revolves around themes of change, religious politics, and sexuality. The album is split into two halves: the first half revolves around religious politics, while the second half is focused on themes of making love and keeping faith.
Rastaman Vibration is the eighth studio album by Jamaican reggae band Bob Marley and the Wailers, released in April 1976.
"No Woman, No Cry" is a reggae song performed by Bob Marley and the Wailers. The song was recorded in 1974 and released on the studio album Natty Dread.
Vincent Ford, known as "Tata" or "Tartar", was a Jamaican songwriter best known for receiving writing credit for "No Woman, No Cry", the reggae song made famous by Bob Marley & The Wailers, as well as three other Bob Marley songs. However, controversy persisted as to whether the compositions had actually been written by Marley himself, and had been credited to Ford to allow Marley to avoid contractual obligations, resulting in a legal battle that ended with the Marley estate being granted control of the songs.
Bob Marley and the Wailers were a Jamaican ska, rocksteady and reggae band. The founding members, in 1963, were Bob Marley, Peter Tosh, and Bunny Wailer.
Alfarita Constantia "Rita" Marley OJ OD is a Cuban born Jamaican singer-songwriter and entrepreneur. She is the widow of reggae legend Bob Marley. Along with Marcia Griffiths and Judy Mowatt, Rita was a member of the reggae vocal group the I Threes, the backing vocalists for Bob Marley and the Wailers.
Trench Town is a neighbourhood located in the parish of St. Andrew, part of which is in Kingston, the capital and largest city of Jamaica. Today Trench Town is the location of the Trench Town Culture Yard Museum, a National Heritage Site presenting the unique history and contribution of Trench Town to Jamaica.
African Herbsman is a 1973 Trojan Records repackage of Bob Marley and the Wailers' 1971 album Soul Revolution Part II produced by Lee "Scratch" Perry, which had had a limited Jamaica only release. African Herbsman was released shortly after the band's major-label debut album Catch a Fire had been released by Island Records.
Live! is a 1975 album by Bob Marley and the Wailers which was recorded live in concert during July 1975 at the Lyceum Theatre, London. "No Woman, No Cry " was released as a single.
The One Love Concert (OLPC) was a large concert held on 22 April 1978 at the National Stadium in Kingston, Jamaica.
Gold is a two-disc compilation album by Bob Marley and the Wailers that was released on the Island Records label in 2005. The compilation is intended to be a career-spanning retrospective, and no fewer than two songs are selected from each of Bob Marley and the Wailers' albums with the company. Songs range from his first album for the label, Catch a Fire, and span all the way through to the last album Marley would live to see released in his lifetime, Uprising, concluding with the posthumous releases "Iron Lion Zion", and tracks from Confrontation.
The Exodus Tour was a concert tour organised to support the album Exodus by Bob Marley and the Wailers.
The Uprising Tour was a concert tour organised to support the album Uprising by Bob Marley and the Wailers. It was Marley's last tour and the biggest music tour of Europe in that year.
Robert Nesta Marley was a Jamaican singer, songwriter, and guitarist. Considered one of the pioneers of reggae, he fused elements of reggae, ska and rocksteady and was renowned for his distinctive vocal and songwriting style. Marley increased the visibility of Jamaican music worldwide and made him a global figure in popular culture. He became known as a Rastafarian icon, and he infused his music with a sense of spirituality. Marley is also considered a global symbol of Jamaican music and culture and identity and was controversial in his outspoken support for democratic social reforms. Marley also supported the legalisation of cannabis and advocated for Pan-Africanism.
One Love: The Very Best of Bob Marley & The Wailers is a compilation album of Bob Marley and the Wailers songs that was released on the Island Records label in 2001.
Hall of Fame: A Tribute to Bob Marley's 50th Anniversary is an album by Bunny Wailer, released through RAS Records in November 1995. In 1997, the album won Wailer the Grammy Award for Best Reggae Album.
Marley is a 2012 documentary-biographical film directed by Kevin Macdonald documenting the life of Bob Marley.
Jean Alain Roussel is a musician, composer, record producer, arranger, educator and "Music in Life & Sound Frequency Well-Being" sono-therapist.
Winston Hubert McIntosh, professionally known as Peter Tosh, was a Jamaican reggae musician. Along with Bob Marley and Bunny Wailer, he was one of the core members of the band the Wailers (1963–1976), after which he established himself as a successful solo artist and a promoter of Rastafari. He was murdered in 1987 during a home invasion.
The following outline is provided as an overview of and topical guide to Bob Marley: