The Best of the Wailers | ||||
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Studio album by | ||||
Released | August 1, 1971 [1] | |||
Recorded | May 1970 | |||
Studio | Dynamic Sound Studios, Kingston, Jamaica [1] | |||
Genre | Reggae | |||
Length | 30:43 [1] | |||
Label | Beverley's | |||
Producer | Leslie Kong [1] | |||
the Wailers chronology | ||||
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Review scores | |
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Source | Rating |
AllMusic | [1] |
The Best of the Wailers is the fourth studio album by the Wailers, released in August 1971. [1] Despite its title, it is not a compilation album. The album was recorded in May 1970 (prior to the band's involvement with Lee Perry) but not released until August 1971. [1]
The album was produced by Leslie Kong, who died of a heart attack at the age of 37, a week after the album was released. [1]
All songs written by Bob Marley, except where noted.
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Soul Shakedown Party" | 3:09 | |
2. | "Stop the Train" | Peter Tosh | 2:20 |
3. | "Caution" | 2:43 | |
4. | "Soul Captives" | 2:03 | |
5. | "Go Tell It on the Mountain" | Traditional | 3:15 |
No. | Title | Writer(s) | Length |
---|---|---|---|
6. | "Can't You See" | Tosh | 2:42 |
7. | "Soon Come" | Tosh | 2:23 |
8. | "Cheer Up" | 2:03 | |
9. | "Back Out" | 2:18 | |
10. | "Do It Twice" | 2:48 |
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Soul Shakedown Party" | 3:09 | |
2. | "Stop the Train" | Peter Tosh | 2:20 |
3. | "Caution" | 2:43 | |
4. | "Soul Captives" | 2:03 | |
5. | "Go Tell It on the Mountain" | Traditional | 3:15 |
6. | "Can't You See" | Tosh | 2:42 |
7. | "Soon Come" | Tosh | 2:23 |
8. | "Cheer Up" | 2:03 | |
9. | "Back Out" | 2:18 | |
10. | "Do It Twice" | 2:48 | |
11. | "Soon Come" (version) | Tosh | 2:25 |
12. | "Soul Shakedown Party" (version) | 3:05 |
Beverley's All Stars: [2]
Natty Dread is the seventh album by Bob Marley and the Wailers, released in 1974. Previously Marley had recorded with Peter Tosh and Bunny Wailer as the Wailers, and this was his first record without them.
Uprising is the twelfth studio album by Bob Marley and the Wailers and the final studio album released during Marley's lifetime. Released on 10 June 1980, the album is one of Marley's most directly religious, with nearly every song referencing his Rastafarian beliefs, culminating in the acoustic recording of "Redemption Song".
Exodus is the ninth studio album by Jamaican reggae band Bob Marley and the Wailers, first released in June 1977 through Island Records, following Rastaman Vibration (1976). The album's production has been characterized as laid-back with pulsating bass beats and an emphasis on piano, trumpet and guitar. Unlike previous albums from the band, Exodus thematically moves away from cryptic story-telling; instead it revolves around themes of change, religious politics, and sexuality. The album is split into two halves: the first half revolves around religious politics, while the second half is focused on themes of making love and keeping faith.
Burnin' is the sixth album by Jamaican reggae group the Wailers, released in October 1973. It was written by all three members and recorded and produced by the Wailers in Jamaica, contemporaneously with tracks from the Catch a Fire album with further recording, mixing and completion while on the Catch a Fire tour in London. It contains the song "I Shot the Sheriff". It was the last album before Marley, Peter Tosh and Bunny Wailer decided to pursue solo careers, while continuing their local releases through their company Tuff Gong Records. A commercial and critical success in the United States, Burnin' was certified Gold and later added to the National Recording Registry, with the Library of Congress deeming it historically and culturally significant.
Catch a Fire is the fifth studio album by the reggae band The Wailers, released in April 1973. It was their first album released by Island Records. After finishing a UK tour with Johnny Nash, they had started laying down tracks for JAD Records when a disputed CBS contract with Danny Sims created tensions. The band did not have enough money to return to Jamaica, so their road manager Brent Clarke approached producer Chris Blackwell, who agreed to advance The Wailers money for an album. They instead used this money to pay their fares back home, where they completed the recordings that constitute Catch a Fire. The album has nine songs, two of which were written and composed by Peter Tosh; the remaining seven were by Bob Marley. While Bunny Wailer is not credited as a writer, the group's writing style was a collective process. For the immediate follow-up album, Burnin', also released in 1973, he contributed four songs. After Marley returned with the tapes to London, Blackwell reworked the tracks at Island Studios, with contributions by Muscle Shoals session musician Wayne Perkins, who played guitar on three overdubbed tracks. The album had a limited original release under the name The Wailers in a sleeve depicting a Zippo lighter, designed by graphic artists Rod Dyer and Bob Weiner; subsequent releases had an alternative cover designed by John Bonis, featuring an Esther Anderson portrait of Marley smoking a "spliff", and crediting the band as Bob Marley and the Wailers.
"Judge Not" is Bob Marley's first recorded single, recorded at Federal Studios and released on Leslie Kong's Beverley's Records in Jamaica in 1962 and on Island Records in the UK the following year. With a ska beat, Marley has a youthful voice, as he was 16 years old at the time of recording. Headley Bennett performed saxophone on this recording. Though "Judge Not" failed to achieve much success, Marley was not discouraged and continued to record music. "Judge Not" was re-released in the Songs of Freedom album in 1992 as well as other compilations. The song was also covered by Sublime, and can be found on the box set Everything Under the Sun.
Survival is the eleventh studio album by Bob Marley and the Wailers, released in 1979.
Confrontation is the thirteenth and final studio album by Bob Marley & the Wailers and the only one to be released posthumously in May 1983, two years after Marley's death. The songs were compiled from unreleased material and singles recorded during Marley's lifetime. Many of the tracks were built up from demos, most notably "Jump Nyabinghi" where vocals from the I-Threes were added, which were not there when Marley released the song as a dubplate in 1979. In addition the harmony vocals on "Blackman Redemption" and "Rastaman Live Up" are performed by the I-Threes in order to give the album a consistent sound – on the original single versions they are performed by the Meditations. The most famous track on the album is "Buffalo Soldier".
Kaya is the tenth studio album by the Jamaican band Bob Marley and the Wailers, released in 1978. The album consists of tracks recorded alongside those released on the Exodus album. It was produced by the band.
Bob Marley and the Wailers were a Jamaican ska, rocksteady and reggae band. The founding members, in 1963, were Bob Marley, Peter Tosh, and Bunny Wailer.
Leslie Kong was a Jamaican reggae producer.
Babylon by Bus is a live album released by Bob Marley and the Wailers in 1978. The tracks on this album are considered, with two exceptions, to be from the Pavillon de Paris concerts over 3 nights, 25–27 June 1978, during the Kaya Tour, though there are discrepancies in the track listing.
Soul Revolution Part II is the third album by Bob Marley and the Wailers. It was produced by Lee "Scratch" Perry. While the name on the album cover for all the original releases was Soul Revolution Part II, some releases had the name Soul Revolution printed on the album label, leading to uncertainty over what name was intended. A "dub" version with the vocals removed was released as Soul Revolution Part II Dub; both versions were released as one set in 1988. The album was repackaged with additional material as African Herbsman in 1973.
Beverley's was a Jamaican record label active between 1961 and 1971, owned by the record producer Leslie Kong. Beverley's was essential to the development of ska and rocksteady into reggae. The label launched the careers of Jimmy Cliff and Bob Marley, having released Cliff's first recording "Dearest Beverley" in 1961 and Marley's early singles "Judge Not" and "One Cup of Coffee" in 1962.
Robert Nesta Marley was a Jamaican reggae singer, guitarist, and songwriter. Considered one of the pioneers of the genre, he fused elements of reggae, ska and rocksteady and was renowned for his distinctive vocal and songwriting style. Marley increased the visibility of Jamaican music worldwide and made him a global figure in popular culture. He became known as a Rastafarian icon, and he infused his music with a sense of spirituality. Marley is also considered a global symbol of Jamaican music and culture and identity and was controversial in his outspoken support for democratic social reforms. Marley also supported the legalisation of cannabis and advocated for Pan-Africanism. In 1976, Marley survived an attempted assassination in his home, which was believed to be politically motivated.
Neville O'Riley Livingston, known professionally as Bunny Wailer, was a Jamaican singer-songwriter and percussionist. He was an original member of reggae group The Wailers along with Bob Marley and Peter Tosh. A three-time Grammy Award winner, he is considered one of the longtime standard-bearers of reggae music. He was also known as Jah B, Bunny O'Riley, and Bunny Livingston.
Winston Hubert McIntosh, OM, professionally known as Peter Tosh, was a Jamaican reggae musician. Along with Bob Marley and Bunny Wailer, he was one of the core members of the band the Wailers (1963–1976), after which he established himself as a successful solo artist and a promoter of Rastafari. He was murdered in 1987 during a home invasion.
Welcome to Jamrock is the third studio album by Jamaican reggae/dancehall artist Damian "Jr. Gong" Marley. The album was released on September 12, 2005, in the United Kingdom, and one day later in the United States.
The following outline is provided as an overview of and topical guide to Bob Marley:
Paul Douglas is a Jamaican musician, best known for his work as the drummer, percussionist and bandleader of Toots and the Maytals. His career spans more than five decades as one of reggae's most recorded drummers. Music journalist and reggae historian David Katz wrote, "dependable drummer Paul Douglas played on countless reggae hits."
Beverley's All-Stars.