Blueprint of a Lady: Sketches of Billie Holiday | ||||
---|---|---|---|---|
Studio album by | ||||
Released | 23 August 2005 | |||
Recorded | March – April 2005 | |||
Studio | Fantasy Studios, Berkeley, California | |||
Genre | Jazz | |||
Length | 1:02:46 | |||
Label | Concord Jazz CCD 22892 | |||
Nnenna Freelon chronology | ||||
|
Blueprint of a Lady: Sketches of Billie Holiday is a 2005 album by Nnenna Freelon recorded in tribute to Billie Holiday. [1]
The songs "Only You Will Know" and "Interlude - Little Brown Bird" are original compositions by Freelon and Brandon McCune that were written in homage to Holiday. [2]
Writing for All About Jazz, Ken Franckling wrote that Freelon pays tribute to Holiday "in the best possible way—without imitation and putting her own interpretations on material written by or associated with Lady Day" with Freelon's band "skilfully complement[ing] her at every turn" and that Freelon's "phrasing and vocal clarity contribute to an overall feeling that is more positive than Holiday's often dark and plaintive renditions of the same material". [2] Franckling praises the saxophonist Doug Lawrence as offering a "sublime conversational response" to Freelon on "You've Changed" and felt that guitarist Julian Lage "sparkles throughout". [2] Though Holiday and Mal Waldron wrote the song "Left Alone", Holiday never recorded it. Franckling felt that Freelon "unearths the positives buried beneath Holiday's words about loneliness". [2]
Christopher Loudon wrote for the Jazz Times that we "get to observe slices of the Holiday songbook from entirely fresh, forthright perspectives". [3]
Ken Dryden reviewed the album for Allmusic and wrote that Freelon "had no intention of making her tribute to Billie Holiday a straight-ahead remake of songs associated with Lady Day. But the danger of straying too far from these well-known melodies is that these contemporary arrangements end up sounding both overblown yet bland" and that "Freelon has long since proved herself as one of the best jazz vocalists of her generation, but this salute to Billie Holiday will likely be of limited appeal to many dedicated fans of Lady Day." [1]
Malcolm Earl "Mal" Waldron was an American jazz pianist, composer, and arranger. He started playing professionally in New York in 1950, after graduating from college. In the following dozen years or so Waldron led his own bands and played for those led by Charles Mingus, Jackie McLean, John Coltrane, and Eric Dolphy, among others. During Waldron's period as house pianist for Prestige Records in the late 1950s, he appeared on dozens of albums and composed for many of them, including writing his most famous song, "Soul Eyes", for Coltrane. Waldron was often an accompanist for vocalists, and was Billie Holiday's regular accompanist from April 1957 until her death in July 1959.
Lady in Satin is an album by the jazz singer Billie Holiday released in 1958 on Columbia Records, catalogue CL 1157 in mono and CS 8048 in stereo. It is the penultimate album completed by the singer and last released in her lifetime. The original album was produced by Irving Townsend and engineered by Fred Plaut.
Nnenna Freelon is an American jazz singer, composer, producer, and arranger.
"Fine and Mellow" is a jazz standard written by Billie Holiday, who first recorded it on April 20, 1939 on the Commodore label. It is a blues lamenting the bad treatment of a woman at the hands of "my man".
Mal/2 is an album by American jazz pianist Mal Waldron released on the Prestige label in November 1957. The CD reissue added two additional recordings from the same sessions originally released on The Dealers (1957) as bonus tracks.
"Lady Sings the Blues" is a song written by jazz singer Billie Holiday and jazz pianist Herbie Nichols.
"Now or Never" is a jazz song written by singer Billie Holiday, and composer Curtis Reginald Lewis.
"Don't Explain" is a song written by jazz singer Billie Holiday and Arthur Herzog Jr. It was Billie Holiday’s final song.
"Left Alone" is a jazz song written by singer Billie Holiday and pianist/composer Mal Waldron, and published by E.B. Marks.
Jazz at the Plaza Vol. II is a live album by American pianist, composer and bandleader Duke Ellington recorded in 1958 at a party for Columbia Records and released on the label in 1973. The Miles Davis Sextet was also recorded at the same event and released as the first volume of Jazz at the Plaza.
Eleanora Fagan (1915–1959): To Billie with Love From Dee Dee Bridgewater is a 2009 studio album by Dee Dee Bridgewater, recorded in tribute to Billie Holiday. It won the 2011 Grammy Award for Best Jazz Vocal Album, Bridgewater's third Grammy win in her career. Bridgewater had previously starred in Lady Day in the late 1980s, a biographical play about Holiday.
Left Alone is an album by American jazz pianist Mal Waldron recorded in 1959 and released on the Bethlehem label.
Mal: Live 4 to 1 is a live album by American jazz pianist Mal Waldron featuring a performance recorded in Tokyo, Japan in 1971 and released on the Japanese Philips label. West 54 Records reissued the album on LP in 1980 as Left Alone - Mal Waldron Live.
Blues for Lady Day is an album by American jazz pianist Mal Waldron featuring performances recorded in Baarn, Holland in 1972 and released on the Freedom label. The album was rereleased on CD on Black Lion Records in 1994 combined with tracks from A Little Bit of Miles.
Left Alone '86 is an album by jazz pianist Mal Waldron and saxophonist Jackie McLean released on the Japanese Paddle Wheel label in 1986. The album is a sequel to Waldron's 1959 recording Left Alone, on which McLean played on the title track.
My Dear Family is an album by jazz pianist Mal Waldron recorded in 1993 and released on the Evidence label.
Straight Ahead is an album by American jazz vocalist Abbey Lincoln featuring performances recorded in 1961 for the Candid label.
White Gardenia is an album by jazz saxophonist Johnny Griffin with brass and strings which was recorded in 1961 and released on the Riverside label. Intended as a tribute album to jazz singer Billie Holiday, who had died two years earlier, she had sung all of the songs, except for the title track, which is the only original composition by Griffin on the album. The white gardenia was the flower Holiday often wore in her hair. The orchestral arrangements were written by Melba Liston and Norman Simmons.
For Lady is an album by the American jazz cornetist Webster Young. It contains tracks recorded in 1957 for the Prestige label.
Gardenias for Lady Day is the eighth album by saxophonist James Carter featuring tracks associated with Billie Holiday which was released on the Columbia label in 2003.