This article needs additional citations for verification .(July 2014) |
Blue Afternoon | ||||
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Studio album by | ||||
Released | 24 November 1969 | |||
Recorded | 1969 | |||
Genre | ||||
Length | 40:47 | |||
Label |
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Producer | Tim Buckley | |||
Tim Buckley chronology | ||||
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Review scores | |
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Source | Rating |
AllMusic | [1] |
The Encyclopedia of Popular Music | [2] |
Blue Afternoon is the fourth studio album by Tim Buckley, released in November 1969. It is Tim Buckley's first self-produced record and his debut for Herb Cohen and Frank Zappa's Straight record label. The album is a follow-up to Tim Buckley , Goodbye and Hello , and Happy Sad . Blue Afternoon used the same group of musicians as Happy Sad, with the inclusion of drummer Jimmy Madison. It has been considered as perhaps Buckley's most experimental work. [3]
Several tracks on Blue Afternoon are songs Buckley had intended to record on earlier albums but had not completed. "Chase the Blues Away" and "Happy Time" are numbers he had worked on in the summer of 1968 for possible inclusion on Happy Sad and demos can be heard on the Rhino label's Works in Progress album.
Blue Afternoon, like Starsailor , was re-released as a stand-alone album on CD format only once in the United States, in 1989 on the Enigma Retro label. It was then later re-issued by Warners/Rhino Records UK in 2011 as part of the Original Album Series box set, [4] with Buckley's four LPs released on Elektra Records, and again in 2017 by Rhino as part of the collection Tim Buckley - The Complete Album Collection, featuring his first 7 albums plus a re-release of Works in Progress.[ citation needed ]
All tracks are written by Tim Buckley.
No. | Title | Length |
---|---|---|
1. | "Happy Time" | 3:15 |
2. | "Chase the Blues Away" | 5:14 |
3. | "I Must Have Been Blind" | 3:40 |
4. | "The River" | 5:47 |
No. | Title | Length |
---|---|---|
1. | "So Lonely" | 3:27 |
2. | "Café" | 5:40 |
3. | "Blue Melody" | 4:55 |
4. | "The Train" | 7:53 |
Timothy Charles Buckley III was an American musician. His music and style changed considerably through the years. Buckley began his career based in folk music, but his subsequent albums experimented with jazz, psychedelia, funk, soul, the avant-garde, and an evolving voice-as-instrument sound. He died at the age of 28 from a heroin and morphine overdose, leaving behind sons Taylor and Jeff.
Starsailor are an English post-Britpop band, formed in 2000. Since their formation the band has included guitarist and vocalist James Walsh, drummer Ben Byrne, bassist James Stelfox and keyboardist Barry Westhead. They are best known for their 2003 single "Silence Is Easy" which reached number 9 in the UK.
Starsailor is the sixth studio album by Tim Buckley, released on Herb Cohen's Straight Records label in November 1970. Starsailor marks the moment Buckley's folk rock origins became invisible as he fully incorporated jazz rock and avant-garde styles into his music. Although it alienated elements of his fanbase upon release, it also contains his best known song, "Song to the Siren". This more accessible song was written much earlier than Starsailor's newer material, originally in a more traditional folk arrangement, as shown on the later released compilation album Morning Glory: The Tim Buckley Anthology. Bunk Gardner, a former member of the Mothers of Invention, joined Buckley's normal band to record the album. Also, Buckley began working again with lyricist Larry Beckett, after a three-album hiatus.
Straight Records, self-identified simply as Straight, was a record label formed in 1969 to distribute productions and discoveries of Frank Zappa and his business partner/manager Herb Cohen. Straight was formed at the same time as a companion label, Bizarre Records. Straight and Bizarre were manufactured and distributed in the U.S. by the Warner Bros. Records family of labels, which also included Reprise Records. Straight recordings were distributed in the U.K. by CBS Records.
Goodbye and Hello is the second album by Tim Buckley, released in August 1967, recorded in Los Angeles, California, in June of the same year.
Happy Sad is the third album by American singer-songwriter Tim Buckley, released in April 1969. It was recorded at Elektra Sound Recorders in Los Angeles, California and was produced by former Lovin' Spoonful members Zal Yanovsky and, coincidentally, his subsequent replacement Jerry Yester. It marked the beginning of Buckley's experimental period, as it incorporated elements of jazz that he had never used before. Many of the songs here represent a departure from the binary form that dominated much of his previous work. The sound of the album is characterized by David Friedman's vibraphone, an instrument which gives the album a more relaxed tone than Buckley's earlier work. The songs are much longer than on previous releases and this style continued through to later works. The vocals on the album are more drawn out than earlier performances and this represents the beginning of Buckley using his voice like an instrument. The lyrics on Happy Sad represent a change as Buckley stopped working with Larry Beckett, his lyricist on the two previous albums Tim Buckley and Goodbye and Hello, and began writing the lyrics himself. Buckley's self-penned efforts stand in contrast to Beckett's occasionally political and literary-style work. Buckley would also go on to author all his own material on the following two albums.
Tim Buckley is the debut album by Los Angeles based singer-songwriter Tim Buckley, released in October 1966. Most of the songs on it were co-written by Buckley and Larry Beckett while they were in high school. It was recorded at Sunset Sound in Los Angeles, California.
Lorca is the fifth studio album by singer-songwriter Tim Buckley, his fifth since his debut in 1966. It was named after Spanish poet Federico Garcia Lorca, and was recorded simultaneously with Blue Afternoon, though notably different in style. It was one of Buckley's two avant-garde albums, and explored some sounds and ideas he had not previously used. Also importantly, it was an attempt to break away from more traditional and prevalent pop music songwriting styles, such as the verse/chorus binary form, that Buckley had explored in the earlier parts of his career.
Greetings from L.A. is the seventh album by singer-songwriter Tim Buckley, released in August 1972. It was recorded at Far Out Studios in Hollywood, California. Like most of his other albums, Greetings from L.A. did not sell well, although this is probably his best seller, getting substantial airplay in the Twin Cities on the Minneapolis FM station KQRS and selling very well at the independent record shops in Minneapolis-St. Paul and elsewhere until it was deleted by Warner Brothers.
Works in Progress is a compilation album by Tim Buckley. The album is a collection of studio recordings dating from early and mid-1968 in addition to one recording dating from a recording session in 1967. The material on this album consists of songs Buckley was working on for a third album, the at the time unnamed album that would become Happy Sad. The majority of the songs from the studio recording sessions were lost or erased but some songs were preserved on a compilation reel at the studio. The large part of these recordings were not used on Happy Sad and appear only on this compilation. Some of the songs here evolved into another song: "Danang" and "Ashbury Park" later came to form two movements of the three-part song "Love From Room 108 At The Islander " that would appear on the final version of Buckley's third album.
Dream Letter: Live in London 1968 is a live album by Tim Buckley. The album was recorded in Queen Elizabeth Hall, London, England on October 7, 1968. Due to a lack of available funds Buckley was unable to tour with regular bass player John Miller and conga player Carter "C.C." Collins. The concert instead features bassist Danny Thompson, guitarist Lee Underwood and vibraphone player David Friedman.
Ultimate! is a comprehensive career retrospective album by English rock group the Yardbirds. The 52-song two–compact disc compilation was released in 2001 by Rhino Records. The tracks span the period from the group's first demo recordings in 1963 to the last singles in 1968. They include all 17 of the group's singles, both A-side and B-sides, supplemented with more than a dozen album tracks, their performance for the film Blow-Up, and three early solo numbers by singer Keith Relf.
Happy is Matthew West's debut studio album for a major label, released on December 26, 2003. It was followed by History, Sellout (re-release), and Something to Say.
The Dream Belongs to Me: Rare and Unreleased 1968 – 1973 is a compilation album by Tim Buckley. The album consists of three demo sessions, two recorded in 1968 and the other in 1973.
The Late Great Tim Buckley is a compilation LP by Tim Buckley. The album consists of recordings from five of Buckley's studio albums: Tim Buckley, Goodbye and Hello, Happy Sad, Greetings from L.A. and Sefronia. The compilation was the first Buckley LP to be released posthumously and was only released in Australia. It would be another 5 years until the next release, The Best of Tim Buckley, highlighting the decline of Buckley's popularity in the latter stages of his career before his death. The compilation provides a sparse overview of Buckley's career, omitting music from Lorca, Blue Afternoon and Starsailor and focusing instead on the more commercial periods of Buckley's recording years. The album is currently out of print.
The Best of Tim Buckley is a compilation LP by Tim Buckley. It presents Buckley as a folk artist with songs written between 1966 and 1970. The album features material from the studio albums Tim Buckley, Goodbye and Hello, Happy Sad and Blue Afternoon, in addition to "Song to the Siren" from his avant garde album Starsailor. This was the first new release, outside of Australia after Buckley's death. The album provides an overview of Buckley's folk beginnings, excluding material from his later albums.
"Song to the Siren" is a song written by Tim Buckley to a poem by his writing partner Larry Beckett, released by Buckley on his 1970 album Starsailor. It was also later released on Morning Glory: The Tim Buckley Anthology, the album featuring a performance of the song taken from the final episode of The Monkees TV show which aired on March 25, 1968.
Lee Underwood is an American musician and journalist who played lead guitar with Tim Buckley for most of Buckley's career.
Teenage Tragedies is a compilation album of teen tragedy songs released on Rhino Records in 1984.
I Hope You're Happy is the ninth studio album by American band Blue October, released on August 17, 2018 on Up/Down and Brando Records.