| Blow Arnett, Blow | ||||
|---|---|---|---|---|
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| Studio album by | ||||
| Released | 1959 | |||
| Recorded | January 9, 1959 | |||
| Studio | Van Gelder Studio, Hackensack | |||
| Genre | Jazz | |||
| Length | 38:11 | |||
| Label | Prestige PRLP 7151 | |||
| Producer | Esmond Edwards | |||
| Arnett Cobb chronology | ||||
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| Eddie "Lockjaw" Davis chronology | ||||
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| Review scores | |
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| Source | Rating |
| Allmusic |   |
Blow Arnett, Blow (also rereleased as Go Power!!!) is an album by saxophonists Arnett Cobb and Eddie "Lockjaw" Davis recorded in 1959 for the Prestige label. [2]
The Allmusic review awarded the album 4 stars and stated "Arnett Cobb's debut for Prestige and his first recording as a leader in three years (due to a serious car accident in 1956) is an explosive affair. Cobb is matched up with fellow tough tenor Eddie "Lockjaw" Davis, and there are plenty of sparks set off by their encounter". [1]
All compositions by Arnett Cobb except where noted.
Edward F. Davis, known professionally as Eddie "Lockjaw" Davis, was an American jazz tenor saxophonist.
Arnett Cleophus Cobb was an American jazz tenor saxophonist, sometimes known as the "Wild Man of the Tenor Sax" because of his uninhibited stomping style. Cobb wrote the words and music for the jazz standard "Smooth Sailing" (1951), which Ella Fitzgerald recorded for Decca on her album Lullabies of Birdland.
Jaws is an album by saxophonist Eddie "Lockjaw" Davis with organist Shirley Scott, recorded in 1958 for the Prestige label.
The Eddie "Lockjaw" Davis Cookbook is an album by saxophonist Eddie "Lockjaw" Davis with organist Shirley Scott and flautist Jerome Richardson recorded in 1958 for the Prestige label. The album was later issued as Vol. 1 when two subsequent "Cookbook" volumes were released.
The Eddie "Lockjaw" Davis Cookbook, Vol. 2 is an album by saxophonist Eddie "Lockjaw" Davis with organist Shirley Scott and flautist Jerome Richardson recorded in 1958 for the Prestige label. The album was the second of Davis' popular "Cookbook" volumes to be released.
The Eddie "Lockjaw" Davis Cookbook Volume 3 is an album by saxophonist Eddie "Lockjaw" Davis with organist Shirley Scott recorded in 1958 for the Prestige label. The album was the third of Davis' popular "Cookbook" volumes to be released.
Very Saxy is an album by saxophonist Eddie "Lockjaw" Davis with Buddy Tate, Coleman Hawkins and Arnett Cobb recorded in 1959 for the Prestige label.
Smokin′ is an album by saxophonist Eddie "Lockjaw" Davis with organist Shirley Scott recorded in 1958 for the Prestige label.
Jaws in Orbit is an album by saxophonist Eddie "Lockjaw" Davis with organist Shirley Scott, recorded in 1959 for the Prestige label.
Bacalao is an album by saxophonist Eddie "Lockjaw" Davis with organist Shirley Scott recorded in 1959 for the Prestige label.
Person to Person is the debut album by jazz vocalist Mildred Anderson featuring saxophonist Eddie "Lockjaw" Davis' working group with organist Shirley Scott recorded in 1960 and released on the Bluesville label.
The Tenor Scene is a live album by saxophonists Eddie "Lockjaw" Davis and Johnny Griffin recorded at Minton's Playhouse in 1961 and released on the Prestige label.
The Late Show is a live album by saxophonists Eddie "Lockjaw" Davis and Johnny Griffin recorded at Minton's Playhouse in 1961 and released on the Prestige label in 1965. The album was the fourth release from the recordings at Minton's after The Tenor Scene, The First Set and The Midnight Show.
Goin' to the Meeting is an album by saxophonist Eddie "Lockjaw" Davis recorded in 1962 for the Prestige label.
I Only Have Eyes for You is an album by saxophonist Eddie "Lockjaw" Davis recorded in 1962 for the Prestige label.
Trackin' is an album by saxophonist Eddie "Lockjaw" Davis recorded in 1962 for the Prestige label.
Smooth Sailing is an album by the saxophonist Arnett Cobb recorded in 1959 for the Prestige label and released in 1960.
Ballads by Cobb is an album by saxophonist Arnett Cobb recorded in 1960 for the Moodsville label.
Arthur Edgehill is an American hard bop jazz drummer active in the 1950s, 1960s and 1970s, appearing on several of the Prestige recordings recorded at the successive Van Gelder Studios, in Hackensack and Englewood Cliffs, including Mal Waldron's debut album, Mal-1 (1956), but especially with Eddie "Lockjaw" Davis and Shirley Scott.
The Heavy Hitter is an album by American jazz saxophonist Eddie "Lockjaw" Davis recorded in 1979 and released on the Muse label.