I Never Loved a Man the Way I Love You is the tenth studio album by American singer Aretha Franklin, released on March 10, 1967 by Atlantic Records. It was Franklin's first release under her contract with the label, following her departure from Columbia Records after nine unsuccessful jazz standard albums, and marked a commercial breakthrough for her, becoming her first top 10 album in the United States, reaching number 2 on the Billboard 200. Two singles were released to promote the album: "Respect" and "I Never Loved a Man ". The former topped the Billboard Hot 100, while latter reached the top 10.
Timothy Charles Buckley III was an American musician. He began his career based in folk rock, but subsequently experimented with genres such as psychedelia, jazz, the avant-garde, and funk as well as unconventional vocal stylings. His commercial peak came with the 1969 album Happy Sad, reaching No. 81 on the charts, while his experimental 1970 album Starsailor went on to become a cult favorite. The latter contained his best known song, "Song to the Siren." Buckley died at the age of 28 from a heroin and morphine overdose, leaving behind sons Taylor and Jeff.
Closing Time is the debut album by American singer-songwriter Tom Waits, released on March 6, 1973, on Asylum Records. Produced and arranged by former Lovin' Spoonful member Jerry Yester, Closing Time was the first of seven of Waits' major releases by Asylum.
Starsailor is the sixth studio album by Tim Buckley, released on Herb Cohen's Straight Records label in November 1970. Starsailor marks Buckley's full embrace of avant-garde and jazz-rock styles into his music. Although it alienated elements of his fanbase upon release, it also contains his best known song, "Song to the Siren", which was written much earlier than the rest of the material. Bunk Gardner, a former member of the Mothers of Invention, joined Buckley's backing band to record the album. Also, Buckley began working again with lyricist Larry Beckett, after a three-album hiatus.
Blood, Sweat & Tears is the second album by the band Blood, Sweat & Tears, released on December 11, 1968. It was commercially successful, rising to the top of the U.S. charts for a collective seven weeks and yielding three successive Top 5 singles. It received a Grammy Award for Album of the Year in 1970 and has been certified quadruple platinum by the RIAA with sales of more than four million units in the U.S. In Canada the album enjoyed four runs and altogether eight weeks at No. 1 on the RPM national album chart.
Fulfillingness' First Finale is the seventeenth studio album by American singer-songwriter Stevie Wonder, released on July 22, 1974 by Tamla, a subsidiary of Motown Records. It is the fourth of five albums from what is considered Wonder's "classic period".
Happy Sad is the third album by American singer-songwriter Tim Buckley, released in April 1969. It was recorded at Elektra Sound Recorders in Los Angeles, California and was produced by former Lovin' Spoonful members Zal Yanovsky and, coincidentally, his subsequent replacement Jerry Yester. It marked the beginning of Buckley's experimental period, as it incorporated elements of jazz that he had never used before. Many of the songs here represent a departure from the binary form that dominated much of his previous work.
Tim Buckley is the debut album by Los Angeles based singer-songwriter Tim Buckley, released in October 1966. Most of the songs on it were co-written by Buckley and Larry Beckett while they were in high school. It was recorded at Sunset Sound in Los Angeles, California.
Lorca is the fifth studio album by singer-songwriter Tim Buckley, released in 1970 on Elektra Records. It was named after Spanish poet Federico Garcia Lorca, and was recorded simultaneously with Blue Afternoon (1969), though notably different in style. Its avant-garde approach breaks away from traditional songwriting styles, such as the verse/chorus binary form.
Sefronia is the eighth album by singer-songwriter Tim Buckley, released in September 1973.
Works in Progress is a compilation album by Tim Buckley. The album is a collection of studio recordings dating from early and mid-1968 in addition to one recording dating from a recording session in 1967. The material on this album consists of songs Buckley was working on for a third album, the at the time unnamed album that would become Happy Sad. The majority of the songs from the studio recording sessions were lost or erased but some songs were preserved on a compilation reel at the studio. The large part of these recordings were not used on Happy Sad and appear only on this compilation. Some of the songs here evolved into another song: "Danang" and "Ashbury Park" later came to form two movements of the three-part song "Love From Room 108 At The Islander " that would appear on the final version of Buckley's third album.
Morning Glory: The Tim Buckley Anthology is a compilation album by Tim Buckley. The two cds give an overview of Tim Buckley's career. The compilation contains material from the many phases of Buckley's career, and includes a previously unreleased version of "Song to the Siren", as performed in 1968 on The Monkees. The photo used for the cover art was taken by Linda Eastman, more commonly known as Linda McCartney.
Dream Letter: Live in London 1968 is a live album by Tim Buckley. The album was recorded in Queen Elizabeth Hall, London, England on October 7, 1968. Due to a lack of available funds Buckley was unable to tour with regular bass player John Miller and conga player Carter "C.C." Collins. The concert instead features bassist Danny Thompson, guitarist Lee Underwood and vibraphone player David Friedman.
Rip It Up is the second album by Scottish post-punk band Orange Juice, released in 1982. It contains their hit song of the same name, which reached the Top 10. The album was included in the book 1001 Albums You Must Hear Before You Die.
Farewell Aldebaran is a 1969 album by American musicians Judy Henske and Jerry Yester. Originally released on Frank Zappa's Straight record label, it contains an eclectic mix of songs in a wide variety of styles and is also notable for its early use of synthesisers. AllMusic describes the album as "a fusion of folk music, psychedelia, and arty pop, though that only scrapes the surface of the LP's stylistic complexity." Although the album got some good reviews it failed to sell in large quantities, purchasers possibly confused by its eclecticism.
Jerome Alan Yester is an American folk rock musician, record producer, and arranger.
Larry Beckett is an American poet, songwriter, musician, and literary critic. As a songwriter and music arranger, Beckett collaborated with Tim Buckley in the late 1960s and early 1970s on several songs and albums, including the critically acclaimed "Song to the Siren" which has been recorded by many artists, from This Mortal Coil to Robert Plant. He has also collaborated with British group The Long Lost Band, and local Portland indie band Eyelids.
The Best of Tim Buckley is a compilation LP by Tim Buckley. It presents Buckley as a folk artist with songs written between 1966 and 1970. The album features material from the studio albums Tim Buckley, Goodbye and Hello, Happy Sad and Blue Afternoon, in addition to "Song to the Siren" from his avant garde album Starsailor. This was the first new release, outside of Australia after Buckley's death. The album provides an overview of Buckley's folk beginnings, excluding material from his later albums.
Edward Hoh was an American rock drummer who was active in the 1960s. Although primarily a studio session and touring drummer, Hoh exhibited a degree of originality and showmanship that set him apart and several of his contributions have been singled out for acknowledgment by music critics.
William Stanley Harvey was an American graphic designer and art director, responsible for the design of Elektra Records' logos and many of its album covers between the 1950s and 1970s including those by Love, The Doors, MC5, The Stooges, Judy Collins, Tim Buckley and others.
