Blitz!

Last updated

Blitz!
Bart Blitz Album.jpg
Original Cast Album
Music Lionel Bart
Lyrics Lionel Bart
Book Lionel Bart
Joan Maitland
Productions1962 West End
1990 West End revival
1990 UK Tour
2000 West End revival
2020 Off West End revival

Blitz! is a musical by Lionel Bart. The musical, described by Steven Suskin as "massive", was set in the East End of London during the Blitz (the aerial bombings during World War II). The story drew on Bart's childhood memories of London's Jewish East End during the Blitz and, like most musicals, centred on a romance between a young couple, in this case a Jewish woman and a Cockney man, although the largest role and main point-of-view character is that of Mrs Blitztein, the young woman's mother. [1] Steven Suskin describes it as " Abie's Irish Rose set against the burning of Atlanta." [2] Bart himself described the play as "…three human stories inside an epic canvas; the major human conflict –the major plot –personifies the spirit of London and how that spirit developed during the period of the piece." [3]

Contents

Production history

Blitz! opened in London on 8 May 1962 at the Adelphi Theatre, while Bart's enormous West End success Oliver! was still running at the New Theatre, and after a successful pre-West End run at the Palace Theatre in Tottenham; at that time Oliver! had not yet been produced on Broadway. Blitz ran for 568 performances. [1] It never ran on Broadway: between its scale and the fact that New Yorkers could hardly be expected to share Londoners' nostalgia for the period, it proved "unexportable". Bart wrote the music and lyrics, and had directed the original London production himself; Joan Maitland contributed to the libretto. Sean Kenny designed the elaborate sets, which included representations of Victoria Station, Petticoat Lane, and the Bank underground station, not to mention London on fire during an air raid. Four revolving house units and an enormous, mobile bridge, carried on two shifting towers, made it, at the time, the most expensive West End musical ever produced. Noël Coward called it "twice as loud and twice as long as the real thing." [4]

The song "The Day After Tomorrow" was specially written by Bart for Vera Lynn. Lynn had been a star at the time of the German bombing attacks; in the play, the characters listen to Lynn sing it on the radio while they shelter underground. Lynn did not actually appear onstage during the production, but she recorded the song for it, and the production used her recording on the "radio". [4] The play also makes use of a recording of a Winston Churchill radio speech. [5]

The role of Mrs Blitztein was played by Amelia Bayntun in the original cast; it was her only role in a stage musical. [4] The cast included a large number of children. There is a scene in which the children are to be evacuated from London; they cheerfully sing "We’re Going To The Country", while their mothers try to put on a cheerful face. [5] The children's chorus "Mums and Dads" was a "showstopper" [6] that drew much radio play.

The musical was never seen for many years, largely because the original scores went missing during Bart's turbulent years. It was reassembled in Australia by 19-year-old Andrew Jarrett, a Bart devotee, with orchestrations by Kevin Hocking, Jack Westmore and Stephen Smith. So impressed was Bart, that he came out of obscurity and travelled to Australia for Jarrett's triumphant production in 1985.[ citation needed ] The Royal Shakespeare Company's intended 1990 revival (for the fiftieth anniversary of the Blitz) never happened, although the National Youth Theatre did revive it in London's West End at the Playhouse Theatre in September 1990, with Jarrett imported as music director. This production was directed by Edward Wilson and choreographed by David Toguri, with the role of Mrs Blitzstein played by Jessica Stephenson (now Jessica Hynes, an established UK screen actor). According to the review in The Guardian, "Edward Wilson's production for the NYT is necessarily more modest and contains some beautiful, slate-grey designs from Brian Lee: his backdrop of a soaring-arched Victorian railway terminus is stunning. David Toguri's musical staging shows his customary flair, camouflaging the cast's vocal weaknesses by bringing out their physical athleticism. And Jessica Stevenson as the mob-capped Mrs Blitzstein admirably conveys truculent working-class defiance." [7] Benedict Nightingale wrote in his review: "But the strongest performance comes from Jessica Stevenson as a Jewish matriarch able to sing a silly song about baking cakes being the answer to all ills, yet remain quietly dignified throughout. Here is an apprentice actress to encourage." [8] This production became the basis for a touring Northern Stage Company revival starring Diane Langton as Mrs Blitztein. [4]

A revival production of Blitz was put on at the Queens Theatre in Hornchurch in 2000 including members of the Queens Theatre's own youth groups playing many characters alongside the resident cast.[ citation needed ]

Plot

The story focuses on two families, the Jewish Blitzteins and the Cockney Lockes. Mrs Blitztein and Alfie Locke have adjacent stalls on Petticoat Lane: she sells herring, he sells fruit; they do not like each other. Their children, Georgie Locke and Carol Blitztein, are in love with one another.

Act 1

The action opens on Bank underground station where the residents of Petticoat Lane are sheltering from yet another air raid ("Our Hotel"). Amongst them are the two prominent families of the street, the Blitzteins, led by their patriarchal mother, and the Lockes, led by father Alfred. The two welcome home their respective sons Georgie Locke and Harry Blitztein who are home on embarkation leave for a week before shipping out to fight in the army. Harry has a new (older) girlfriend in tow, Joyce, who is not only not Jewish but married, much to his mother's horror. Georgie, meanwhile, has caught sight of Mrs Blitztein's daughter Carol, who has grown into a beautiful young woman during his absence and is instantly smitten.

Carol likewise is rather struck by the young soldier and they quickly hit it off, before their parents interfere, resulting in their usual round of bickering which never involves them directly speaking to each other but rather through other people ("Tell Him, Tell Her"). As the argument settles down, Georgie pulls Harry to one side to inform him that he is in love with Carol. Whilst Harry is not against such a relationship, he advises against it as he knows there could be trouble ("I Wanna Whisper Something"). The wireless is put on so the residents can listen to the news, which includes a speech by Winston Churchill, and a song by Vera Lynn ("The Day After Tomorrow"). Ernie Nearmiss, Alf's best friend and fellow air raid warden, arrives to inform those in the shelter that the Blackwell's house has been destroyed by a bomb and that Mr and Mrs Blackwell were still inside at the time, having refused to go down to the shelter.

Their son Tommy, who is in the shelter with the Blitzteins, is thankfully asleep and doesn't hear, but Mrs Blitztein decides that she will send Tommy with her own son Siddy into the country for safety. Mrs Blitztein then sings Siddy to sleep ("Our Hotel Lullaby"). The next day, the children of the street, apart from Georgie's sister Franie, are assembled to be evacuated and are waved goodbye by their mothers ("We're Going to The Country"). No sooner have the children gone than the bombings get worse; the firemen and air raid patrol are kept very busy and every morning the residents of Petticoat Lane emerge from the shelter not knowing what to expect but determined not to let it get them down ("Another Morning"). On this particular day, they emerge to find the gas mains has been hit and they are not allowed into their homes. Princelet Street has also been completely destroyed leaving several families homeless, including the Murphys and Sens. Alf takes the Murphys in whilst Mrs Blitztein accommodates the Sens. Mrs Blitztein is very frustrated and begins to have a long rant about Hitler, soon joined by the others ("Who's This Geezer Hitler?"). Harry re-appears after a week's disappearance and he is immediately put to work by his mother as punishment for not telling her where he was.

Carol and Georgie manage to get a minute to themselves and it is revealed that they have been spending a lot of time together over the last week. Georgie, prior to leaving for duty the next day, asks Carol if she'll wait for him, but before she can answer their parents appear once again. Mrs Blitztein is in full flow about her children and how they have disappointed her –Carol by breaking off her relationship with a Jewish boy because of Georgie, and now Harry for having relations with a married woman ("Be What You Wanna Be"). An official appears on the scene to conduct a census of all the people in the area who have foreign-sounding names to find out how many there are and how long they've been in the area. Whilst this is going on, Alf and Ernie engage in a patriotic rant ("As Long As This Is England"). That night, Carol and Georgie sneak out together to spend one last night together before Georgie goes abroad.

Their parents look for them but in vain. Carol and Georgie have a laugh at both their parents and their stubborn ways, and reflect on how the fact they are from such different backgrounds actually make them more suited ("Opposites"). They are interrupted by the air raid siren but, rather than go down to the shelter, they take cover in a doorway ("Magic Doorway"). Mrs Blitztein, searching for Harry, discovers them and is not less than impressed. Georgie volunteers to pay Joyce a visit and see if Harry is there. Carol meanwhile goes to find Harry herself, leaving Mrs Blitztein alone with her cake tin ("Bake a Cake"). She then overhears Buddyboy and Bird in the process of stealing lead pipes and is shocked to discover Harry amongst them. Harry announces to his mother he is not going back to the army as he's had enough. Mrs Blitztein is about to go after him when a bomb goes off nearby, followed by a scream from Carol.

The next day at Victoria Station, Georgie is waiting for Carol to see him off and for Harry to report for duty. When Harry doesn't show, Elsie, his former girlfriend who is still rather taken with him, tries to buy him time by distracting the Sergeant Major ("Leave It To The Ladies"). Mrs Blitztein arrives after having been at the hospital with Carol all night and is upset that Harry has not turned up. She informs Georgie that Carol was unable to come and see him off. Georgie informs Mrs Blitztein of his love for Carol and his intention to marry her when he returns, and is surprised when she agrees and seems more gentle towards him than before. The soldiers depart and Mrs Blitztein is left alone.

Act 2

Act Two opens six months later with Carol (now blind after the bomb blast) alone on Petticoat Lane, thinking of Georgie, who she has not seen at all in that time ("Far Away"). The Sunday market is slowly beginning to set up and people are discussing Carol and how the bombing seems to have calmed down at last. Alf is pleased as he's had a letter from Georgie to say he's coming home for good after losing a kidney, and, even better, he doesn't want Carol or her mother to know he's coming, which Alf believes means he's going to finish with Carol.

The market is soon in full swing ("Petticoat Lane") and the children return from the country ("We've Been To See The Country"). The market starts its usual business, with Elsie commenting on the variety of people one meets at the Petticoat Lane market ("Down The Lane"). Carol, who is helping out on her Mum's pickled herring stall, asks Mrs Blitztein if what Franie has told her about Georgie coming home is true. Mrs Blitztein is forced to admit it is. Carol is confused as to why Georgie did not tell her he was coming home and worries that he has gone off her because she is blind. Mrs Blitztein tries to reassure her daughter but is secretly thinking the same thing. The Military Police arrive to enquire about Harry's whereabouts as he is still on the run from the army. They are followed by Joyce who has not seen Harry herself in a long time. Mrs Blitztein is in despair –her daughter is blind and unhappy and her son is a crook on the run. In a moment of desperation, she offers up a prayer to her late husband Jack, pleading for guidance ("So Tell Me Jack").

That evening, the adults are assembling in the pub, leaving the children outside to amuse themselves with a game of Mums and Dads ("Mums and Dads"). After the other children are scared off by Tommy Blackwell and his horror book, Georgie emerges from the pub very drunk and depressed. Feeling a failure as a soldier, a son and a boyfriend, he is drowning his sorrows. He is approached by Harry, who reveals that he has spent the last six months working on the black market and hiding from the military but has come back to see Carol having only just heard about what happened in the explosion. Georgie confesses that he too is yet to see Carol and it's clear that whilst he wants to see her, he's too scared to do so. He makes out that Harry had the right idea running away, missing out on the fighting and death. Harry, on the other hand, seems to be fed up with life on the run and is clearly beginning to wish he had just faced his duty. The two agree to meet up later in the evening due to the area where they are being too public.

Georgie, now alone, goes into a drunken rant ("Who Wants To Settle Down"). Mrs Blitztein is next to discover him and she welcomes him home while trying to sound him out about Carol. Georgie admits the army was too much for him as all the killing and violence has altered his view on life and Carol probably wouldn't like the new him. Mrs Blitztein rubbishes the whole thing, telling Georgie that everyone has had to put up with the same thing at home and it hasn't changed any of them. She tells Georgie that she's very proud of him for going to fight for them and facing up to his responsibilities, unlike Harry of whom she is very ashamed. She admits she misjudged Georgie because of her dislike of his father but tells him that she would be proud to have Georgie in her family. Georgie admits he still loves Carol as much as he ever did, if not more, but he doesn't think he's good enough for her. Mrs Blitztein informs him that in Carol's eyes no one else apart from Georgie would be good enough. She goes to fetch Carol, whilst Georgie is reunited with his father and Franie.

Carol is brought to Georgie and the two enjoy an emotional reunion, during which Georgie proposes ("Is This Gonna Be A Wedding!"). Whilst preparations are made, Harry encounters Mrs Smith, who informs him of the impending marriage. Harry then breaks off his agreement with Buddyboy and Bird. At the wedding ("Is This Gonna Be a Wedding! (Reprise)"), Alf is still not happy about his son marrying a Blitztein but resigns himself to it, although not without a few snide remarks, particularly towards Mrs Blitztein. Georgie and Carol share their first dance ("Far Away (Waltz Reprise)"). Harry then appears to congratulate Georgie and Carol and announce he is going to fulfil his rightful duty by returning to the army ("Duty Calls"). The wedding party depart and Mrs Blitztein is left alone when a bomb hits. She is rescued from the rubble by Alf but neither are very gracious either in thanking or receiving that thanks and they leave still arguing, although in a huge step forward they are conversing directly rather than through other people. The crowd once again come together in union ("Who's This Geezer Hitler? –Reprise"). [9]

Characters

Original cast

Songs

Parenthetical names are individuals who sung the roles in the original cast, rather than character names.

"Far Away" was later a number 24 UK Singles Chart hit for Shirley Bassey. [3]

Notes

  1. 1 2 Suskin 2005, Mandelbaum 2005.
  2. ↑ Suskin 2005.
  3. 1 2 Mandelbaum 2005
  4. 1 2 3 4 Mandelbaum 2005.
  5. 1 2 Guinness Stage Musicals
  6. ↑ "Obituary: Lionel Bart". The Independent. 1999-04-04. Retrieved 2023-03-13.
  7. ↑ Billington, Michael. "Gimme shelter from this blitz - The Playhouse", The Guardian (London), September 12, 1990, no page number
  8. ↑ Nightingale, Benedict. "Oh what an average war!", Blitz!, Playhouse, The Times, September 11, 1990, no page number
  9. ↑ Mandelbaum 2005, Musical Heaven.
  10. ↑ Kennedy & Muir 1998, p.48, provides information on the various Blitzteins, Lockes, and Ernie Nearmiss
  11. 1 2 Adelphi Programme

Related Research Articles

<i>Anyone Can Whistle</i> Musical by Stephen Sondheim and Arthur Laurents

Anyone Can Whistle is a musical with music and lyrics by Stephen Sondheim, and a book by Arthur Laurents. Described as "a satire on conformity and the insanity of the so-called sane," the show tells a story of an economically depressed town whose corrupt mayor decides to create a fake miracle in order to attract tourists. The phony miracle draws the attention of an emotionally inhibited nurse, a crowd of inmates from a local asylum, and a doctor with secrets of his own.

<i>Oliver!</i> English musical by Lionel Bart

Oliver! is a stage musical, with book, music and lyrics by Lionel Bart. The musical is based upon the 1838 novel Oliver Twist by Charles Dickens.

<span class="mw-page-title-main">Lionel Bart</span> English composer and writer (1930–1999)

Lionel Bart was an English writer and composer of pop music and musicals. He wrote Tommy Steele's "Rock with the Caveman" and was the sole creator of the musical Oliver! (1960). With Oliver! and his work alongside theatre director Joan Littlewood at Theatre Royal, Stratford East, he played an instrumental role in the 1960s birth of the British musical theatre scene after an era when American musicals had dominated the West End.

<span class="mw-page-title-main">Louisa Lane Drew</span> American actress (1820-1897)

Louisa Lane Drew was an English-born American actress and theatre owner and an ancestor of the Barrymore acting family. Professionally, she was often known as Mrs. John Drew.

<i>Maggie May</i> (musical) Musical by Lionel Bart

Maggie May is a musical with a book by Alun Owen and music and lyrics by Lionel Bart. Based on "Maggie May", a traditional ballad about a Liverpool prostitute, it deals with trade union ethics and disputes among Irish-Catholic dockers in Liverpool, centring on the life of streetwalker Margaret Mary Duffy and her sweetheart, a freewheeling sailor.

<i>I Can Get It for You Wholesale</i> 1962 Broadway musical

I Can Get It for You Wholesale is a musical, produced by David Merrick, music and lyrics by Harold Rome, and book by Jerome Weidman, based on his 1937 novel of the same title. Its 1962 production marked the Broadway debut of 19-year-old Barbra Streisand, who was nominated for the Tony Award for Best Featured Actress in a Musical. The story is set in the New York City Garment District in 1937, during the Great Depression, and the songs utilize traditional Jewish harmonies evocative of the setting and the period of the show.

<i>The Frogs</i> (musical) Stephen Sondheim musical

The Frogs is a musical "freely adapted" by Stephen Sondheim and Burt Shevelove from The Frogs, an Ancient Greek comedy by Aristophanes. In the musical, Dionysos, despairing of the quality of living dramatists, travels to Hades to bring George Bernard Shaw back from the dead. William Shakespeare competes with Shaw for the title of best playwright, which he wins. Dionysos brings Shakespeare back to the world of the living in the hope that art can save civilization.

<i>How Now, Dow Jones</i> American musical comedy

How Now, Dow Jones is a musical comedy by Academy Award winner Elmer Bernstein, Tony Award nominee Carolyn Leigh and Max Shulman. The original Broadway production opened in December 1967. A critically acclaimed revised version premiered off-Broadway in August 2009.

<i>Pipe Dream</i> (musical) 1955 musical

Pipe Dream is the seventh musical by the team of Richard Rodgers and Oscar Hammerstein II; it premiered on Broadway on November 30, 1955. The work is based on John Steinbeck's novel Sweet Thursday—Steinbeck wrote the novel, a sequel to Cannery Row, in the hope of having it adapted into a musical. Set in Monterey, California, the musical tells the story of the romance between Doc, a marine biologist, and Suzy, who in the novel is a prostitute; her profession is only alluded to in the stage work. Pipe Dream was not an outright flop but was a financial disaster for Rodgers and Hammerstein.

<i>La Strada</i> (musical) Musical

La Strada is a musical with lyrics and music by Lionel Bart, with additional lyrics by Martin Charnin and additional music by Elliot Lawrence. It is based on the 1954 film of the same name by Federico Fellini. Bart wrote the score in 1967 and made a demonstration recording, although the musical was not produced until 1969, when it was famously cancelled after just one performance. The musical's book was written by Charles K. Peck, Jr., who also produced it on Broadway.

<i>Prettybelle</i> Musical

Prettybelle is a musical with a book and lyrics by Bob Merrill and music by Jule Styne. It was adapted from Jean Arnold's darkly comic novel Prettybelle: A Lively Tale of Rape and Resurrection. It starred Angela Lansbury, but never was produced on Broadway and closed in Boston in 1971.

<i>Grind</i> (musical) Musical

Grind is a 1985 musical with music by Larry Grossman, lyrics by Ellen Fitzhugh, and a book by Fay Kanin. Grind is a portrait of a largely African-American burlesque house in Chicago in the Thirties.

<i>Rose of Washington Square</i> 1939 film by Gregory Ratoff

Rose of Washington Square is a 1939 American musical drama film, featuring the already well-known popular song with the same title. Set in 1920s New York City, the film focuses on singer Rose Sargent and her turbulent relationship with con artist Barton DeWitt Clinton, whose criminal activities threaten her professional success in the Ziegfeld Follies.

<i>Fade Out – Fade In</i> 1964 musical

Fade Out – Fade In is a musical with a book and lyrics by Betty Comden and Adolph Green and music by Jule Styne. The story involves the movie industry in the 1930s. It starred Carol Burnett, returning to the Broadway stage for the first time in four years.

<i>Ankles Aweigh</i> Musical

Ankles Aweigh is a musical with a book by Guy Bolton and Eddie Davis, lyrics by Dan Shapiro, and music by Sammy Fain. The plot involves Hollywood starlet Wynne, who secretly marries a Navy pilot while filming a movie in Sicily. She disguises herself as a sailor and stows away on his ship to grab a covert honeymoon. They get mixed up with an espionage ring.

<i>The Whos Tommy</i> Rock musical

The Who's Tommy is a rock musical with music and lyrics by Pete Townshend and a book by Townshend and Des McAnuff. It is based on the 1969 rock opera Tommy by The Who.

<i>Blackout/All Clear</i> Series by Connie Willis

Blackout and All Clear are the two volumes that constitute a 2010 science fiction novel by American author Connie Willis. Blackout was published February 2, 2010 by Spectra. The second part, the conclusion All Clear, was released as a separate book on October 19, 2010. The diptych won the 2010 Nebula Award for Best Novel, the 2011 Locus Award for Best Science Fiction Novel, and the 2011 Hugo Award for Best Novel. These two volumes are the most recent of four books and a short story that Willis has written involving time travel from Oxford during the mid-21st century, all of which won multiple awards.

Reuben, Reuben is a two-act, "urban folk opera" by Marc Blitzstein, written from 1953 to 1955. Set in New York's Little Italy and inspired by the Faust legend, it concerns Reuben, a suicidal veteran who has received a medical discharge because he cannot speak. His disorder serves as an allegory of the difficulties of interpersonal communication in society, and of the eventual triumph of love over these difficulties and over the death wish. It was shown at the Shubert Theatre in Boston from October 10 to 22, 1955. Hanya Holm choreographed, Robert Lewis stage directed, and Cheryl Crawford produced the show.

<i>Turkey Time</i> (play)

Turkey Time is a farce by Ben Travers. It was one of the series of Aldwych farces that ran nearly continuously at the Aldwych Theatre in London from 1923 to 1933. The story concerns two guests, staying at the Stoatt household for Christmas, who offer shelter to a pretty concert performer left stranded when her employer absconds, leaving his cast unpaid.

Grazina Frame is an English stage and screen actress, singer and voice double

References

This page is based on this Wikipedia article
Text is available under the CC BY-SA 4.0 license; additional terms may apply.
Images, videos and audio are available under their respective licenses.