| Ruth Brown | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | 1957 | |||
| Recorded | May 25, 1949, February 28 and September, 1950, February 13, July 2 and December 19, 1952, April 10 and December 16, 1953, May 7 and August 11, 1954, March 1 and July 7, 1955 and September 25, 1956 NYC | |||
| Genre | Rhythm and blues | |||
| Label | Atlantic 8004 | |||
| Ruth Brown chronology | ||||
| ||||
Ruth Brown (subtitled Rock & Roll) is the debut album by vocalist Ruth Brown featuring tracks recorded between 1949 and 1956 and released on the Atlantic label. [1] [2]
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [3] |
AllMusic awarded the album 3 stars stating "Ruth Brown at her stinging, assertive, bawdy best, doing the sizzling, innuendo-laden R&B that helped make Atlantic the nation's prime independent during the early days of rock & roll". [3]
Jerome Richardson was an American jazz musician and woodwind player. He played the soprano saxophone, alto saxophone, tenor saxophone, baritone saxophone, bass saxophone, soprano clarinet, alto clarinet, bass clarinet, piccolo, western concert flute, soprano flute, alto flute, tenor flute, and bass flute. He played with Charles Mingus, Lionel Hampton, Billy Eckstine, The Thad Jones/Mel Lewis Orchestra, Kenny Burrell, and later with Earl Hines' small band.
Count Basie Swings, Joe Williams Sings is an album by pianist/bandleader Count Basie and vocalist Joe Williams recorded in 1955 and originally released on the Clef label.
In the Land of Hi-Fi is a 1955 studio album by the American jazz singer Sarah Vaughan. It was recorded October 25–27, 1955, in New York City. Alternate takes from these sessions, featuring a young Cannonball Adderley, were compiled on The Complete Sarah Vaughan On Mercury, Vol. 1 - Great Jazz Years 1954-1956.
Ray Charles and Betty Carter is a 1961 album by Betty Carter and Ray Charles. The pair's recording of "Baby, It's Cold Outside" on the album topped the R&B charts. A 1988 CD/LP re-issue included three bonus tracks and the 1998 Rhino Records re-issue combined, on a single CD, the original Ray Charles and Betty Carter with the complete Dedicated to You.
Vocalese is the ninth studio album by Jazz band The Manhattan Transfer, released in 1985 on the Atlantic Records. Recording sessions took place during 1985. Production came from Tim Hauser and Martin Fischer. This album is considered to be The Manhattan Transfer's most critically acclaimed album. It received 12 Grammy nominations, making it second only to Michael Jackson's Thriller as the most nominated individual album. It also received extremely high ratings from music critics, including a 4.5 out of 5 stars rating from Allmusic. The album peaked at number 2 on the Top Jazz Albums and number 74 on the Billboard 200. The album's title Vocalese refers to a style of music that sets lyrics to previously recorded jazz instrumental pieces. The vocals then reproduce the sound and feel of the original instrumentation. Jon Hendricks, proficient in this art, composed all of the lyrics for this album.
In Person is a live album recorded by Ray Charles on May 28, 1959 on a rainy night in Atlanta, Georgia at Morris Brown College's Herndon Stadium. All tracks from this album together with those from Ray Charles at Newport were also released on the 1987 Atlantic compilation CD, Ray Charles Live.
The Boss of the Blues is a 1956 album by the American singer Big Joe Turner. Originally released on the Atlantic label, the album has been reissued many times on cassette and CD by Atlantic, Rhino and Collectables.
The Genius Sings the Blues is an album by Ray Charles, released in October 1961 on Atlantic Records. The album was his last release for Atlantic, compiling twelve blues songs from various sessions during his tenure for the label. The album showcases Charles's stylistic development with a combination of piano blues, jazz, and southern R&B. The photo for the album cover was taken by renowned photographer Lee Friedlander. The Genius Sings the Blues was reissued in 2003 by Rhino Entertainment with liner notes by Billy Taylor.
Yes Indeed!! is the fourth album by Ray Charles, released in 1958 by Atlantic. It was the second of three Atlantic LPs that compiled Charles' hit singles for the label.
The Weapon is an album by American jazz saxophonist David Newman featuring performances recorded in 1972 for the Atlantic label.
Late Date with Ruth Brown is an album by vocalist Ruth Brown featuring tracks recorded in 1959 and released on the Atlantic label.
Miss Rhythm is an album by vocalist Ruth Brown featuring tracks recorded between 1954 and 1959 and released on the Atlantic label.
True Blue is the fifth album led by saxophonist Hank Crawford featuring performances recorded in 1963 and 1964 for the Atlantic label.
Everyday I Have the Blues is an album by singer Joe Williams with Count Basie and His Orchestra featuring tracks recorded in 1959 which was originally released on the Roulette label.
Basie Jazz is an album by pianist/bandleader Count Basie recorded in 1952 and released on the Clef label in 1954. Selections from this album were also released on the 1956 Clef LPs The Swinging Count! and Basie Rides Again!.
Metronome All-Stars 1956 was the final album by the Metronome All-Stars, a loose amalgamation of musicians representing winners of Metronome magazine's annual poll. This 1956 release contains four tracks documenting the first collaboration between pianist/bandleader Count Basie and vocalist Ella Fitzgerald. The album was originally released on the Clef label in 1956.
Comment is an album by pianist/vocalist Les McCann recorded in 1969 and released on the Atlantic label.
LaVern Baker is the second studio album from American rhythm and blues singer LaVern Baker, released by Atlantic Records in 1957. This release was part of Atlantic Records' 8000 Series, a collection of self-titled budget albums by R&B artists, made to allow retailers to easily introduce audiences to popular singers. This was one of the first albums to collect popular singles from a single artist.
See See Rider is the seventh studio album by American rhythm and blues singer LaVern Baker and her last for Atlantic Records. After this release, Baker slowed down her recording and touring for several years.
